Who knows that the most important thing for a good-looking Hong Kong drama costume movie is to listen to the background music? Modern ones will do.

Introduce a website and describe Hong Kong film music in detail.

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Introduction: In 1980s, due to Ghost Story written by Tsui Hark and Cheng Xiaodong and Ghost Story written by John Woo, there was an upsurge in filming movies and ghost movies in Hong Kong. Ghost Story is adapted from Nie in Pu Songling's novel collection Strange Tales from a Lonely Studio, which is a remake of Li Hanxiang's film of the same name in 1960s, but it has made great changes in narrative. In the 1980s, Xiao Gan's action scenes were designed uniquely, with romantic and beautiful dances and elegant and ghostly pictures, showing extraordinary ingenious ideas. When it comes to the theme song "It's a long way to Xiu Yuan" in the movie "Ghost", we can't help but talk about James J.S.Wong, whose theme song is not only magnificent and heroic, but also the sound of a small bridge flowing water. Leslie Cheung sang this song a hundred times with a slightly deep and mellow voice.

"Life is like a long dream, the wind and frost blow on the face, and there are many directions in the world of mortals. Looking for love in the center of a silly dream, the road is long, and life is like a dream and longing, with tears in it. Where to find the direction of the heart, the wind seems to sigh in the dream, and the road is awkward with people. "

No matter how time goes by, as long as you hear this familiar melody, you can always think of the fairyland-like water tower, fragrant silk, harps and books in the film. In the song, the development of the plot can be described as ever-changing. Ning met Nie and fell in love. Ning refused ghosts and gods, and turned to Nie for help from reluctance to grief. The film systematically expounds the relationship between the two people, whether it is the martial arts movements flying all over the sky, the unrestrained knight errant, or the beautiful and gorgeous ghosts, whether it is a mixed blessing and a clear distinction between black and white. It is also conducive to secular entanglement. The film's elaborate pictures, shapes, movements and other film elements are intertwined with songs, which makes the audience feel the powerful impact of vision and hearing.

"The road is rugged and there is no sunshine. There are many directions for happiness under the mud and sand. A little bit of dreamy wind and rain, people on the road, a little bit of dreamy wind and rain, people on the road. "

1986, Tsui Hark's film studio made a heavy attack and supported John Woo's remake 1967, the gunfight film "The True Color of Heroes" directed by Kong Lung. Leslie Cheung's * * was full of tension, and it was his slightly green acting skills that animated a young * * image. Similarly, in terms of film demand and song creation, the theme song "Love of that Year", which was composed by James J.S.Wong, raised the friendship and brotherhood in the film to an artistic level, which was no longer a simple joy, resentment and hatred, and where you would go. Leslie Cheung's affectionate singing made us feel this song.