1, Luo Shenfu thirteen lines
In this work, Wang Xianzhi's pen is tall and powerful, with beautiful style and spacious structure. The strokes in Chinese characters, such as left and right strokes, tend to stretch very long but not frivolous, and the end of the pen is carried by the pen force, which is vigorous and powerful. The font is symmetrical and harmonious, and the combination of each part has subtle and vivid changes. The size of words is different, and the spacing and spacing of words naturally change.
2. Inscription of Liquan in Jiucheng Palace
This work is slender, the middle palace is tightened, it is open on all sides, and it is left and right, which saves the day. The glyph is shaped with the trend, and the left and right structures are opposite. The upper and lower structures are narrow and wide, the shelves are stable and the weather is solemn. Its white cloth is uniform, and the word spacing and row spacing are sparse, which is the most accurate one among the nine palaces. The whole monument is full of blood and bare charm.
3. Confucius Temple Monument
This monument was erected to record the ninth year of Emperor Gaozu's Wude (626), and the thirty-third grandson, Kong Delun, was canonized to restore the Confucius Temple. Zhenguan seven years (633) carved, no writing date.
4, Yanta holy fatwa
Chu Suiliang's Preface to the Wild Goose Pagoda is a famous piece in the history of calligraphy. It was written by Chu Suiliang at the age of 58, and it is the most representative work of Chu Suiliang's regular script style. The font is beautiful and vigorous, and the brushwork is skillful and mature. In the word structure, it changed the long characters of Europe and Yu, and created a slim but full font.
5. Duobaota Monument
This monument is beautiful and vigorous as a whole, refreshing and pleasant, concise and lively, with exquisite words. The brushstroke is rich and beautiful, smooth and steady; Horizontal thin vertical thick, strong contrast; Start with more hints, end with more hints, and turn with more hints. The structure is rigorous, compact, regular, smooth and well-proportioned, and the tablet has excellent body and many words. People who study Yan style mostly start from this monument and enter its temple.
Introduction to regular script
Regular script, a font of Chinese characters, is also called regular script, regular script, original script and regular script. It gradually evolved from official script, becoming more simplified and more horizontal and vertical. The book Ci Hai is interpreted as "square in shape and straight in brushwork, which can be used as a model". This kind of Chinese character has the correct font and is a modern popular handwritten orthographic Chinese character.