Lin Sanzhi, Cao Sheng. Lin Ming, also known as Yilin, is called Sanchi, the second from left, and the old man from Jiang Shang. People from wu
Lin Sanzhi, Cao Sheng. Lin Ming, also known as Yilin, is called Sanchi, the second from left, and the old man from Jiang Shang. People from wujiang town, Anhui Province and County. I like painting and calligraphy since I was a child. During the period of 1972, Chinese and Japanese calligraphy became famous in one fell swoop, and Zhao Puchu, Qi Gong and others called it "the three wonders of contemporary poetry and calligraphy". The following is what I arranged for you, I hope it will be useful to you!
appreciate
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Brief introduction of Lin Sanzhi
Formerly known as Yilin, it is called Sanchi and Sanzhi, and it is called Sanzi, Zuoer, Deaf, Jiang Shang Old Man and Semi-disabled Old Man. It is called Miki Mountain House and Jiang Shang Caotang. My ancestral home is Wujiang, Anhui, and I am from Jiangpu County, Jiangsu Province. Calligraphers, painters, poets and literati.
I like painting since I was a child. At the age of 6, he entered school to learn calligraphy and read ancient poems. 12 years old, writing Spring Festival couplets to the village neighbors. In the third year of Xuantong, * *1911* *, he went to Nanjing Shi Ping Street to learn portraits and meticulous figures from Zhang Qingfu. Two years later, I returned to my hometown due to illness and taught myself poetry, calligraphy and painting. I asked Fan Liutang, a village sage, to teach me Fan Peikai's calligraphy. 18, * *1929 * * * went to Shanghai to study painting with Huang. In 23 years of the Republic of China, he traveled and sketched, with a journey of nearly 10,000 kilometers, creating more than 800 sketches and more than 200 poems. After the outbreak of War of Resistance against Japanese Aggression, he took refuge in Anhui and devoted himself to painting and calligraphy. In eight years, * * * wrote more than 300 poems, expressing his patriotism, caring for the people, hating evil and lofty national integrity. After the victory of the Anti-Japanese War, he was willing to be indifferent, resigned from the government and devoted himself to artistic creation. After liberation, he was deeply moved by China and the people's sincere spirit of serving the people. He changed his attitude of never being an official in the past and accepted the position appointed by the party and * * *. 1950 was elected as the representative of the first people's congress of Jiangpu county, and195/kloc-0 was elected as the member of the standing Committee of the county people's congress. 1956 served as deputy magistrate of Jiangpu County. He worked in Jiangpu for 12 years and wrote more than 300 poems and a large number of paintings and calligraphy works.
From 65438 to 0963, Lin Sanzhi was hired as a painter by Jiangsu Provincial Academy of Traditional Chinese Painting and moved to Xinyu, Nanjing Middle Road. In the late 1960s, he returned to his hometown in Anhui Province, was accidentally burned, and kept three fingers in his right hand, still insisting on painting and calligraphy. 1973 The publication of Dawn of the East shocked Japan. Later, I met with the Japanese calligraphy delegation three times in Nanjing. 1975, at the invitation of "Rong Baozhai", he went to Beijing to meet with Zhao Puchu and Qi Gong. 1980 Since July, he has been elected as the vice-chairman of the 6th CPPCC Nanjing Committee. 198 1 year, Lin Sanzhi painting and calligraphy exhibition was held in Nanjing, and the following year, Lin Sanzhi's three-generation painting exhibition was held in Nanjing. 1988 donated 70 calligraphy works and 40 paintings to jiangpu county. Jiangpu County * * * built the "Lin Sanzhi Painting and Calligraphy Exhibition Hall" in the county seat. His calligraphy is famous for its contemporary style, especially cursive script. He is good at writing books with Changfeng sheep's hair. His writing style is plain and strong, and his music is straightforward. And in calligraphy, the painting method is used, and the image of slow-moving ink and wash is extremely dry and vigorous. Full of ups and downs, mutual use, air flow, realized in seemingly casual black and white cloth. He is also a landscape painter, especially good at painting figures, bamboo stones and so on. His brushwork and calligraphy are in harmony. His paintings of Huangshan Mountain, Travel Notes of Emei and Journey to the South are all practiced with pens, dyed deeply and painted with great vision. The secret place is meaningful, but it is not forced, and the virtual place is full of vitality. Return to good poetry. His poems live in the Tang dynasty, fresh and simple, or chanting mountains and rivers, or singing with friends, or talking about calligraphy art, but also reconciling patriotism and righteousness. He advocated the artistic path of "going in first and then going out, learning from the past and changing", focusing on poems, books and paintings, making machines interesting. His books, paintings and poems have exerted great influence at home and abroad. Zhao Puchu, a calligrapher, praised "Three Wonders of the Contemporary Age" and Sugiyama, a Japanese castle peak, praised "The legacy of the sage of grass is here". He has been a member of CPPCC, honorary director of China Calligraphers Association, honorary chairman of Jiangsu Branch of Calligraphy Association, president of Nanjing Painting and Calligraphy Institute and member of Jiangsu CPPCC. ?
* * * 65438+On February 6th, Lin Sanzhi died in Nanjing at the age of 9 1. After his death, he was buried at the foot of Xiaojinhua Mountain in Caishiji, Maanshan City, Anhui Province. He is the author of Landscape Compilation and Gu Tang's Three Stupid Drafts. He has published Poems on the River, Selected Poems and Paintings by Lin Sanzhi, Selected Paintings and Calligraphy by Lin Sanzhi and Selected Calligraphy by Lin Sanzhi.