(Qing) Written by Gu Taiqing. Records of Draft of Qing History, Records of Arts and Literature, and Collection of Zhengshi (see). Taiqing, Zi Zichun, a soldier of Han nationality, the great-granddaughter of Ben Erduan, Xilinjue Roche. Young classics changed, raised in the family, and was chosen as Baylor's concubine. Xuan Tong Geng Xu (19 10) was printed by China Guoguang Society according to Rugao Shi Mao's manuscript and published in Storm House Series. Each poem has five volumes, and the original volume is the fourth volume. This is divided into two volumes from the fifth volume to match the original figures. Attached to the end of the poem, recorded from the beginning of the collection, there are six poems. Attached are Lan Xue's Qin Ling Lou Ji and Langtaosha Four Characters. This is the proofreading of blunt rice (that is, Mao Guangsheng, the word crane pavilion, the number blunt rice, the number sorry Zhai, 1873- 1959- author), and there is a concentrated comment on blunt rice. Written in the second year of the Republic of China (19 13). Guilin Kuang Zhouyi commissioned Xiling Printing Press to print according to the transcript. The second volume of the original que. Shen Shanbao's Poems of Ladies contains five poems of Taiqing, which are recorded as addenda. There is a situation before Zhouyi. In the 30th year of the Republic of China, the Zhuxi Pavilion published in Xinsi (194 1) was preceded by Wang Shusen's Preface and Kuang Zhouyi's Preface, and six anecdotes from Taiqing were inscribed by Yu, Qingzhen, Yi, Zhang Runpu and Liang Qixun. The first volume, the third volume and the fourth volume are typeset according to the situation; The second volume, based on the transcript of Zhu Qiang Village, is a supplement. At the end of the article, there are five addenda, which are recorded in the history of Shen Xiangpei's women in Qiantang.
As can be seen from the above quotation, Xilinchun's poems are scattered behind him. Fortunately, many scholars and publishers have found Fu Zi, that is, Pian Yu, Ji Guang, which is also precious, showing the great achievements of Xilinchun in lyrics creation. In 2002, Beijing Ancient Books Publishing House published Ke Yuchun's Collection of Poetry and Prose in Qing Dynasty, which is a nine-volume collection of God Blessed Pavilion, written in the forty-second volume. Among them, it says, "God Blessed Pavilion has two versions: one is God Blessed Pavilion, with five volumes of manuscripts, internal poems and four volumes of East China Sea fishing songs, which are kept in the Library of China Academy of Sciences. In Xuantongyuan, Mao Guangsheng wrote six quatrains. In the same year, Gan (Wu Changshou) made a postscript to his poems, saying that this collection was "hand-ordered on the same day, with five volumes of poems missing the fourth volume, many of which were divided into volumes, and the cover was undecided". Wu's Collection of Inscriptions and Postscripts says:' There are four volumes of fishing songs in the East China Sea, but one volume is missing. The first volume is full of leaves, which is enough to count as four volumes.' There are many revisions, which are the basis of revision. First, there are two volumes in the Collection of God Blessed Pavilion. One is the Collection of Learning in Xu Naichang, which is collected by the Literature Institute of China Academy of Social Sciences ... "It is a manuscript or transcript recorded in the book, and it should be related to the source of the above printed copy. There are nine volumes of the manuscript of "Tian You Ge Ji" collected by the Library of China Academy of Sciences, and then it was printed and recorded in the textbooks of women's works in the past dynasties by the five volumes of "Tian You Ge Ji" of Shenzhou Guoguang Society.
In the early 1980s, in order to compile Quan Qing Ci, Japanese scholars began to obtain the electrostatic copy of the Japanese-Tibetan copy "God Blessed Songs". However, due to the agreement between the two sides, it is difficult to publish it separately, so many scholars in the field of ci still can't see its true face clearly. 1998 Shanghai Ancient Books Publishing House published the Poems of Gu Taiqing's Legacy Flowers edited by Zhang Zhang. As can be seen from its preface, the poetry anthology and ci anthology of "God Blessed Songs" are based on the Japanese-Tibetan manuscripts, and some works of Xilinchun are supplemented in addition to the Japanese-Tibetan manuscripts, which are relatively complete. However, the photocopies of the Japanese-Tibetan manuscripts were transferred, slightly missing, and there were words. In 200 1 year, Liaoning Nationalities Publishing House photocopied and published the Japanese Tibetan manuscript "God Blessed Songs" edited by Jin Qi and Yoshimoto Chieko, with only 300 copies printed. The copyright page has the words "This book is licensed by Takeda Science Promotion Consortium and has a contract with Japan's Apricot Rain Bookstore. Reprinting is prohibited". The official publication of this photocopy finally gives us a chance to see the whole leopard. Unfortunately, due to the limitation of the contract, the number of prints was too small to be widely circulated. In his later years, he continued to write the novel Twenty-four Stories of a Dream of Red Mansions as Shadow of a Dream of Red Mansions, which was published by Guangxu Ding Chou (1877) Juzhentang Bookstore. 1988 Peking University Publishing House, as a kind of A Dream of Red Mansions Data Series: Continued Books, has published some books based on it.
Shadow of a Dream of Red Mansions is one of more than 30 sequels since the publication of A Dream of Red Mansions. The sequel to A Dream of Red Mansions in Qing Dynasty 13 (not counting Gao E's sequel), Shadow of a Dream of Red Mansions and Supplement to a Dream of Red Mansions are two better ones. In the novel, Baoyu runs away from home and Jia Zheng looks around. Later, he was taken back from the post monk in Piling, which changed the old habit of leaning on red and green, became an academician, and worked as a servant in the yamen. Soon, she and Baochai gave birth to a son. The tenth time I wrote, Baoyu, who was a father, was happy with his family. He likes to "stand in front of the railing and watch peony with Brother Zhi" and hang psychic jade on his son to ward off evil spirits. However, his nature is hard to change after all, and his children's affair remains the same. The novel asked Baoyu to pay homage to Xiaoxiang Pavilion when Lin Daiyu was 20 years old. They met in a dream, and when they woke up, they realized that this kind of love between life and death was beyond Jingyue's reach, and they couldn't help feeling disappointed. The book also describes Jia Zheng as "the most tolerant elder". He hates the selfishness of officialdom and the interests of the people. To this end, he has been honest and clean, from the official department to the prime minister, and finally retired in his later years. Jia's Dream of Red Mansions vividly describes the life of lanterns, flowers, words, guessing, tea, opera and flute in the Red Garden, which embodies the folk customs of Yanjing. In the activities of the poetry club, many poems can be found in Gu's Tian You Ge Ji. The language of this novel is ingenious and refined. At that time, Shen Xiangpei, a famous writer in Jiangnan who had been in contact with Gu for 30 years, took it to read before the sequel was finished. He appreciated the novel very much and asked to finish it as soon as possible. He also wrote a preface in advance. The novel changes the other modes of happy reunion and vulgarity, and ends with a dream, with novel ideas. In the third year of Guangxu (1877), this book and Wenkang's Biography of Heroes of Children were published by a bookstore in Long Fu Temple, Beijing, and became a popular sequel to A Dream of Red Mansions.