Painter, born in 1963. 1986 Graduated from the Fine Arts Department of Hebei Normal University. 199 1 graduated from the studio of Chinese painting department of Central Academy of Fine Arts. 1998 Participated in the "First Advanced Seminar on Heavy Colors" sponsored by the Ministry of Culture. Now he is a professor at the Academy of Fine Arts of Hebei Normal University. As the academic leader and backbone of the Academy, his works have produced considerable influence in China. His works have participated in many domestic academic exhibitions and have been collected by many research institutions such as China Art Museum.
Chinese name: Bai
Birthplace: Feixiang, Handan, Hebei Province
Date of birth: 1963
Occupation: painter
Graduate school: Fine Arts Department of Hebei Normal University.
Representative works: publishing the long cartoon "Purple Fog"
Personal profile
Bai, 1963, a native of Feixiang, Handan, Hebei Province, is a professor at the Academy of Fine Arts of Hebei Normal University.
learn from others'experience
1986 graduated from the Fine Arts Department of Hebei Normal University with a bachelor's degree, 199 1 graduated from the Central Academy of Fine Arts. The Central Academy of Fine Arts is the only art college directly under the Ministry of Education. 1950 was formed in April by the merger of the National Beiping Academy of Fine Arts and North China University, with the name of Mao Zedong. The college now has six professional colleges, namely, School of Modeling, School of Traditional Chinese Painting, School of Design, School of Architecture, School of Humanities and School of Urban Design, as well as a continuing education college and an affiliated secondary art school. With a high sense of historical responsibility, starting from the overall situation of China's fine arts development, the College grasps and leads the teaching practice and academic construction of China's fine arts education, guides the process of China's fine arts education, and becomes the representative of China Academy of Fine Arts. ) Chinese painting department.
occupation
1998 participated in the first "Advanced Seminar on Heavy Color Painting" organized by the Ministry of Culture of China, and served as an associate professor in the Fine Arts Department of Handan Normal University.
The value of the work
His works have been reported or published by professional academic journals such as Art Research, China Painting and Calligraphy, Art World and Jiangsu Pictorial. Many works have been collected by China Art Museum, Shenzhen Art Museum and Wenxuan Gallery.
Major works and achievements
1989:
Published a long cartoon "Purple Fog" in ComicNo. 1989No. 10 (People's Fine Arts Publishing House) Note: Cooperate with Li Shijin.
Zhuo Ma and Yangjiagou, Tibetan women, won the same prize when they participated in the Hebei Fine Arts Exhibition celebrating the 40th anniversary of the founding of People's Republic of China (PRC).
"Masterpiece Award" Note: Cooperation with Li Shijin and Guo Baojun respectively.
1990:
"Moving Light" was selected as the "Fourth Exhibition of Hebei Province"
199 1 year:
Tibetan women participated in the first Hebei traditional Chinese painting figure exhibition. And won the "first prize"
1997:
He created two large-scale meticulous murals, The Battle Map of King Wuling of Zhao and The Ancient Rhyme Map of King Wuling of Taiwan Province, which were displayed and collected by the Memorial Hall of King Wuling of Zhao for a long time.
1998:
Three works participated in the "First Exhibition of Teachers and Students' Works of Advanced Research Class of Heavy Color Painting" organized by Science and Education Department of China Ministry of Culture and China Art Museum.
Participated in the 4th National Gongbi Painting Exhibition sponsored by China Artists Association and China Contemporary Gongbi Painting Association. The work "Guo" won the "Danqing Excellence Award". Fruit is collected by China Art Museum.
The work "China" participated in the "Fourth National Art Exhibition" sponsored by He Xiangning Art Museum and was selected as the "Collection of Excellent Works of the Fourth National Art Exhibition".
Guo was selected in China's latest meticulous and colorful masterpiece collection (Hubei Fine Arts Publishing House).
1999:
Five works participated in the199 nomination exhibition of young and middle-aged meticulous painters sponsored by Shenzhen Art Museum, which was nominated by critics and included in the199 nomination exhibition of young and middle-aged meticulous painters (Guangxi Fine Arts Publishing House).
Hidden Glory is collected by Shenzhen Art Museum.
"Golden Seed" was selected as "Hebei Fine Arts Exhibition to Celebrate the 50th Anniversary of the Founding of the People's Republic of China"
Echo was published in the 45th issue of China Calligraphy and Painting (People's Fine Arts Publishing House).
Twinkling Stars was published in the 10th issue of Jiangsu Pictorial in 1999.
Two works, Melancholy, Ideal and Lens, were published in1February 1999, Art 65438.
In 2000:
Many works such as "The Rose Sky" were published in "Art Research", with special introductions, and an article "It is Absorption, Not Inheritance-Bai He and His Creation" was written.
200 1:
Participated in the "First China Heavy Color Art Exhibition" sponsored by China Artists Association, and "Sweet Night" won the Excellence Award.
"Sweet Night" participated in "Walking with the Century-20065438+0 Fine brushwork and heavy color art exhibition" sponsored by China Artists Association and was selected as the album.
Participated in the exhibition of new works, new discussions, new exhibitions, integration and infiltration of ten contemporary China painters sponsored by the Academy of Fine Arts of Capital Normal University, and published the book "Integration and Infiltration with My Feelings for Painting" (Hebei Education Press).
Untitled was selected in Contemporary China Gongbi Collection (Shanghai Painting and Calligraphy Publishing House).
Starry Stars is published in the book Rock Painting Art (Heilongjiang Fine Arts Publishing House).
Participated in the "National Invitational Exhibition of Comprehensive Materials Painting" sponsored by China Artists Association.
Jin Guo participated in the exhibition and was selected as a painting collection.
Charming Paradise was selected as the Complete Works of China Artists published by the international cultural publishing company.
Starry Sky was published in the seventh issue of Modern Art published in September, 2006 at 5438+0.
Two pieces of 1-NO2 dance works were published in the July and August issue of Art+0.
10 works participated in the "Hebei Province Chinese Painting Series Invitational Exhibition" sponsored by the Chinese Painting Research Institute. Three works in the dance series were selected for the Invitational Exhibition of Famous Chinese Paintings in Hebei Province (Hong Kong Art Park Press).
In 2002:
Participated in the exhibition of eight works of "New Pen and Ink-New Classic Figures of Contemporary Young and Middle-aged Painters" sponsored by the Art Museum of the Central Academy of Fine Arts.
Participated in the "2002 Annual Exhibition of Integration and Infiltration" sponsored by Liu Haisu Art Museum and Hubei Art Museum. 17-No22 Six pieces of dance were selected into "Integration and Infiltration —— New Works of Contemporary Painters in China" and published the article "Me and Painting". (Hebei Education Press)
Participated in "Teachers' Works Exhibition of Academy of Fine Arts of Hebei Normal University" held in China Art Museum. Two works were exhibited and selected into the painting collection.
Dance No.23 is collected by Liu Haisu Art Museum.
Dance No 15 was published in the fifth issue of Art Watch in 2002.
Qing Guo was published in the third issue of China Painter in 2002.
Dance was published in the seventh issue of Jiangsu Pictorial in 2002.
I published it in the second episode of Famous Arts (Hong Kong Art Garden Press).
Exhibition record
1998 "Exhibition of Teachers and Students' Works in Advanced Research Class of Ministry of Culture" (China Art Museum)
1998 The 4th National Art Exhibition won the Danqing Excellence Award (China Art Museum).
1998 "The 4th National Art Exhibition" (Shenzhen He Xiangning Art Museum)
1999 "Invited Exhibition of Famous Chinese Paintings in Hebei" (Art Museum of China Painting Academy)
1999 "199 nomination exhibition of young and middle-aged meticulous painters" (Shenzhen Art Museum)
"The First National Heavy Color Art Exhibition" won the Excellence Award (Art Museum of Central Academy of Fine Arts)
2000 "Integration-Mutual Infiltration-Exhibition of Ten Contemporary Painters in China" (Beijing Capital Normal University Art Museum)
200 1 "Walking with the Century-2001Fine Art Exhibition" (China Art Museum)
200 1 Yellow River-Exhibition of Chinese Painting Creation (China Art Museum, Sun Yat-sen Memorial Hall in Taiwan Province Province, Japan-China Friendship Hall in Tokyo, Japan)
Evaluation of works
The art of Baiyunhao College, with its systematicness and inclusiveness, has become the frontier of artistic inheritance and development. As the academic leader and backbone of the Academy of Fine Arts of Hebei Normal University, Bai's works have exerted considerable influence in China.
China painting, like China culture in a broad sense, is an open system. Although it has its own unique program symbols and pen and ink language, technology is promoted to Tao, and any "technology" at the level of Tao is only a means and way. Bai undoubtedly has a deeper understanding of this place. They will explore the frontier of contemporary art more deeply and learn from the organic elements and constituent languages of western contemporary painting, thus forming an artistic style completely different from China's traditional painting. With the maturity of their artistic style, they have attracted the attention of contemporary China painting circles. The depiction of the body expressions of characters has been insignificant in their works, and even deliberately eliminated. What they create is only an ideal illusion. The orientation of painting style often depends on the painter's cultural taste and values. At this time, Jiang seems to be addicted to Zhuang Zhou's "fish in the north" swimming. His picture is relaxed, his lines are relaxed and his colors are relaxed. Everything in the painting, except the symbolic meaning of the symbols, does not represent any story. Whether he depicts the beach or Shan Ye, he can always feel extraordinary romance in his paintings. I forgot both of them, and the realm of immortality may be his dream that he yearns for so far. Bai is like a calm and wise person, intoxicated with the peace and joy of enlightenment. Looking at his paintings, I often think of a poem "Looking at the dust outside". The female body is an element repeatedly used in white painting. He often puts them in the dance rhythm, but this rhythm finally blends into the purity and tranquility he created. In his pictures, everything full of vitality, such as fierceness, magnificence and turbulence, will feel only temporary appearances. Only in silence and serenity will we realize the true meaning of life and even the universe. Therefore, we will feel lofty feelings in the quiet and peaceful picture of Bai Yunhao.
Bai's art exhibition is an interesting combination. This combination represents the pursuit and thinking of young and middle-aged painters in China from one side, and shows his level and height of traditional interpretation.