The author recalls the feeling of reading Twenty-four Filial Pieties in childhood, and exposes the hypocrisy and cruelty of feudal filial piety. The stories of filial piety, such as "Seeking carp on the ice", "Old Lai entertaining relatives" and "Guo Ju burying children", are emphatically analyzed, accusing this feudal filial piety of ignoring children's lives, taking nausea as pleasure, "taking unkindness as a training, slandering ancient evils and teaching future generations ill".
Its central idea is that the work sharply criticized the tendency of opposing vernacular Chinese and advocating retro at that time. In fact, the stories of dutiful sons in Twenty-four Filial Pieties should be very touching. It is a pity that generations of people have covered it with silk and cosmetics, smearing the touching truth into a disgusting sitcom.
Brief introduction of the author
Lu Xun (188 1 September 25th ~1June 5438+001October 19), originally named Zhou Zhangshou, later renamed Zhou Shuren, named Yushan, later changed to Yucai, a native of Shaoxing, Zhejiang. A famous writer, thinker, revolutionary, educator, democracy fighter, an important participant in the New Culture Movement, and one of the founders of modern literature in China.
In his early years, he went to Japan to study at public expense with Li Suizhi and Qian Junfu, and graduated from Sendai Medical College in Japan. "Lu Xun", 19 18, is the most commonly used pseudonym when he published Diary of a Madman.
Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation. He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century".