The original text of "the memory of playing flute on Phoenix Terrace, fragrant cold gold"
The fragrance is cold and golden. When it turns red, get up and comb your hair. Ren Bao is full of dust, curtain hook. I am afraid that I will leave my arms, but I don't want to say anything. New arrivals are thin, not dry wine, not sad autumn.
Do not rest. If you go back, it's hard to stay even if you read "Yangguan" a thousand times. Read Wu Lingren, smoke locks Qin Lou. Only the running water in front of the building should remember me and stare at me all day. Looking at the place, I have added new worries since then.
Memories of playing the flute on the Phoenix Tower: Sister Xiang Han Jin.
The incense burner is cold and fragrant, and the brocade on the bed is rolled up with red waves. I feel lazy after getting up and don't want to comb my hair. Ren Huagui's dressing box was covered with dust and shone brightly in the morning. I was afraid of sadness and pain when I left, but I wanted to talk but didn't want to speak. Recently, my body is getting thinner and thinner, not because I drink too much, nor because I am sad for autumn.
Forget it, forget it, this time, even if you sing the farewell song of "Yangguan" for ten thousand times, it's hard to keep him. I think he is far away in Wu Lingren, so I have to live in the cosmetics building. Only the running water in front of the building will pity me for staring at the fence all day. Overlooking the railing, it has added new sorrow since then.
Notes on "the memory of playing the flute on the Phoenix Tower: sweet cold gold"
(1) On the Phoenix Platform, I recalled playing the flute: the name of the epigraph. This piece of music was first seen in Chao's Qin Interesting Articles.
⑵ Gold (female): lion-shaped bronze incense burner.
(3) Red waves: Red is spread on the bed like waves.
(4) Carelessness: laziness.
⑸ lián: a luxurious dressing box.
[6] dry: involved.
(7) also: still.
⑻ Yangguan: The language is "Yangguan Triassic". Wang Wei's poem "Send Yuan Er Shi An Xi" said: "Weicheng is rainy and dusty, and the guest house is green and willow-colored. I advise you to drink more and go out of Yangguan for no reason. " Based on this, the poem was composed into Three Layers of Yangguan, which was a farewell song in the Tang and Song Dynasties. It generally refers to "leaving the song" here.
⑼ Wu Lingren Yuan: Appreciation of Song Ci by Shen Zufen (Shanghai Ancient Books Publishing House, March 1980): "Wuling" has two meanings in Song Ci and Yuan Qu: First, it refers to the story of the fisherman in Tao Yuanming's Peach Blossom Garden; One is the story of Liu and Ruan in You. This refers to the distance where the lover goes. Han Qi's "Dianjiang Lip" says: "Wuling is condensed and people are far away."
⑽ Qin Lou: It always means living alone in a cosmetics building. Qin Lou, or Fengtai, is said to be the residence of Qin Mugong's daughter Nong Yu and her husband Shaw History before they ascended to heaven by phoenix in the Spring and Autumn Period. Feng Yansi's "Nanxiangzi" said that "the smoke locks Qin Lou's infinite things"
⑾ eye (móu): refers to the pupil god. Shuowen: "Pupils are also children." Refers to the eyes. Long Mu, a Zen master, was quoted as saying in Volume 27 of The Complete Book of the Pure Moon, "... people have eyes, just like heaven has two whores, and they are a treasure of the whole body and the essence of the five internal organs."
Appreciation of "Memories of Playing the Flute on Phoenix Terrace, Fragrant Cold and Sister Jin"
This word is one of Li Qingzhao's famous parting words. The following are the main points of appreciation of this word by Mr. Xu Peijun, director of China Poetry Society.
The word "parting because of love" omits the parting time, only intercepts two sections before and after parting, and makes an in-depth exploration. At the beginning of the sentence, "the fragrance is cold and golden, and turns red" gives people a feeling of indifference and sadness. Gold refers to a bronze incense burner in the shape of a lion. "The red waves have turned over", the language version of Wu Fengqi by Liu Yong: "Yuanyang embroidery has turned over." It is said that the brocade quilt is spread on the bed at will, and under the reflection of the morning light, the ripples rise and fall, like rolling up layers of red waves. The golden stove is fragrant and cold, which reflects the poet's feelings in a specific state of mind; The brocade quilt is messy, which is caused by her unintentional folding. "Get up and Comb Your Hair Inadvertently" is all about the emotions and demeanor of the characters. These three sentences slowly but surely convey the author's deep and restrained mood in Xu Shu's syllables. Speaking of "Ren Bao's dust is full, and the curtain is hooked", it is slightly dead, which just reflects the waves in the poet's emotional process. However, the sadness in her heart has not yet been revealed, giving people the feeling of being careless or charming. Careless people are lazy. The incense in the stove is cold, so I have no intention of burning it again. The brocade on the bed is messy and unintentional, and the other is sloppy; The bun is fluffy, careless and sloppy; The mirror is full of dust, so it is careless to wipe it. And late in the morning, I still don't feel the urge of time, and I am careless. A careless "Ren", its careless state has reached the extreme. Why does the poet capitalize the word "carelessness"? The purpose is still to write sadness. The word "carelessness" is a word, which makes the reader feel that there is a kind of worry in her heart from the careless state of the character.
"I'm afraid it's hard for me to leave my arms." I started to get to the point, but then the author dragged on, "How much do I want to say?" I was so sad that I stayed in front of my husband and poured out my heart, but the words came to my mouth and I swallowed them. Love and sadness have another layer of twists and turns.
"I am thin when I first arrived, not dry wine, not sad autumn." First, she summed up the reasons for her thinness in a broad sense of life: some people are sick and drunk before the flowers bloom every day (Feng Yansi's "Walking on the boughs"), and some people are "I came from three thousand miles away. Sadness now follows autumn "(Du Fu's Ascending the Mountain), but she cares about others because she is not hurt and says goodbye.
From Sad Autumn to Take a Rest is a big jump. The poet jumped from the front to the back, omitting the lingering parting and the sadness of parting, and his brushwork was extremely refined. "Hugh! If you go back, it will be difficult to stay in "Yangguan" for thousands of times. " "Yangguan", that is, "Yangguanqu". I sang "Li Ge" everywhere in Qian Qian, but it was hard to stay. The feeling of farewell is vividly on the paper. "Miss Wu Lingren far away, smoke locks Qin Lou", which sums up the lovesickness of both sides very accurately. Together with Liu Chen and Ruan, it refers to his sweetheart. Qin Lou, also known as Fenglou and Fengtai. According to legend, in the Spring and Autumn Period, there was a Shaw History named Feng Ming who was good at playing the flute. Qin Mugong married his daughter Nong Yu, built a Phoenix Tower to live in, and played the flute to attract the Phoenix overnight, and the couple were left behind by the Phoenix. This excellent translation by Li Qingzhao not only describes her thoughts about her husband Zhao Mingcheng, but also describes Zhao Mingcheng's gaze at her makeup building, which is rich and profound. At the same time, the latter allusion coincides with the topic and takes care of the meaning of the problem.
In the second half of the next film, the sentences are closely connected with true feelings, the rhythm of language is also accelerated accordingly, and the intensity of feelings is also enhanced, so that the words "leave my arms" reach a climax. In the sentence "There is only water flowing in front of the building", "in front of the building" is the word "Qin Lou" and "staring at the place" is the word "staring at the place". When they are recited together, there is a natural melody to promote the speed of chanting, and funeral music will unconsciously touch people's heartstrings. In ancient times, there were many masterpieces of leaning against the building and cherishing others, but none of them were as infatuated as Li Qingzhao's. The "Wu Lingren" in her heart drifted away, and her figure disappeared in the misty mist. She was left alone on the Qin Lou, just leaning back and staring. Her hopeful mood cannot be expressed in words; No one understood her staring eyes. Only the running water in front of the building reflects her figure leaning against the building all day long, and prints her affectionate gaze. At this point, the theme seems to have been completed, and the last three sentences make the feelings ripple endlessly, leaving endless meaning. Since learning the news of Zhao Mingcheng's trip, she has had "new troubles", which is a joke; After Ming Cheng left, the bridal chamber was empty, and the beauty sat alone. From then on, it was another "new worry". If you stare in vain, your worries will increase day by day, and you will be unable to send it away.
Write this word to leave sadness, step by step, in an orderly way. The front film is a little sloppy, describing it as "thin"; The latter film takes "thinking" as the deepening, "infatuation" as the foil, from things to people, from the outside to the inside, and digs into the depths of the characters' souls. The "new troubles" of the latter film and the "new thinness" of the previous film are both lashed from a distance, which also accurately shows the increase of "Leave My Arms". In terms of structure, we should pay special attention to the word "Ren" in "Ren Bao Lian Man Chen" and the word "Nian" in "Nian Wu Lingren Garden". These are two silent leading words, which play a connecting role and play a key role in the words. From the linguistic point of view, except for the two allusions used in the latter film, they are basically extracted from the language of life. This is a natural festival, a court businessman, full of sad music. The so-called "thinking fresh with shallow customs" (Zou's Yuan Zhizhai's Ci) is true!