I watched A Peach Blossom all day today, and I feel that Gefei really has extraordinary narrative ability. He created a narrative blank for us from an omniscient perspective. Suspense and obscure narration make the interest in reading and exploration surge. But with the flow of narrative, you will find that suspense and explanation are not symmetrical, and some questions you can't find the answer at all. This is Gefei, and readers must think with him. In the face of Ge Fei's text, thinking can't be absent, and Ge Fei has such ability that he can pull you into some kind of thinking.
The appearance of dreams and dreamland in this article reminds me of the dreamland in A Dream of Red Mansions. The difference is that in the dreamland of the police fairy, the poetic text is a metaphor for the fate of the characters in the text, and it is the thread and code to interpret the fate of the characters. He controls the whole text. The grey line of grass snake in A Dream of Red Mansions is traceable, and there is a seamless symmetry before and after the text. In Gefei's Peach Blossom with a Face, although dreams and dreamland are also some metaphors of the characters' trend, this metaphor is not aimed at the whole text, but only at the staged trend of the characters' actions. In addition, the suspense set by the author and the answers behind it cannot be symmetrical, but asymmetrical, and many suspense are suspended. For example, where did the rice come from during the famine? How did Meiyun and Zhang Jiyuan meet? What about the golden cicada and the golden cicada? Wait, it's all unsolved mysteries. This pause makes the text become an open structure, and the reading of the text is over, but it will start immediately after reading, and the reader will fall into a continuous meditation. This may be Gefei's intention. Just as he said when chatting with netizens on Sina, I hope his words can make different people have different experiences. I think the realization of the effect depends on the use of narrative vacancy means.
long novel
enemy troops
Huacheng Publishing House 199 1 year
China Social Sciences Press 200 1
edge
Zhejiang Literature and Art Publishing House 1993
The banner of desire
Jiangsu Literature and Art Publishing House 1996
Beiyue Literature and Art Publishing House 200 1 year
Feng Chun Literature and Art Publishing House 2005.
Peach blossom with a face
Feng Chun Literature and Art Publishing House 2004.
Feng Chun Literature and Art Publishing House 2005.
Writers Publishing House, 2008
Shanhemeng
Writers Publishing House, 2007.
Tianjin People's Publishing House 20 1 1 year
Spring in Jiangnan
Shanghai Literature and Art Publishing House 20 1 1 year
short story
Title:
Meeting (everyone)
A fool is a poem (1989 Zhongshan)
Golden (1990 Flower City)
Feeling of rainy season (199 1 Zhongshan)
Mosaic (1992 Flower City)
False (1994 harvest)
Alchemy of Time (1996 Zhongshan)
TuiBei Map (Wu Zetian) (1994 Jiangnan)
Annihilation (1994 Harvest)
Swing (1995 Harvest)
Just rubbish (2005 Great Wall)
Mona Lisa Smile
Memories of Mr. Wu You
snare
Lost in the boat
Spring Festival
No one saw the grass growing.
Green and yellow
organ
clamshell
Brown bird
background
Yelang journey
whistle
Liangzhou Song
first love
Handa road
Date in Zizhuyuan
solution
silent
Ma Yulan's birthday present.
The rooster crows at midnight.
riddle
miss
Infinite happiness
future
awaken
Let him go.
moonflower
Annular flower
public security
The path of dawn
window
suggestion
Ruins ceremony
Short stories:
Lost Ship Writers Publishing House 1988
Memories of Mr. Wu You, the trap, the brown bird, no one saw the grass growing, the lost boat, New Year's Eve.
Green and yellow, organs and clam shells
Whistle Changjiang Literature and Art Publishing House 1992
New Year, background, green and yellow, organs, clam shells, brown birds, Yelang trip.
Poems of fools and whistles
The feeling of rainy season New World Press 1994
Meeting, forgetting, fools' poems, background, jinse, trip to Yelang, feeling of rainy season.
Ge Fei's Collected Works (Three Volumes) Jiangsu Literature and Art Publishing House 1995
1, Trees and Stones: Memories of Mr. Wu You, trap, nobody saw the grass growing, lost the boat, New Year's Eve.
Background, greenish yellow, organ, mussel shell, brown bird, trip to Yelang, whistling, Liangzhou Ci, first love, Handa Road.
2. Overlooking: Meeting, Jinse, the feeling of rainy season, the poems of fools, annihilation.
3. Silent voice: enemies and edges
Contemporary writers library? Ge Feijuan People's Literature Publishing House 1996
Ge Fei's Selected Novels Times Literature and Art Publishing House 1998
Poems for Fools: Fifty Contemporary Novels by China Times Literature and Art Publishing House 1999.
In the future, let it go, moon flower, solution, golden harp, time alchemy, midnight cock crow.
Date in Zizhuyuan, Poem for Fools, Awakening, Silence, Riddle, Liangzhou Ci and First Love.
Mosaic, missing, infinite joy, swaying, false, meeting, annihilation
Ma Yulan's birthday present.
Selected Works of Gefei Contemporary Writers, Volume I, China People's Literature Publishing House, 2000.
Memories of Mr. Wu You, Liangzhou Ci, First Love, Zizhuyuan Dating, Solution and Silence
Lost in the boat, brown birds, mussels, yellow and green, background, whistle, fool's poems and tinsel.
Feeling in rainy season, meeting, mosaic, time and false alchemy.
Ge Fei's Prose, Zhejiang Literature and Art Publishing House, 2000
Yellow and green Zhejiang Literature and Art Publishing House 200 1
Lost in the Ship, New Year's Eve, Green and Yellow, Organ, Feeling of Rainy Season, Ma Yulan's Birthday Gift and TuiBei Map.
Towards the Nobel Prize: A Collection Edition of Contemporary China Novelists? Ge Feijuan Culture and Art Publishing House 200 1 year
edge
Meeting, feeling in rainy season, fool's poem, oblivion, vacillation, falsehood, awakening.
Dating in Zizhuyuan, solutions, moon flowers, riddles, Ma Yulan's birthday present and silence.
Selected Works of Ge Fei, Changjiang Literature and Art Publishing House, 2006.
Lost in the boat, brown birds, green and yellow, dating in Zizhuyuan, golden and rainy season.
Fool's poems, encounters, vacillation and hypocrisy
Huanhua (Collection of Short Stories), Feng Chun Literature and Art Publishing House, 2007.
Memories of Mr. Wu You, the lost ship, brown birds, green and yellow, mussels, background and whistle.
Liangzhou Ci, first love, dating in Zizhuyuan, understanding, silence and Ma Yulan's birthday present.
The Ring Flower, A Night's Journey, Organ and Awakening.
Just rubbish (novella collection), Feng Chun Literature and Art Publishing House, 2007.
Meeting, fools' poems, jinse, feeling of rainy season, mosaic, alchemy of time.
Fake, push back, it's rubbish
monograph
Aspects of novel art Jiangsu Literature and Art Publishing House 1996
Chapter One: Fiction and Reality
Chapter II Authors and Readers
Chapter III Story
Chapter IV Structure
Chapter V Language
Chapter VI The Future of Novels
Narrative Research of Novels, Tsinghua University Publishing House, 200 1.
Chapter One: Fiction and Reality
Chapter II Authors and Readers
Chapter III Story
Chapter IV Structure
Chapter V Language
Chapter VI The Future of Novels
Part II: Narrative analysis.
Chapter VII Kafka's Pendulum
Chapter 8 Melville: Moby Dick
Chapter 9 Flaubert: Madame Bovary
Chapter ten James? Joyce: Dubliners.
Chapter 11: The narrative research of Fei Ming's novel The Tree.
Song of Sai Ren, Shanghai Literature and Art Publishing House, 200 1.
The elegance of the first series of writing
The second album is Ten Years and One Day.
The third album Sai Ren's Singing.
The Significance of Fei Ming Series No.4
Kafka's pendulum. East China Normal University Press, 2004.
Literary Invitation, Tsinghua University Publishing House, 20 10.
Introduction: The End of Modern Literature
Chapter One: Experience and Imagination
Chapter two: the author and his intention.
Chapter III: Time and Space
Chapter Four: Language and Rhetoric
About novels:
The above should be relatively complete information. I like all six long articles very much.
As for the version, the enemy received the version of 200 1, and the version of 9 1 was not easy to buy. Edge has only one edition (of course, Edge can also be found in his collection "Silent Voice"), which has been collected. The Banner of Desire won the Spring Breeze Literature and Art, while Peach Blossom with Face was definitely good for Spring Breeze Literature and Art, but it was given away. Dream of Mountains and Rivers should be better published by Writers Publishing House, and Spring in the South just came out this year.
On short stories and essays:
Ge Fei's masterpieces should be fans, and his short stories are worth reading again.
As listed above, if it weren't for the collector's edition, I think the two novellas and short stories of Spring Breeze Literature and Art in 2007 would be more complete. For example, Lost Boat by Writers Publishing House in 1988, Confucius basically sold it to around 150 yuan. But in those early editions, the foreword of each article is much more meaningful, because the article can be found in the Spring Festival Literature and Art in 2007.
I also think that the articles in Ge Fei's prose are uncommon and worth reading, and the electronic version can also be found.
On the contrary, I think the articles in Ge Fei's prose are not common and worth reading, and the electronic version can also be found.
Monographs:
You don't need to look at all aspects of novel art, as long as you have novel narrative research (I only have a scanned version). Confucius sells a lot. The latest one is a literary invitation. Unfortunately, it was badly bound by Tsinghua University Publishing House. Books are good books.
Six novels: Edge, Enemy, Flag of Desire, Peach Blossom with Face, Dream of Mountains and Rivers, and Spring in the South of the Yangtze River.
Medium-length selection: "It's rubbish"
Selected Short Stories: Ring Flowers, Trees and Stones
Literary invitation
Although the binding design of many early books may be very bad by today's standards, this is the case. Now I can feel a sense of realism in time when I hold it in my hand, and sometimes I even feel aesthetic deviation because of a resistance to the mainstream. Of course, the premise is that Ge Fei's books are definitely worth collecting and reading repeatedly. Therefore, if we can receive those early editions, in addition to the sense of accomplishment of book lovers (the more difficult it is, the more fulfilled it is), in details, people who are somewhat divorced from that era at our age can further expand the depth and breadth of reading.
The preface of The Lost Ship was written by Wu Hongsen. Zhang Xudong's comments on Ge Fei in the appendix of Whistle, as well as many prefaces of Ge Fei, can be read.
There is also something about the Mid-Moon Building, which I have always wanted to know, and there is little information. It is very attractive for Ge Fei to explain the novel himself. In fact, his works are also very worth reading in contemporary literature.
All the above books are non-copyrighted.