2. Stable development stage: In the late Qing Dynasty, since Shi Yukun's "Three Heroes and Five Righteousnesses", various long-form martial arts novels have been published one after another. Such as Yu Yue's Elvis Presley, Wu Ming's Little Wuyi, Wenkang's Biography of Heroes of Children, etc., show that the martial arts novels have formed a stable and independent form of existence.
3. The peak period of the development of old Wushu. 1920s-1930s. Martial arts novels developed to a certain height in the Republic of China, that is, the so-called "old martial arts" period, which began in the 1920s, reached its climax in the 1930s and declined in the 40s. In the 1920s, after witnessing the weakness and ineffectiveness of the Revolution of 1911 and the National Revolution, people pinned their hopes on chivalrous people to create a new world. With the publication of the biography of modern chivalrous men by the southern novelist Bu Xiaosheng at Pingjiang, the creation of old swordsmen reached a climax. At the same time, northern writers such as the landlord, Wang Dulu (Crouching Tiger, Hidden Dragon) and Gong He (Yan Mo Island) also had great influence. The fantastic Xianxia in Huan Zhu Tower's Legend of the Swordsman of Shushan, the gang fight in Zheng Zhengyin's Eagle Claw King, the tragic feelings of men and women in Wang Dulu's Crane Iron Five, the social variety in White's Twelve Money Darts and the bizarre reasoning in Zhu Zhenmu's Seven Killing Monuments all have their own characteristics and excellent writing styles, which have laid a basic routine for the chivalrous feelings of the new martial arts variety. At this time, martial arts brother-in-law has become a frenzy. In the 1920s alone, there were more than 100 authors, and there were thousands of martial arts novels, and dozens of them were famous all over the country. Many women and children in the book are well known, and many people spend a lot of money to buy them. This is also rare in the history of world literature.
4. The climax of new martial arts novels in Hong Kong and Taiwan. Hong Kong and Taiwan have set off a wave of new martial arts novels overseas, and so far, many authors and famous artists have come out one after another. The new school of Wushu started in the mid-1950s, and Jin Yong and Liang Yusheng carried the banner in Hongkong, with the earliest starting point and the highest achievement. In the late 1950s and early 1960s, Sima Ling, Zhuge Qingyun, Shangguan Ding, Liu, Du, Murong Mei and "Three Musketeers of Taiwan Province" came out with their swords in Bao Dao, and embarked on a road of martial arts different from that of Jin and Liang. After all, the talents of Jin Yong and Liang Yusheng are not readily available. From the late 1960s to the 1970s, Gu Long found another way, and finally walked out of the pattern of martial arts, bringing changes to the new school of martial arts novels, and finally being able to compete with Jin Yong. Gu Long's style was all the rage. In 1970s and 1980s, Wen Ruian, who was deeply influenced by Gu Long, injected his talents into martial arts and brought a new genre of martial arts poetry. In the 1990s, Huang Yi emerged as a new force, bringing fresh blood to Wushu with fantastic and confusing factors. At the same time, Fengyun series, which is deeply influenced by comics, shows the diverse possibilities of martial arts with magical and fantastic colors. Chinese mainland Wushu has finally stepped onto the forefront of the Internet age. With the joint efforts of Sun Xiao, Feng Ge, Xiao Duan, Cang Yue, Pan Yang and others, the new chivalry is still flourishing in fantasy novel today.
5. The 1980s and 1990s were the period of Chinese mainland's new martial arts. Originated in the 1980s, the wave of martial arts novels triggered by the film Shaolin Temple started in China, and the circulation of martial arts novels greatly exceeded that of pure literary works. The mainland's new martial arts finally stepped onto the front desk. 198 1, Ren Qing, Hubei Quyi Association, founded The Legend of Modern and Ancient Times, serializing Ouyang Xuezhong's The Legend of Wudang Mountain and Yun Nie's The Jade Jiaolong. 1982, Wang Zhanjun wrote The Woman in White, which was the first martial arts novel in 1980s. The legend of Liu Xi's thief' Swallow' Li San, Feng Yunan's Huo Yuanjia, Feng Jicai's Whip, and Yao Fei's 1990 published a sword to level the rivers and lakes. Qinglianzi wrote two books in the early 1990s: Long Hudou and its sequel, Young Ape and White Tiger. Holly, a Shanghai intellectual, wrote an article "Dancing Leaves and Surprising Flowers" at 1995. Zhang Baorui's "Kyoto Wulin Long Scroll" series consists of six parts, namely "Drunk Zhang San Ye" and "Xingyi Ranger Record". The Skeleton Man of Xiong Mu. Wei Qi's masterpiece Grand Theft Auto. Zhou Lang's masterpiece "Yuanyang Blood". Sun Xiao's Heroes Club, Feng Ge's Kunlun Mountain, Jin Xunzhe's Datang Darts, Xue Cup, Xue Lou, Bu Feiyan's Wulin Inn and Hua Shao and Shi's Stealing the Sky. Wild Fox's Seeking God under the Tree, Wild, Zhu Xian and Red Pig Man's Chronology of Qing Dynasty, and a generation of militarists who went with the flow. The above works are basically excellent, but the quality is still uneven, which is difficult to compare with Hong Kong and Taiwan, gold and ancient masters.