First, the so-called Mo Yun mainly includes ink color change and fading.
The ink color of calligraphy works in calligraphy has changed, which will be obviously reflected in dryness, dryness, wetness and lightness. Sometimes a little more water in the pen will fade, so that every word of calligraphy works will come alive.
The printed matter is uniform in color, and the same moisture will not change.
Woodboard printing
Plum blossom painting-please pay attention to the ink color change and fading of leaves and petals.
Second, the nib refers to the state of pen and ink when receiving the pen.
When calligraphy works, the pause of pen collection and flying brush will obviously reveal traces of brush hair, flying white and so on, which reflects the priorities of pen use and the trend of pen gesture.
And printed matter only has mechanical impression imitation.
Thirdly, the brush marks here are mainly aimed at the characteristics of the middle and edge of the ink color of the strokes.
The middle and edges of strokes in calligraphy works are too natural, and the edges of strokes are relatively flat.
Printed matter will leave the stroke boundary line, which will make the stroke edge stiff.
Fourth, when the new calligraphy works are not mounted, they have obvious paper and ink fragrance when opened.
The smell of printed matter often smells like instruments.
Fifth, look at the floodlight from the side.
Calligraphy works are dull, and printed matter is brighter than paper Guangmo.
Six, the palm of your hand caresses the paper, and the calligraphy works are soft and smoother than printed matter.
These characteristics need careful observation and comparison in calligraphy practice.
At the same time, combined with the observation of imprint and inkpad color rhyme, a comprehensive judgment is made.