2. Chuci, especially Jiuge. I won't explain it, just read it if you don't want to know too much.
3. Three-character classics. Not to mention other estimates, it is easy to read it and write it down. A paragraph is an overview of the whole historical era, which is convenient for clarifying the relationship.
4. Red Fan and Nine Domains seem obscure, but children don't have our understanding of language at that time. Personally, I think children's perception of language is an animal instinct, so it doesn't matter whether it is obscure or not. Just tell him it's a story, although it doesn't technically count.
Tao Te Ching is not mysterious, but it is of great help to the composition of the world outlook. After all, Lao Tzu's horrible worldview.
6. Shan Hai Jing, do you need to explain this?
7. Various semi-classical novels, immortals, Three Kingdoms, Water Margin, Red Chamber, Sanyan Erpai, Eastern Zhou Dynasty, Zuo Zhuan, Spring and Autumn Period, Historical Records, etc. Watch and play.
2. What kind of ancient prose to read to children? First of all, we need to realize that the ancient prose we are talking about is just the words of ancient people's daily dialogue, just like our current Mandarin, so don't be afraid.
Combined with my own experience, if the foundation of ancient Chinese is relatively weak, I suggest learning according to the following steps: 1, reading and reciting San Zi Jing, Qian Zi Wen, Melody Revelation, Li Weng Dui Yun and The Book of Songs (three-character, four-character short sentences are melodious and catchy, which can be combined with historical stories) 2. 3. Sanyan Erpai, Historical Records, Warring States Policy, Zi Tongzhi Jian, etc. have good written versions.
The above are mainly historical books and literary novels, which are easy to understand and interesting, but also have high literariness and readability. 4. Shi Shuo Xin Yu, Yan Jia Xun, Xiao Chuang, Six Chapters of a Floating Life, Nightmare Shadow, Caigen Tan, Dongpo Laughing Forest, Laughing Forest Guang Ji, Zeng Guofan's Ancient Family Literature, Tongcheng School Anthology, Tang and Song Eight Masters Anthology, Water Mirror Notes, Luoyang Galand, Xunzi and Mencius. In my opinion, the three more important stages in China's history of civilization and literature are the pre-Qin, Tang and Song Dynasties and the turn of Ming and Qing Dynasties.
The above nine books occupy a very important position in these three stages, which can be said to have their own advantages. Ancient prose is a grand view of ancient and modern masterpieces, while the other eight books have their own merits. Mencius' incisive reasoning, fluent writing and language image; "Zhuangzi" uses fables to describe Wang Yang's arbitrariness and vividness; Xunzi is good at reasoning, profound in thought and meticulous in logic; The argument that "everything is wrong" and "everything is wrong" is explained in simple terms with fables and historical materials, and philosophy can be seen among the people; Tongcheng school anthology and the anthology of eight masters in Tang and Song Dynasties belong to the category of anthology. The records of Luoyang and Zhu are quite miscellaneous, and both geographical customs and mountain customs are involved, which is very literary.
Only by learning from many aspects and confirming each other can the overall view be formed. As far as learning methods are concerned, learning a language is four magic weapons: listening, speaking, reading and writing.
For ancient Chinese, the most important thing is reading and reciting. I suggest you recite more classic articles of ancient Chinese, and then read the theme. Gradually, you can find that feeling, that is, you can touch the laws and feelings of ancient people using language, or a sense of language.
If you find a sense of language and deal with daily problems, the problem should not be big. In addition, when learning ancient Chinese, you need to prepare a reference book, just one.
This is the Dictionary of Ancient Chinese edited by Wang Li.
Those ancient texts are suitable for educating children to kill pigs as a sign of trust.
Original text:
Ceng Zi's wife's city, her son cried, and her mother said, "If a woman comes back, she will kill this woman." When his wife came to this city at the right time, Ceng Zi wanted to arrest him and kill him. His wife stopped saying, "I'm playing with the baby." Ceng Zi said, "Babies have nothing to do with play. Babies must be knowledgeable, treat their parents and scholars, and listen to their parents. Today's son deceives him, and his godson deceives him. The mother deceived her son, and the son became a teacher when he didn't believe in his mother. " So Ceng Zi cooked the pig for the baby.
Translation:
Ceng Zi's wife walked into the street, followed by his son, crying to leave. Ceng Zi's wife had no choice but to say to her son, "Go home. I came back from the street to kill pigs for you. " As soon as Ceng Zi's wife came back from the street, Ceng Zi was ready to catch the pig and kill it. His wife discouraged him and said, "I said that killing pigs was just to coax children, but it was just a joke." Ceng Zi said, "Children can't play with him. Children are not sensible, and all knowledge needs to be learned from their parents and taught by them. Now if you cajole him, you are teaching your child to cajole others. If the mother coaxes the child, the child will not believe her. This is not the way to educate children to be gentlemen. " Say that finish, Ceng Zi killed the pig for the children to eat.
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Li Mu Shin Kuhn
Original text:
What makes the existing, unfinished, and afraid that the people will not believe in themselves is to erect a tree at the south gate of the country, and those who can move to the north gate will raise ten gold.
People blame it and dare not migrate. Later, he said, "50 gold for those who can migrate."
A man immigrated and offered 50 pieces of gold to show that he would not cheat. Order of death
Translation:
The rules of the law are complete and have not been published. Worried that people didn't believe in themselves, Shang Yang erected a three-foot-high wood at the south gate of Guodu Fair, and recruited someone who could move it to the north gate to give him twelve taels of gold.
The people were surprised that no one dared to move. Shang Yang said, "Whoever moves will be given fifty gold." .
A man moved wood, and Shang Yang gave him fifty gold.
Shang Yang used this to show that he was not cheating, and finally announced the law.
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Jia of Jiyang:
Original text:
Jia people in Jiyang lost their boat when crossing the river, and lived on the straight. Before the boat arrived, Jia people shouted, "My big house, which helps others, can save me and give you one hundred gold." Those who land will get ten gold coins. Monkey said that day, "Can I give Xu Platinum and ten gold now?" Jia Ren was in high spirits, saying, "If fishermen are also involved, what will they get in a day?" And suddenly getting ten gold is not enough? "The fisherman retreated in dismay.
Another day, Jia people drifted down from Lvliang, and the boat was as thin as a stone. The fisherman said, "What's the matter?" Fisherman's Day: "It's also a person who promised not to pay money."
Stand and watch, and it's gone.
Translation:
A businessman in Jiyang sank while crossing the river. He grabbed a hemp pole and shouted for help. A fisherman heard the sound. The businessman quickly shouted: "I am the richest man in Jiyang. If you can save me, I will give you 100 two gold. " . After being rescued ashore, the businessman turned his face and refused to admit it. He only gave the fisherman 10 two gold. The fisherman accused him of breaking his word and going back on his word. The rich man said, "You are a fisherman. I can't make much money in my life. Is it not enough to suddenly get twelve taels of gold? " The fisherman had to leave disgruntled.
Unexpectedly, the rich man capsized in the same place again. Someone tried to save him, and the fisherman he cheated said, "He is the man who broke his word!" " "So they stood by and the businessman drowned.
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Ji Zha hung a sword.
Original text:
At the beginning of Ji Zha, prosthodontic went north. Xu Jun likes Ji Zha's sword, but he dares to say. Ji Zha knew this very well, but he didn't give it to the country. Back in Xu, Xu Jun was dead, so he untied his sword and tied it to Xu Jun's grave. The attendant said, "Xu Jun is dead. Who will give it to him?" Kiko said, "Otherwise. At the beginning, my heart has promised, why not double my heart with death! "
Translation:
This is the first time to visit the monarch Xu in the north. Xu Jun likes Ji Zha's sword very much, but he didn't say it. Ji Zha knew (Xu Jun liked his sword), but he was going to other countries, so he didn't give it to him. Later, when he returned to Xu, Xu Jun was dead, so he took off his sword and hung it on the tree in front of Xu Jun's grave. His entourage said, "Xu Jun is dead. Who is this for? " Ji Zha said, "That's not true. I have given him this sword in my heart. How can I break my word because Xu Jun is dead! "