The author of the cheat sheet is Lin.
Lin (19 18—200 1) was born in Osaka, Japan, and was born in Toufen Town, Miaoli County, Taiwan. Born in Jiaoling, Guangdong Province, he is a famous writer. Novelists and essayists I moved to Beijing at the age of five and grew up in Beijing. Her childhood life can be seen in her novel Old Things in the South of the City, which was adapted into a film in the 1980s and had a great influence, making her one of the most popular and beloved writers in Taiwan Province Province. In recent years, Lin's prose has been introduced to Chinese mainland, and it has been greatly welcomed by readers for its delicate and gentle writing style.
The extended material "The Story of Stealing Reading" is an essay written by Ms. Lin, a modern writer. Taking stealing reading as a clue, this paper describes the process of the author hiding among many customers after school, stealing reading in rainy days and reluctantly leaving at night. It truly shows the author's love for reading and his desire for literary knowledge.
The author comprehensively uses detailed action, monologue and other descriptive methods and figurative rhetoric techniques, which makes the article full of moving charm.
Creation background
This article was written in August 1952.
The author grew up in Beijing as a child and spent 25 years here. After returning to his hometown in Taiwan Province Province from 65438 to 0948, he wrote a book "Old Things in the South of the City". This article is one of them and the author's childhood life in Beijing.
works appreciation
Taking "stealing reading" as a clue, this paper describes the unique feeling and complex taste of "stealing reading" delicately and vividly. Through the time series of rushing to the bookstore after school and reluctantly leaving at night, as well as the insertion of two scenes of hiding in many customers and reading in rainy days, I show my love for reading and thirst for knowledge.
The backbone of the article is a story, which consists of two "stealing". It was discovered by the boss for the first time and was rejected. The second time, I got the understanding of a kind clerk and offered books. If you only write these two processes, the interest and moving degree of the article will be limited. However, the article takes a different approach, which is very touching and interesting.
This moving charm can be partly reflected in the scene description.
The author has many vivid descriptions of the bookstore environment, the smell and sound of nearby restaurants, the crowded customers in the bookstore and so on. But this kind of description gives people a very introverted feeling, which is obviously limited to creating environment and atmosphere, not the main body of the characters.
For the characters who play a role in the story, such as the cruel boss, the article is written like this-when she is absorbed in reading, she holds the book with one hand: "What are you buying?" This shocked other customers and made the author "ashamed". I looked up and looked at him shyly-the owner of the bookstore.
The reader thought it took a little pen and ink to vilify the boss, but then there was only one sentence: "He looked down at me majestically." He didn't even write what he looks like, how old he is, what clothes he wears, or what features his voice has. Later, at the turning point of the story, there were only a few words about the kind clerk.
The appearance, expression, dress, tone and manner of a person who cares so much about himself can only be described by one sentence: "The pencil is in his ear" and he doesn't even write his eyes. Obviously, the focus of the article is not here, but the child's heart.
Write each other's appearance, only one sentence; But in my heart, I wrote four sentences. The first sentence is helpless (secular "all reasons"); The second sentence is self-feeling (crying); The third sentence is "indignant resistance" (see, if you don't take it away, it won't hurt the book); The fourth sentence is self-knowledge, saying that it is a sympathetic resistance, but in fact the voice is "weak." It can be seen that the author does not intend to impress readers with the description of the external world and objective things, but with naive subjective and internal emotional activities.
References:
Stealing-Baidu Encyclopedia