Li Qingzhao is the most outstanding poetess in the history of China literature. For a long time, she has been the focus of scholars at home and abroad. There are twelve volumes of Collected Works of Yi Lee and six volumes of Yi 'an Ci (one of which is Shuyu Ci), but it has long been lost. Later generations kept collecting, but they didn't get much. For example, Jiguge Miscellaneous Poems in the late Ming Dynasty, Si Yin Zhai Engraving Edition by Wang in the late Qing Dynasty, and Shuyu Ci compiled by Song Jin Yuan in the Republic of China all included Shuyu Ci, which was not only small in number, but also without annotations. In recent years, Wang Zhongwen's collation of Li Qingzhao's collection is more detailed and comprehensive, but only 43 words have been collected, and the collation notes are also unknown and unsafe. Other proofreading notes, selected notes and essays emerge one after another, often because of lack of originality. Therefore, Mr. Yu Zhongxing, a researcher at Shandong Museum, said: "Li Qingzhao's works are rare in the world and there are many researchers. It is really not easy to study them in depth and make more achievements. " Therefore, how to study Li Qingzhao deeply is an urgent problem in the field of ci poetry. This book was produced under such a background. Throughout the book, the difference between it and its predecessors lies in the following points, namely, its breakthrough to its predecessors:
First, there is a new version. As mentioned above, Li Qingzhao's original works were lost earlier, and the study of modern people can only start with the earliest and best series. The earliest edition was a volume of Shuyu Ci published in the Golden Haired Chicken Bone Pavilion in Changshu in the third year of Ming Chongzhen (1630). Ziyun is based on the third year of Hongwu (1370), with only 17 characters. Later, Shi Mao had another volume, Shuyu Ci, which was considered as one of the inscriptions on Jiguting. There are 49 songs in this book from Dream Order to Dolly, far exceeding the miscellaneous books. This is Li Qingzhao's most collected album. Unfortunately, no one knows it except one or two songs mentioned by Zhao Wanli. This book is based on Yu Shu Ci, a block-printed version of Agatha Pavilion Peng Zhi Sheng Dao Zhai Chao donated by Professor Tetsuhiko Murakami, a poet of Northeastern University. It is collated with Ci Qian, a 20-year edition published by Zanji School and Daoguang School, and Yu Shu Ci, a banknote collection in Shanghai Library. These three versions, which have never been used before, can be regarded as one of the characteristics of this book.
Second, work hard on textual research. Previous studies on Li Qingzhao were mainly based on theoretical analysis and artistic appreciation. However, textual research is not used much, and sometimes it is fruitful, and it also appears fragmented and unsystematic. On the basis of extensive data collection, this book examines the activities closely related to Li Qingzhao and her husband Zhao Mingcheng, as well as the friendship between Zhao and Li, thus clarifying Li Qingzhao's social relations, dissecting her personality and clarifying her environment. For example, Li Qingzhao's biological mother, according to her biography, has always been regarded as Wang's granddaughter. It is now found out from the newly obtained epitaph of Luoyang, Mrs. Wang and Mrs. Xue in the county that this is the stepmother of Qingzhao and the biological mother is Wang's eldest daughter. Wang Wengong and Tombstone in Chen Qing, Li See. His words, such as "The Fisherman's Pride", were mostly unknown when they were written. According to the author's research, they were written in the fourth year of Jianyan (1 130) and rushed into the sea with the imperial ship. His poem "Wujiang River" (a quatrain in summer) was written in April of the third year of Jianyan and Zhao Mingcheng. On the way to Chiyang, he visited Overlord's Ancestral Hall, a place in the west of Wujiang River. Wait, the list goes on. The book extensively looks for circumstantial evidence, digs deep into internal evidence, and finally analyzes the background of each work clearly, and on this basis, chronicles all works. This is an unprecedented work and a great creation of this book.
Thirdly, some new works were found in the addendum collection. Li Qingzhao's works, after several generations of literati's crawling comb, have been difficult to see the pearls of the vicissitudes of life. Wang Zhongwen has discovered some world-famous new works. However, Kong compiled a poem "New Lotus Leaf" by Li Qingzhao from the banknote version of the Ming Dynasty, but neither Song Ci nor Wang Ben published it. Professor Huang Wenji of Changhua Normal University in Taiwan Province Province received a poem "Magnolia Order" written by Li Qingzhao in the second volume of the Ming Dynasty's notes, and gave it generously. These are all used in this book. In addition, Qin Ming by Li Qingzhao is also included for the reference of researchers. Although the number of these collections is small, they are precious, which is a small breakthrough compared with previous notes.
Finally, this book also quotes many stone carvings and titles in textual research, which makes Li Qingzhao's research more in line with historical truth, which is hardly involved in other related works except AVIC's papers and chronology. The word volume
Dianjiangchun
Quail day
Huanxisha
Yujiaao
Subtract Mulan
Huanxisha
well
The resentment of the prince and grandson
A cluster of plum blossoms
Yu Tingchun; Spring In Jade Pavilion；Song of Youth
Ching Dynasty
Xiangzi
Nangezi
trolley
well
Qingyu case
New lotus leaf
Qin Yi goose
Zui Hua Yin
Volume II Poetry
Doubt syndrome differentiation
The lost sentence
The lost sentence
interrogative sentence
The third volume article
appendix
postscript
appendix
Reprint postscript