What is a loose structure?

The lost structure is: scattered (left and right structure) lost (left and right structure).

The lost structure is: scattered (left and right structure) lost (left and right structure). The part of speech is: verb. The phonetic notation is: ㄙㄢ 1. The pinyin is: sànyì.

What are the specific reasons for the loss? We will introduce you through the following aspects:

I. Text Description Click here to view the details of the plan.

Lost.

Second, the citation interpretation

1. loss. Quoting Liu Zhiji's General History of Ancient and Modern Times in the Tang Dynasty: "Dong Zhuo will make an insurrection and move westward, Mitchell will abandon it, and the old text will be lost." Liu Ruoyu's Miscellaneous Notes on Meditation in Ming Dynasty: "All manuscripts are scattered." A Ying's literary heritage about Qu Qiubai: "There are too many heritages about Qu Qiubai."

Third, the network interpretation

Lost, lost, Chinese word, Pinyin: sànyì refers to lost, from the official history of Liu Tang Zhiji's Shi Tong Gu Jin. Mostly used for the loss of literature, poetry and other literary works.

Poetry about being lost.

The Journey of Youth (Six Lost Poems), A poem in my old collection that was lost to Mo Yuechao was bought by Lu Zishu at a high price, and The Journey of Youth (Six Lost Poems).

Poetry about the lost.

The soldiers are all scattered, and the scarlet letter is all scattered.

Idioms about getting lost.

Birds and beasts are scattered, arrogant and extravagant, arrogant and extravagant, arrogant and extravagant.

Words about dispersion loss

Immortal posture is arrogant, arrogant, birds and animals are scattered, waiting for the spirit to disperse, putting down the luxury stalls, selling ice and leaves, arrogant.

On the Sentence-making of Lost Poems

1, Indian Sanskrit classics have been lost, and there are not many left.

2. The utensil fu in Han Dynasty is a tributary of the long river of Han Fu, but it has been largely lost for various reasons.

3. From some scattered articles and works of Chen Yuan's early editions, we can see his expression of Christian belief, his religious experience and confession of "sin", which further confirms his Christian belief.

4. Because part of this article was lost in the process of copying, its supplement, the authenticity of the quotation and the discussion of its theme are quite controversial in the field of "Dragon Studies".

5. This painting was collected by Shen Zhou, Xiang Shengmo, Gao Shiqi and the Palace Museum in Qing Dynasty. In the Republic of China, it was divided into two parts outside Paradise Lost, and the latter part was collected by Chen Banding, a famous painter and collector.

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