Appreciation of Jie Lianhuan's Farewell

When you are ecstatic. It's a row, but people can break up. If you leave and reschedule the wedding, you will be afraid that the soft words are unfounded and it will be difficult to celebrate. The rain outside the spring mountain will make people feel happy and frown. Watching the boat drift away, I hate killing people and planting willows.

Partings happen from time to time. What's the need? Be thin. But if you love for a long time, it will be everywhere, and so on. The tide is flowing west, will you send me and carp? If you visit the lantern market tomorrow, you will sell wine for farmers.

This word complains about the pain of parting, but its tone is positive, healthy and clear. The first part is all about scenery, and the next part is all about subjunctive mood. He wrote quickly and boldly, full of some optimistic colors, and created a deep, persistent, passionate and affectionate female image.

The last movie went straight to the point and went straight to Chen Qi's after-the-fact scene, which was also full of things and people. Very touching, very touching. Through the three scenes of falling flowers, spring mountain outside the rain and willows by the water, the parting scene is outlined, and the protagonist's parting psychology is rendered, contrasted and touched. In the late spring, it is drizzling, red clouds are bursting, and the green hills on the riverside are low. The hero stood by the willow branches of Yiyi, full of sadness, gazing affectionately at the fluttering sails. At the beginning, the original intention was revealed: "When you are ecstatic, you are in a row, but you can break up." Bright and delicate flowers symbolize the beauty of youth; The fading of flowers means the passage of time and the rest of life. Flower formation is overwhelming, which means the collapse of a poetic world and a sense of tragedy. Write the meaning of "ecstasy" by writing about the protagonist in the bleak season and his loved ones. Among them, the phrase "ecstasy moment" not only clearly focuses on the theme, but also implies a sad and gloomy feeling, which makes the word have a strong emotional color at the beginning. Coupled with the "lovely" boarding, the sender's ecstasy jumped from the paper. The following "Falling Flowers in the Array" not only explains the farewell time, but also sets off the objective environment of falling flowers in late spring, rendering the lonely and sad atmosphere in the "ecstasy" season. Then, the poet pointed out the reason why the protagonist was sad and hated by saying "rescheduling the wedding when leaving, fearing that the soft words are unfounded and the joy is difficult." This frank and true disclosure shows the hero's deep feelings for "loveliness" and makes the parting more real and moving. Among them, "rescheduling ceremony" means that it is not the first time to draw up a ceremony. Before parting, when they were in full bloom, they booked the next party and rescheduled it when they left, indicating that their hearts were as always and their attitudes were more firm. The word "vertical" before "parting" reveals a kind of anxiety that can't grasp the fate. The word "vertical" and the word "fear" are combined vertically, and the strokes are perfect, which truly and vividly depicts the huge psychological fluctuations of lovers. At this point, the pain of parting has been basically written, followed by a turning point, from the direct Chen Qi incident to the description of the scenery, and made the emotional feelings concrete. In order to express this feeling more strongly, the poet melts into the scenery and dyes the scenery around the hero with rich feelings. "The rain outside the spring mountain will make people very happy." The spring mountain behind the drizzle seems to understand the sadness of leaving people, and it is like frowning. Obviously, it's hard for me to feel sad, but I think Castle Peak is also full of parting and hate; Obviously, I'm frowning, but I don't think Qingshan can frown. The clever use of this means of empathy makes the protagonist's melancholy more vivid and full. Here, the poet turned "eyebrows like spring mountains" into "spring mountains outside the rain, which will make people feel comfortable and wrinkle with eyebrows", making the originally indifferent castle peak and protagonist * * * feel sad; Because the willow trees blocked my sight, I felt resentful for the willow trees planted by myself in those years, which further highlighted the enthusiasm and sincerity of my feelings when I said goodbye. In this way, the objective environment is highly integrated with people's subjective feelings, and the inner feelings of the protagonist are fully displayed. No matter "ecstasy", fear or frown, it can't change the fait accompli of parting, so the hero's mood becomes more intense, from sadness to hatred: "I hope that the boat will drift away, and I hate that I can't kill the year, so I planted willows myself." Although the Lord is extremely unreasonable, he is sincere. This is because although there are thousands of wickers, they can't catch the "lovely" boat, so they have to let it go until they finally disappear from sight. The three sentences of abnormal police action can be described as "unreasonable and wonderful"

The next film follows the protagonist's heart, closely follows the theme, writes farewell, is persistent and free and easy, and has a broad realm. However, it does not try to describe the loneliness and sadness of parting. But by comforting each other and persuading him to write and hope that he will visit next year, he expressed the hero's longing for goodbye, portrayed an infatuated but positive and cheerful female image, and expressed the hero's loyalty and integrity to love. The film seems to comfort itself and comfort the pain of parting from the philosophical thinking of love. "Things often happen in where will you go. Why bother to be thin? " Life is close, that is, there is separation, there is gathering and there is separation. It's a matter of course since ancient times. You don't have to worry about it and torture yourself so thin. Since parting is a universal life experience, we should be philosophical and free and easy. The next three sentences of "Dan Ruo" inherit the meaning of "if the two love each other for a long time, it must be sooner or later" in Qin Guan's "Que Qiao Xian Yun Qiao Qiao". The words are extremely broad-minded and sincere, which makes people feel suddenly enlightened: in the face of the word "no", the protagonist is no longer passively sad, but actively waiting. She firmly believes that the two sides have deep and solid feelings and are loyal to their own feelings, vowing that "we will wait for each other at the ends of the earth." True love will not be separated by Qianshan, as long as the feelings between us are not diluted by the passing years, the distance in space can be bridged by the soul. Even at the ends of the earth, it seems that intimacy and friendship last forever. Next, the poet expressed the hero's hope with frank and lively sentences, and expressed the hero's ardent expectation with "the tide flows west, willing to send me, and there is no carp". Finally, the hero's hope for reunion highlights her cherish and aftertaste of passionate love and past joy, which sets off today's sadness and resentment, reduces the sadness of parting, adds a lot of bright colors, and makes people feel refreshed and get out of sorrow temporarily.

The whole poem is full of twists and turns, tactfully, lyrical and delicate, with natural and fluent language, simple and homely, unpretentious, rich in connotation, diverse in expression techniques, profound in every sentence and true in every word.

References:

1, by Sun and Peng. A collection of Ming and Qing Ci. Wuhu: Anhui Normal University Press, 20 15: 20-2 12, edited by the editorial board of Ming and Qing Ci. Ci in Ming and Qing Dynasties. Shanghai: Lin Xue Publishing House, 20 15: 20. Chief editor, etc. Classification and integration of Chinese classical literature 16. 2. Tianjin: Baihua Literature and Art Publishing House, 1994: 227-2284, Tian Baoqin. A dictionary of appreciation of poems and songs. Taiyuan: Beiyue Literature and Art Publishing House, 1 989 65438+February1Edition: 583-5845, edited by Qian Zhonglian. A dictionary of appreciation of love story Sanqu. Changsha: Hunan Education Press, 1992: 673-6746, Tang Guizhang. A dictionary of appreciation of Ci in Jin, Yuan, Ming and Qing Dynasties. Nanjing: Jiangsu ancient books.