Year: Tang Author: Bai Juyi
Jiangnan is good,
The scenery used to be familiar. [ 1]
At sunrise, the red flowers in the river win the fire.
In spring, the river is as green as blue.
Can you not remember Jiangnan?
To annotate ...
(1) According to Yuefu Miscellanies, this word is also called Xie Qiuniang, which was written by Tang Li Deyu for Xie Qiuniang. Also known as "Looking at Jiangnan" and "Dreaming of Jiangnan". It can be divided into single tone and double tone. Monotonous 27 words, double withered 54 words, all flat rhyme.
2 Familiarity (sound safety): Familiarity.
(3) Blue: Blue grass whose leaves can be used to make turquoise dyes.
judge
This word describes the spring scenery in Jiangnan, and the first sentence is "Jiangnan is good". With a simple and vivid word "good", I captured all the beauty of spring scenery in the south of the Yangtze River, and the author's praise and yearning were also included. At the same time, it is precisely because of "goodness" that we can "remember" endlessly. Therefore, this sentence has an allusion to "can you forget Jiangnan" and is related to it. The second sentence "I used to be familiar with the scenery" points out that the "good" scenery in the south of the Yangtze River is not a rumor, but the author's personal experience and personal feelings when he went out to graze in Hangzhou. This not only implements the word "good", but also takes care of the word "memory", which is a wonderful pen and ink to connect the meaning of an article. Three or four sentences vividly interpret the "goodness" of Jiangnan, highlighting the bright colors of jianghua and the red and green rivers, giving people a dazzling impression. Among them, there are contrasts between the same color and different colors, which fully shows the author's good coloring skills. At the end of the article, I collected the whole poem with Can I Forget Jiangnan, which not only expressed the author born in Luoyang's infinite admiration and nostalgia for the spring scenery in Jiangnan, but also created a long lasting charm, which brought the reader into a tearful realm.
2. What are the words "Yi Jiangnan"? Recalling Jiangnan in Tang Dynasty-Bai Juyi Jiangnan is good, and the scenery is familiar.
When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. Can you not remember Jiangnan?
Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion.
When will you revisit? Jiang Nanyi, followed by Wu Gong.
Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. We will meet again sooner or later.
Jiangnan is a good place, and I am familiar with the scenery there. At sunrise, the riverside safflower is brighter than the fire. In spring, a river with green water seems to be saturated with blue grass.
How can people not always miss the beautiful south of the Yangtze River? Appreciation of famous sentences-"Red flowers in the sunrise river are better than fire, and the riverside is as green as blue." This is a colorful painting, showing the beauty of Jiangnan.
Bai Juyi was born in the north, but after serving as the secretariat of Hangzhou and Suzhou, the beautiful scenery of Suzhou and Hangzhou left him with good memories. After returning to the north, he wrote many works that missed the old tour, and Memory of Jiangnan was one of them. At the beginning of this poem, I lamented "Jiangnan is good". Of course, the goodness of Jiangnan is a long story. However, the length of a word is too small to describe in detail. Bai Juyi chose the river flowers and spring water here, which is very bright against the sunrise and spring, vividly depicting the beautiful scene of spring in Jiangnan.
Sunrise is a famous couplet widely read by later generations because of its neat antithesis and bright colors. In the author's pen, the river flower and the fire set each other off, and the red color of the flower is amazing; Describe the river, green and blue appear at the same time, and the green of the water is as deep as before.
In just two sentences and fourteen words, I wrote the scenery of Jiangnan in spring. How can such a beautiful scenery not haunt the author? So the last sentence "Can you not remember Jiangnan?" naturally flowed out, and the author's feelings of remembering Jiangnan and praising Jiangnan were also self-evident.
What is Bai Juyi's longest impression in Hangzhou since I can't forget Jiangnan? The ancient book says: "Lingyin Temple in Hangzhou is rich in osmanthus. The monk in the temple said,' We are going to plant this month.
Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks also try to pick them up. "Since monks in the temple can pick it, it seems that Bai Juyi deliberately picked it when he was in Hangzhou, and he also went to Lingyin Temple many times to look for Na Yue's laurel seeds, just to appreciate the osmanthus flowers on the moonlit night in Sanqiu.
Bai Juyi is a poet, and naturally he has a romantic temperament. On the moonlit night of osmanthus fragrans in August, he lingered under the moon, sometimes looking up at the moon, and sometimes looking down to see if there were laurel trees flying in the shadow of osmanthus fragrans. What a beautiful and moving picture this is.
One is to find words, and emotion and scenery blend together, meaning and scenery blend together, poetic and fascinating. Perhaps, laurel in the middle of the moon is just a legend, so the wonders of Qiantang River do exist.
You may not find the seeds of laurel, but the tidal head is a truly visible and deeply felt landscape. Qiantang River flows from southeast to northeast of Hangzhou and reaches Haimen into the sea.
Qiantang River flows from Haimen day and night every day, which is very spectacular. Qiantang bore has the largest tidal current on the third day after the Mid-Autumn Festival every year, and the tidal head can reach tens of feet. Because of this, Bai Juyi wrote that he was lying in the pavilion of the county government, and he could see the snowy tide, which was full of interest.
In the first sentence, I went to the temple to look for the beautiful legend. In the second sentence, I was lying in bed looking at the surging qiantang bore, moving and quiet, from which I could get a glimpse of the psychological activities contained in the author's heart, and maybe I could feel the unforgettable Hangzhou. The third song is about Suzhou.
Wu wine and a cup of spring bamboo leaves. Some people may say that Zhu is not Wu wine. What is this? On the one hand, bamboo leaves and hibiscus are double in the next sentence. On the other hand, "spring" is an adjective here. The so-called spring bamboo leaves do not necessarily refer to bamboo leaf green wine, but to wine that can bring spring. Bai Juyi said in another poem that "the bamboo leaves in the urn are ripe in spring", but in the middle Tang Dynasty when Bai Juyi lived, many famous wines were named after the word "spring", such as "spring rich in water" and "spring every other spring".
Most literati love wine, and Bai Juyi is no exception. Drinking Wu wine and watching "Wu Wa Shuang Dance" is like the dance of drunken hibiscus. Baby is a kind of beauty. Stone is called "baby", and the house built for her by Fu Cha, the king of Wu, is called "Guanwa Palace".
Maybe Bai Juyi wrote this letter because he has contact with this beautiful woman. Ten years later, in Luoyang, he recalled drinking and watching dance, and could not help but sigh: "See you again sooner or later?" .
Sooner or later, it was said at that time, which means when. Three words, from now on, recall the past, and finally return to today, from Luoyang to Suzhou and Hangzhou, from today to the past more than ten years ago, today, yesterday, south to north, with a great time and space span.
Bai Juyi, who lives in Luoyang, is obsessed with Jiangnan. Looking back on the past, he remembers the most unforgettable past in Jiangnan with infinite affection, which gives him a certain spiritual satisfaction. We read this word today because Bai Juyi's wonderful description can also get some spiritual satisfaction. I don't know if Bai Juyi wrote it for his own memory or left it for later generations to appreciate. .
3. Remember what are the four words of Jiangnan? (1) Tang Bai Juyi's "Good Scenery in the South of the Yangtze River" was once well known.
(2) When the sun rises, flowers in the river are better than fire; Spring has come, and the river is as green as blue; (3) Can you forget Jiangnan? Note (1) According to Yuefu Miscellanies, this word is also called Xie Qiuniang, which was written by Tang Li Deyu for the late Ji Xieqiuniang. Also known as "Looking at Jiangnan" and "Dreaming of Jiangnan".
It can be divided into single tone and double tone. Monotonous 27 words, double withered 54 words, all flat rhyme.
2 Familiarity (sound safety): Familiarity. (3) Blue: Blue grass whose leaves can be used to make turquoise dyes. I remember Jiangnan-Liu Yuxi went to spring, thanking the people of Los Angeles.
Weak willows stand in the wind, and the jungle is like a towel. Sitting alone also includes swish.
The original author of this poem's note: "He Letian's" Ci of Spring "is based on" Recalling Jiangnan "." Lotte Spring Ci refers to Bai Juyi's "Recalling Jiangnan".
This is a poem that hurts spring. The first two sentences sigh that the spring in Los Angeles has passed, and write about the feeling of saying goodbye to spring. In the middle two sentences, the farewell feelings between trees, flowers and spring are written by anthropomorphic methods: the weak Liu Suifeng dances as if waving sleeves to hurt people; Blue grass is stained with dew, as if to bid farewell to spring with tears. The last sentence is "the song ends in a bad way", and one sentence says: in the face of this situation, even if you sit alone, you should worry.
It is not easy to write such affection in just five sentences. Kuang Zhouyi, a poet in A Qing, called this poem "a beautiful pen". Conciseness is indeed a major feature of Liu Yuxi's ci.
4. Reciting three ancient poems in the south of the Yangtze River, the topic is the same, but the place and time are different. Appreciation of Bai Juyi's Three Poems "Remembering Jiangnan" Author: Classical Poetry Appreciation Network Published: 2005-1-2910: 53: 38 Hits: 14430 Jiangnan is good and beautiful. Jiang Nanyi, the most memorable place is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you come again? Jiang Nanyi, followed by martial arts, Wu Jiu, a cup of spring bamboo leaves, and Wu Wa and Furong got drunk dancing. Will we meet again sooner or later? As the old saying goes, there is no word, and it is not far away. Bai Juyi's poem "Recalling Jiangnan" has been circulated for thousands of years and is immortal. So where are these words and words? How can you "walk" so far? Bai Juyi once worked as a secretariat of Hangzhou, stayed in Hangzhou for two years, and later worked as a secretariat of Suzhou for more than a year. In his youth, he wandered in the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he has a good understanding of Jiangnan, so Jiangnan is deeply impressed in his mind. Twelve years after he left Suzhou due to illness, he wrote these three poems when he returned to Luoyang. It can be seen that the scenery of Jiangnan is still vivid in his mind. It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it. He didn't describe the flowers and warblers commonly used in the south of the Yangtze River, but he wrote with "river" as the center, showing a bright and dazzling river through the contrast between "red wins fire" and "green as blue". For example, "two orioles sing green willows, a row of egrets go up to the sky", "Birds on the river are too white, and blue flowers on the mountain are burning", and the two different colors set each other off and make the poems picturesque. Bai Juyi also took this road. As can be seen from his poems, "The sunset glow is red, and the sky is blue." "When the spring grass is green, even the dreams are bright and the dusk is bright." Color is obtained in the river, and the picture we imagine is formed by baking, dyeing and setting off. Colorful and dazzling, rich in layers, almost no need for more associations. Spring scenery in the south of the Yangtze River has come to my face. Since I can't forget Jiangnan, what impressed him the most about Hangzhou, the place where Bai Juyi stayed for the longest time? The ancient book says: "Lingyin Temple in Hangzhou has many laurels. The monk said,' It was planted this month.' So far, in the Mid-Autumn Festival, watching the night, seeds often fall, and monks try to pick them up. "Since monks can pick, it seems that Bai Juyi was interested in picking when he was doing the secretariat of Hangzhou, and it seems that he went to Lingyin Temple many times to look for laurel trees in Na Yue, just to appreciate osmanthus in the moonlight in Sanqiu. Bai Juyi is a poet. Sometimes I look up at the moon, and sometimes I look down at whether there are osmanthus trees flying in the osmanthus shadow. What a beautiful and moving picture. A word, harmonious with the scenery, poetic and charming. Perhaps laurel in the middle of the moon is just a legend, so the wonders of Qiantang River do exist. Looking for laurel trees may not be found, but the tide is really visible. Qiantang tidal bore flows into the sea from Haimen day and night, which is spectacular. Qiantang bore has the largest tidal current on the third day after the Mid-Autumn Festival every year, and the tidal head can reach tens of feet. Because of this, Bai Juyi wrote that he was lying in the pavilion of his county government, and he could see the tide with clouds and snow, which was full of interest. The first sentence said that he went to the temple to look for the beautiful legend, and the second sentence said that he was lying in bed watching the surging qiantang bore, moving quietly. From this, we can get a glimpse of the author's inner psychological activities and perhaps feel the unforgettable experience of Hangzhou. The third song is about Suzhou Wujiu and a cup of spring bamboo leaves. Some people may say that Zhu is not Wu's wine. What is this? On the one hand, bamboo leaves are meant to be opposite to the hibiscus in the next sentence. Secondly, "spring" is an adjective here. The so-called spring bamboo leaves do not necessarily refer to bamboo leaf green wine, but to wine that can bring spring. In another poem, Bai Juyi said that "the bamboo leaves in the urn are ripe in spring", but in the middle Tang Dynasty where Bai Juyi lived, many famous wines were named after the word "spring", such as "Rich Water Spring" and "If Spring Comes", watching "Wuwa Double Dance" is like dancing with drunken hibiscus. "Wa" is a beautiful woman. Stone is called "Wa", and the house built for her by Fu Cha, the king of Wu, is called "Guanwa Palace". Maybe Bai Juyi wrote this letter because he has contact with this beautiful woman. After more than ten years, he was in Luoyang, recalling drinking and watching dance, and could not help but sigh: "Sooner or later. Sooner or later is what was said at that time, indicating when. Three words, from now on, recall the past and finally return to today, from Luoyang to Suzhou and Hangzhou, from today to the past more than ten years ago. Today, yesterday, south and north, time and space have a great span. Being in Luoyang, Bai Juyi was fascinated by Jiangnan, and recalled the past with infinite affection, which reminded him of the most unforgettable past in Jiangnan. .
5. What is the poem about Jiangnan? Jiangnan is good and the scenery is old.
When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan? Jiang Nanyi, the most memorable is Hangzhou.
Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit? Jiang Nanyi, followed by Wu Gong.
Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. Will we meet again sooner or later? As the old saying goes, there is no word, and it is not far away.
Bai Juyi's "Memorizing Jiangnan Ci" has been written for more than 1000 years and will be immortal. So where are these words? How can you "walk" so far? Bai Juyi once worked as a secretariat of Hangzhou, stayed in Hangzhou for two years, and later worked as a secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed.
Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind. It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it.
Instead of describing the flowers and warblers commonly used in the south of the Yangtze River, he began to write with the river as the center, showing the bright and dazzling spring scenery in the south of the Yangtze River through the contrast between "red wins fire" and "green as blue". In the poems of the great poet Du Fu, we can often see descriptions in different tones, such as "two orioles singing green willows, a row of egrets soaring into the sky" and "Jiang Niao is too white, and the mountains are green and the waters are white". Two different colors set each other off to make the poem bright and picturesque.
Bai Juyi took the same road, which can also be seen from his poems, such as "The sunset glow burns red, the clear sky is bluer than blue", "Spring grass is more dreamy when it is green, and the sunset glow is red near Chang 'an", "The green waves are east and west, and the red column is 390 bridges". Therefore, in Bai Juyi's works, the spring scenery in the south of the Yangtze River has been colored since the first day, and the flowers and rivers in the river have formed our imaginary picture because of the way of drying, dyeing and setting off. Colorful and dazzling, rich in layers, almost no need for more associations. Spring scenery in the south of the Yangtze River has come to my face.
What is Bai Juyi's longest impression in Hangzhou since I can't forget Jiangnan? The ancient book says: "Lingyin Temple in Hangzhou is rich in osmanthus. The monk in the temple said,' We are going to plant this month.
Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks also try to pick them up. "Since monks in the temple can pick it, it seems that Bai Juyi deliberately picked it when he was in Hangzhou, and he also went to Lingyin Temple many times to look for Na Yue's laurel seeds, just to appreciate the osmanthus flowers on the moonlit night in Sanqiu.
Bai Juyi is a poet, and naturally he has a romantic temperament. On the moonlit night of osmanthus fragrans in August, he lingered under the moon, sometimes looking up at the moon, and sometimes looking down to see if there were laurel trees flying in the shadow of osmanthus fragrans. What a beautiful and moving picture this is.
One is to find words, and emotion and scenery blend together, meaning and scenery blend together, poetic and fascinating. Perhaps, laurel in the middle of the moon is just a legend, so the wonders of Qiantang River do exist.
You may not find the seeds of laurel, but the tidal head is a truly visible and deeply felt landscape. Qiantang River flows from southeast to northeast of Hangzhou and reaches Haimen into the sea.
Qiantang River flows from Haimen day and night every day, which is very spectacular. Qiantang bore has the largest tidal current on the third day after the Mid-Autumn Festival every year, and the tidal head can reach tens of feet. Because of this, Bai Juyi wrote that he was lying in the pavilion of the county government, and he could see the snowy tide, which was full of interest.
In the first sentence, I went to the temple to look for the beautiful legend. In the second sentence, I was lying in bed looking at the surging qiantang bore, moving and quiet, from which I could get a glimpse of the psychological activities contained in the author's heart, and maybe I could feel the unforgettable Hangzhou. The third song is about Suzhou.
Wu wine and a cup of spring bamboo leaves. Some people may say that Zhu is not Wu wine. What is this? On the one hand, bamboo leaves and hibiscus are double in the next sentence. On the other hand, "spring" is an adjective here. The so-called spring bamboo leaves do not necessarily refer to bamboo leaf green wine, but to wine that can bring spring. Bai Juyi said in another poem that "the bamboo leaves in the urn are ripe in spring", but in the middle Tang Dynasty when Bai Juyi lived, many famous wines were named after the word "spring", such as "spring rich in water" and "spring every other spring".
Most literati love wine, and Bai Juyi is no exception. Drinking Wu wine and watching "Wu Wa Shuang Dance" is like the dance of drunken hibiscus. Baby is a kind of beauty. Stone is called "baby", and the house built for her by Fu Cha, the king of Wu, is called "Guanwa Palace".
Maybe Bai Juyi wrote this letter because he has contact with this beautiful woman. Ten years later, in Luoyang, he recalled drinking and watching dance, and could not help but sigh: "See you again sooner or later?" .
Sooner or later, it was said at that time, which means when. Three words, from now on, recall the past, and finally return to today, from Luoyang to Suzhou and Hangzhou, from today to the past more than ten years ago, today, yesterday, south to north, with a great time and space span.
Bai Juyi, who lives in Luoyang, is obsessed with Jiangnan. Looking back on the past, he remembers the most unforgettable past in Jiangnan with infinite affection, which gives him a certain spiritual satisfaction. We read this word today because Bai Juyi's wonderful description can also get some spiritual satisfaction. I don't know whether Bai Juyi wrote it for his own memory or for future generations to appreciate. what do you think? Recalling Jiangnan 1 Tang Bai Juyi Jiangnan is good and the scenery is old.
(2) At sunrise, the river is redder than fire, and in spring, the river is as green as blue. (3) You can forget about Jiangnan. The author, 772-846, was born in Taiyuan (now Shanxi).
Tang Dezong Jinshi pilgrimage. In the third year of Yuanhe (808), he worshipped the left and collected the remains. Later, he was demoted to Jiangzhou (now Jiangxi) Sima and moved to Zhongzhou (now Sichuan) to be the secretariat of Suzhou (now Jiangsu) and Tongzhou (now Dali, Shaanxi). He lived in Luoyang at night and was named Mr. Drunk Sound, a Buddhist in Xiangshan.
His poetry has obvious political inclination, emphasizes allegory, is easy to understand, and is quite famous in the middle Tang Dynasty. He was also an outstanding poet in the early days, and his works had a great influence on later generations.
Note (1) According to Yuefu Miscellanies, this word is also called Xie Qiuniang, which was written by Tang Li Deyu for the late Ji Xieqiuniang. Also known as "Looking at Jiangnan" and "Dreaming of Jiangnan".
It can be divided into single tone and double tone. Monotonous 27 words, double withered 54 words, all flat rhyme.
2 Familiarity (sound safety): Familiarity. (3) Blue: Blue grass whose leaves can be used to make turquoise dyes.
Comment on the word "Spring in the South of the Yangtze River", the first sentence is "Good in the South of the Yangtze River". With a shallow and round word "good", it captures all the good places of spring in the south of the Yangtze River and the author's praise and yearning for it.
6. Bai Juyi's ancient poem "Three Stories of Jiangnan" is a poem written by Bai Juyi, a poet in the Tang Dynasty.
The whole poem is as follows:
one
Jiangnan is good and the scenery is old; When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?
Secondly,
Jiang Nanyi, the most memorable is Hangzhou; Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit?
third
Jiang Nanyi, followed by martial arts; Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. We'll meet again sooner or later. ⑽?
The translation is as follows:
one
How beautiful the scenery in the south of the Yangtze River is. I have been familiar with it for a long time. Spring is coming, the sun rises from the river, making the flowers on the river brighter than red, and the green river greener than blue grass. How can one not miss Jiangnan?
Secondly,
The memory of Jiangnan can best evoke the memory of Hangzhou: you visited Tianzhu Temple in Mid-Autumn Festival to find laurel trees, boarded the county pavilion, rested on it and enjoyed the tide of Qiantang River. When can I go to play again?
third
Memories of Jiangnan, and then memories of Suzhou Wugong, drinking wine and spring bamboo leaves in Wugong, watching the singers in Wugong dance like charming hibiscus. We always meet again in the morning and evening.
Extended data:
Creation background
Bai Juyi was the secretariat of Hangzhou for two years, and later he was the secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. He knew Jiangnan like the back of his hand, so he was deeply impressed. When he returned to Luoyang for more than ten years after retiring from Suzhou, he wrote these three "Memories of Jiangnan".
works appreciation
These three words, from now on, recall the past and recall Suzhou and Hangzhou from Luoyang. Today, yesterday, south and north, time and space span greatly. The first two sentences of each song are love stories of the past and the present. I am in Luoyang and am fascinated by Jiangnan. The middle two sentences of each song are infinitely affectionate memories of the most unforgettable past in Jiangnan.
What about the conclusion? Then I went back to today, hoping that those beautiful memories would become a living reality one day. Therefore, the whole set of characters is only a few tens of crosses, but it attracts readers to enter the role from multiple levels, imagining various situations experienced by the protagonist past lives and experiencing various spiritual activities displayed by the protagonist past lives, thus gaining endless aesthetic enjoyment.
These three words, each with a beginning and an end, have certain independence; And there is an organic whole in the poem, which is coordinated before and after and runs through the context, showing the author's superb artistic skills in planning the layout of the article.