There are 360 * * * articles in the form of quotations, and the characters are all composed of short sentences that are compared with each other. Not many words, but very concise. In addition to the author's own experience, some of them have evolved from sages' aphorisms, Buddhist Zen sayings, famous sentences in ancient books and folk proverbs. The writing is beautiful, profound, thought-provoking and easy to recite.
This book covers a wide range, covering almost all major issues in life, as its original preface says: "There are body language, kind language, benevolence language, righteousness language, Zen language, interesting language, learning language and seeing language." The idea of this book is the fusion of Confucianism, Buddhism and Taoism. While emphasizing self-cultivation, the author does not advocate completely abandoning other people's things, but organically combines birth with WTO.
As the name implies, the night talk sitting around the fireplace wearily sent away a noisy day. Sitting around the fireplace makes you feel that the world is so quiet. In such a quiet and warm atmosphere, all kinds of boredom brought by the turbid world of mortals during the day will unconsciously sublimate into a hollow life and life.
The night is so wonderful, not to mention sitting around the warm fireside. Sitting alone by the fireside in a quiet night, savoring Wang Yongbin's Fireside Nighttalk in Qing Dynasty, and appreciating the author's trivial life truth with plain and beautiful words are just like drinking a cool sour plum soup in a hot summer, which is refreshing and enlightening.
It is hard to tell whether the traditional literati in China are happy or aloof, or miserable and depressed. Even though the literati of that generation lived comfortably and enjoyed their official career, they often had a sense of hardship in their hearts and pleaded for the people of the world. But when they fall into a sudden accident and lose everything, they often maintain an indifferent attitude and have no regrets. This is the heritage of China's traditional culture. Because of its broadness, the China literati nourished by it are broad-minded and generous, and their spiritual world is more colorful. Nightmare Shadow is a collection of essays by Juck Zhang, a writer in Qing Dynasty. Juck Zhang, whose real name is Lai Shan, whose real name is Xin Zhai (the word Xin Zhai comes from Zhuangzi), Zhong Ziqi, a native of Shexian County, Anhui Province, was born in the eighth year of Shunzhi in Qing Dynasty (1650). They are the authors of Hua Ying Ci, Xin Zhai Tan Tian Ji and Nightmare Shadow, among which
In the 25th year of the Republic of China (1936), Zhang Yiping, a writer, bought a copy of Nightmare Shadow by fellow countryman Zhang Chao in Huizhou, and Lin Yutang liked it after reading it. Later, Zhang Yiping revised the book and submitted it to Shanghai Central Bookstore Press for publication.
In fact, a few months ago, Qian Qiu Publishing House published The Nightmare Shadow annotated by Shi Tianxing.
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Juck Zhang's Nightmare Shadow Volume 2 (Paper-bound Edition) (Qing Dynasty)
The Nightmare Shadow Volume II (bound edition) (Qing) The Xiao Yuan Series was written by Juck Zhang (Qing) in the first year of Guangxu (1875).
Mengying (Lining) (Qing) Juck Zhang (Qing) Thirty-four Years of Guangxu (1908) Chen Fengge Series Series
Dream Shadow, Volume II (Thread-bound Edition) (Qing Dynasty) by Juck Zhang, Guo Xue Fu She, Qing Dynasty, 3 years (191year) (ancient and modern book series). Episode 6)
Meng Ying Zhang Xinzhai, Shi Tianxing Qian Qiu Publishing House, April, 2005 1936.
Nightmare Shadow: Author of Zhang Chao's Essays on Zhang Chao (Zhang Xinzhai), Zhang Yiping, Shanghai Central Bookstore, August 25, 2000 [1936.8], the first rare series of Chinese studies; The tenth kind
Sleeping Shadow is another essay after The New Notes of Songs of the South. Compared with New Records of Jade Beginning, this book adds more Juck Zhang's personal style and is more inclined to essays. I just finished reading it these days. It's good and refreshing. Personally, I think Zhang Zhongxing's noise is a little influenced by the dream shadow.
1, Juck Zhang: Zi Shanlai,No. Xinzhai, Zi Zhongzi, born in Shexian County, Anhui Province, was born in the eighth year of Qing Shunzhi (1650). Zhang Chao is a writer, novelist, calligrapher and an official of Confucius Institute. Juck Zhang's representative works include Nightmare Shadow, A New Record of Jade Beginning, Hua Ying Ci, Xin Zhai Tan Tian Ji, Xi San Cun Jin, Xin Zhai Poetry Collection, Eight Immortals Drinking Order, Poetry Talk in Lu Cong Huating, etc.
2. Zhang Chao was also a calligrapher in Qing Dynasty. He has carved Tanji Series and Zhao Dai Series (Shan Yan, Shuiyan, Huayan, Bird, Fish, Wine, Yan Shu and Yu Yan).