Appreciation: This is a poem about scenery, which describes the scenery of Xixi Chuzhou in spring and the rain in the late tide. The first two sentences are spring scenery, love the quiet grass, despise the oriole, which is a metaphor for celebration and avoid flattery; The last two sentences describe the urgency of spring tide with rain and the sight of water crossing the boat, which contains a kind of helpless sadness that is not in place and not used. The whole poem reveals a calm mind and sad feelings. Although this poem is about ordinary scenery, it has become a legal animation with deep artistic conception after being touched by the poet. It also contains the helplessness and sadness that the poet can't use when he is not in place, that is, the author's injustice to his talent.
"Xixi Chuzhou" was originally written in Xixi Chuzhou.
Don Wei Wu Ying
Alone, grass grows by the stream, and orioles sing on the trees.
The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.
Notes on Xixi in Chuzhou 1, Chuzhou: in present-day Chuzhou, Anhui. Xijiang River: In the west of Chuzhou, commonly known as Shangma River.
2, alone pity: only like. Excellent grass: grass in the valley. Quiet, a square. Health: a "line".
3. Deep trees: trees with dense branches and leaves. Deep, "just assembled" means "far" Tree, "The Whole Tang Poetry" notes that "there is a book called Chu".
4. spring tide: spring tide.
5. Wild crossing: a ferry in the country. Horizontal: refers to floating at will.
The background of Xixi Chuzhou is generally believed that Xixi Chuzhou was written by Wei as the secretariat of Chuzhou in the second year of Jian Zhong (78 1). He often walks alone in the country, and Chuzhou on Xixi is his frequent place. The author loves the quiet scenery of Xijian. One day he visited Chuzhou (in the western suburbs of Chuzhou) on Xixi and wrote this poetic poem.
The author of Xixi Chuzhou introduced Wei (737 ~ 792), a poet in the Tang Dynasty. Han nationality, Chang 'an (now Xi City, Shaanxi Province). Since the age of 15, Sanweilang has been a valet of Tang Xuanzong, going in and out of the palace and traveling with Tang Xuanzong. In his early years, he was unrestrained and tyrannical in the countryside, and his fellow villagers thought that he was a disaster. After the Anshi Rebellion, Emperor Xuanzong of the Tang Dynasty fled, lost his job, and began to aspire to study, often "burning incense and sweeping the floor".
During the period from Guangde to Zhenyuan, he successively served as Luoyang Cheng, Jing Zhaofu Gongcao to join the army, Hubei County Magistrate, Yuan Wailang from other departments, Chuzhou, Jiangzhou Secretariat, Langzhong Secretariat and Suzhou Secretariat. Zhenyuan retired in seven years. The world calls Wei Jiangzhou, Wei Wei or Wei Suzhou. Wei was an idyllic poet, and later generations called him "Wang Meng". The poetic style is desolate and lofty, and it is famous for being good at writing landscapes and describing secluded life.
Wei is the greatest achievement of poetry creation. Most of his poems are idyllic, beautiful and leisurely, and sometimes there is resentment in peace. Poems that reflect people's sufferings are quite sympathetic. He was a poet with high artistic achievements in the middle Tang Dynasty. Wei Jiangzhou Collection 10, Wei Suzhou Poetry Collection, Wei Suzhou Collection 10. There is only one essay left.
References:
1, Patten and other Tang poems (1). Shanghai: Shanghai Ancient Books Publishing House.
2. Chinese Department of Jilin University. Appreciation Ceremony of Tang Poetry (7). Changchun: Jilin University Press.
3. Ni Qixin, etc. A dictionary of Tang poetry appreciation. Shanghai: Shanghai Dictionary Publishing House