(2) In the center of the hall, the bronze horse of Warring States unearthed from Tomb No.2 of Zhao Wangbei is taken as the prototype, and combined with the background of King Wuling of Zhao's "riding and shooting of Khufu" to form a group of three bronze galloping horses with a height of 3 meters, which symbolizes the spirit of Zhao culture of "pioneering, reforming and forging ahead". 8,000 years ago, the first dawn of civilization appeared in Cishan Mountain, which was the representative of the middle and early Neolithic culture, earlier than Yangshao and Longshan culture, and occupied an important position in archaeology.
The Northwest Hall (324 square meters) on the second floor is decorated with magnetic mountain culture. On the east wall of the exhibition hall is a row of aluminum alloy communication cabinets, displaying cultural relics 1 10 such as stone mill, stone mill, pottery pot, chicken bone, carbonized millet and carbonized walnut. The exhibition line is 32 meters long. The exhibition is divided into four parts: primitive agriculture, primitive handicraft industry, fishing and hunting collection and breeding, primitive art and belief. In the center of the exhibition hall, there is a sand table of magnetic mountain culture ruins. In the northwest corner, there is a half-frame landscape reflecting the life scene of Cishan people, which reproduces the activities of Cishan people such as milling millet, making pottery, raising chickens, hunting and sowing, and incorporates the typical artifacts unearthed from Cishan site. Through cultural relic specimens, figures, photos, pictures and large-scale landscapes, the rich connotation of magnetic mountain culture, represented by millet culture, domestic chicken breeding, primitive pottery making, primitive art and walnut planting, is highlighted. Zhao is one of the Seven Heroes in the Warring States Period, and Handan is the capital of Zhao. "Zhao Culture" is the most brilliant chapter in Handan's history, and Wang Wuling's "Khufu Riding and Shooting" has become a symbol of "reform" and has great practical significance.
The North Hall (324 square meters) and the Northeast Hall (188 square meters) on the second floor are displayed in the order of historical development, and are divided into several parts: Zhao's political and military reform (riding and shooting in Hu clothes), Zhao's economy, Zhao's ritual and music system, Zhao's lineage, Zhao's territory, Zhao's urban construction, Zhao's tombs, Zhao's fiefs in Han Dynasty, Han's urban construction and so on. A row of window-type communication cabinets are arranged on the south side of the exhibition hall and at the east and west corners, with an exhibition line of about 45 meters. About 200 pieces of bronze horses, gold medals, jade articles, chimes, chimes, gold and silver paintings, and Dajue wine bottles were exhibited. Ma Dongkeng unearthed in Qiqi Village, Handan City was restored in the northeast corner of the Northeast Hall. Today, there are more than 100 ancient tombs in the plain and xigang area between Zhanghe River and Fuyang River in the south and southwest of Cixian County, which are "tombs of Eastern Wei and Northern Qi" and were designated as national key cultural relics protection units by the State Council in 1988. The number and scale of painted terracotta warriors and horses unearthed from the Eastern Wei and Northern Qi emperors' tombs are rare in China.
On the second floor of the newly-built back building, Princess Ru Ru's tomb, one of the tombs of the Eastern Wei and Northern Qi Dynasties, is displayed, and about 600 precious cultural relics such as shield soldiers, shaman wizards, terracotta warriors and horses, and eastern Roman gold coins are unearthed in the tomb. According to the west wall of the exhibition hall, a row of window communication cabinets are arranged. On the basis of repairing the east wall of the exhibition hall, a scaled-down box-section tomb was made, and the tomb structure characterized by soil sealing, voucher roof and inner wall was restored by artistic means. With the tomb and tomb murals as the background, the painted terracotta warriors and horses arranged in the tomb and tomb are magnificent. Lighting is added to the tomb, visual effects are emphasized, and the atmosphere of the tomb is created, so that the audience can feel the majestic momentum of the military forces of the Northern Dynasties and appreciate the exquisite mural art. Cizhou Kiln is a huge folk kiln system in the ancient north of China, which has lasted for thousands of years since the Northern Dynasties and has never been burned out. It occupies an important position in the history of ceramic development in China, and still ranks among the eight major ceramic regions in China. The research of Cizhou Kiln is an international academic topic. Scholars from Japan, Britain, the United States, Canada, South Korea and Southeast Asia have all studied Cizhou Kiln, which has a wide international influence.
The special exhibition of Cizhou Kiln takes the historical development sequence of Cizhou Kiln as the key link and aims at the cultural characteristics of each historical period. By means of modern art, it shows the hard course of Cizhou Kiln's emergence, development and prosperity from the Northern Dynasties to the present, shows the industrious wisdom and great creativity of the working people, and depicts the overall cultural features of the porcelain capital. This exhibition is a patriotic education base construction project in Hebei Province, and strives to become a national boutique exhibition.
The contents of the exhibition include: Preface Hall, Northern Dynasties, Sui and Tang Dynasties, Song, Jin and Yuan Dynasties, Ming and Qing Dynasties and after the founding of the People's Republic of China. It is planned to occupy four exhibition halls (149 square meters), southwest hall (324 square meters), south hall (324 square meters) and southeast hall (188 square meters) on the second floor of the museum, with an area of nearly 1000 square meters and an exhibition line of about 200 meters, which will display the treasures of Cizhou Kiln in various periods. Distribution of exhibition lines: the preface hall occupies 16 meters, the northern Sui and Tang Dynasties occupies 25 meters, the Song, Jin and Yuan Dynasties occupies 80 meters, the Ming and Qing Dynasties occupies 50 meters, and it occupies 30 meters after the founding of the People's Republic of China.
The Song, Jin and Yuan Dynasties were the heyday of Cizhou Kiln, which was the key part of the exhibition. It occupied the second half of the Southwest Hall and the first half of the South Hall, and exhibited about 300 cultural relics. This part includes creating a large-scale semi-landscape in the southwest corner of the Southwest Temple (about 35 square meters), reflecting the kiln site environment, workshop scene and traditional porcelain-making technology in the Song Dynasty.
During the Ming and Qing Dynasties and the Republic of China, it occupied the second half of the South Pavilion and exhibited about 200 cultural relics. In the northeast corner of the exhibition hall, a residence with local characteristics of Ming and Qing Dynasties is arranged, including a hall and a bedroom, which can vividly reflect the display and use of porcelain in Cizhou kiln.
The Southeast Pavilion plans to arrange modern porcelain of Cizhou Kiln, including imitation Song porcelain, popular daily-use porcelain, porcelain murals and modern art porcelain, and exhibit about 65,438+000 specimens. Handan rose for 3000 years and experienced ancient prosperity and decline. The above four special exhibitions show its ancient chapters. Since the beginning of the 20th century, with the opening of the Beijing-Han Railway, Handan has entered a period of modernization and embarked on the road of revival. In a century, it has experienced the transformation from ancient city to modern city, and from modern city to modern city, and has gone through the course of a hundred years' revival. Especially after the 1920s, under the leadership of the Party, the people of Handan fought bravely and won the victory of the new-democratic revolution with glorious revolutionary tradition. After the founding of New China, especially since 1980s, great changes have taken place in Handan. After 20 years of reform and opening up, Handan has achieved a real revival and become the central city of the Shanxi-Hebei-Shandong-Henan border region.
The exhibition "One Hundred Years of Handan" occupies the newly expanded exhibition hall (600 square meters) on the first floor of the back building. The exhibition is divided into two parts: the modern local revolutionary history of Handan and the development history of socialist construction after the founding of the People's Republic of China. It fully shows the political, economic and cultural activities, historical events and historical figures that have had an important influence in Handan in the past hundred years, and reproduces the road of Handan's centennial rejuvenation. On the first floor, the South Transition Pavilion (146 square meters), Southwest Pavilion (324 square meters), South Pavilion (324 square meters) and Southeast Pavilion (188 square meters) are the exhibitions of "Achievements of Urban Construction Planning in Handan City", focusing on the great changes and achievements of urban construction since the founding of the People's Republic of China, especially after the reform and opening up.