Singing method: do ri mi fa sol las do
Adding a dot at the top of the note means singing an octave higher, and adding two dots means singing two octaves higher; On the contrary, adding a dot below means singing an octave lower, and adding two dots means singing an octave lower.
In order to accurately represent the absolute height of sound, key signature mark should be applied. The key signature mark is represented by 1=F, 1 = g, etc. Take the d key as an example. The thinnest string at the bottom is the high-pitched do. etc
In order to avoid adding too many points up and down the notes, in chorus and ensemble music, the method of up and down octaves is often used to record bass or treble.
The length of a note is indicated by adding a short horizontal line behind or below the note.
Affixes are also used in symbol systems. But only to the quarter note. Longer notes, such as binary notes and whole notes, continue to be represented by adding short horizontal lines.
All bets with dots: 1-
Dotted binary note: 1-
Dotted line quartered note: 1.
Dotted line eight notes: 1.
Dotted line sixteenth note: 1.
The basic symbol of sound pause is 0. To indicate pauses of different lengths, you can mark them by increasing the number of zeros and adding a connection point to the right of the zero. The rest are commonly used as follows:
Complete rest: 00000 Appendix Complete rest: 0 0 0 0 0 0
Dichotomy rest: 0 0 Dichotomy rest with dot: 0 0 0
Rest at four o'clock: 0 with four o'clock rest: 0.
Eight rest: 0 with eight rest: 0.
Sixteen-point rest: 0, plus sixteen-point rest: 0.
32-point rest: 0 (there are three horizontal lines below) 32-point rest: 0 (there are three horizontal lines below)
For pauses of several bars, you can use a long pause number. Write it on the bar, and the number above indicates the number of rest bars.
A sound with only a length without a certain height is represented by X, and the length of the sound is marked by adding a short horizontal line behind or below X. ..
There is no clef in the notation system. Its pitch is expressed by notes and key signature.
The time signature in notation, like the staff, is marked by the music score, which is recorded at the lower left of the music name together with key signature, and the time signature is recorded after key signature. The name of the songwriter is at the lower right of the music name.
Speed markers and expression terms are recorded above the beginning of the first line of music.
In multi-part notation, bar lines are mostly separated, and each part is recorded separately. However, the bar lines of some instrumental music are connected according to the grouping of instruments. The bar lines of each voice should be aligned up and down, whether it is partials or not.
Pay attention to the spatial distance of notes when recording music, so that the distance between bars and beats is roughly equal, and write fewer notes within one beat; Write more notes tightly. For all kinds of notes smaller than quarter notes, the bass point should be recorded under the short horizontal line.
The rules of sound value combination in the notation system are basically the same as those in the staff. It's just that in the remake, not one note represents the whole bar, but the notes are grouped according to the single beat and connected by wires.
The combination method of rest is the same as the above situation, of course, connection is not needed.
Heritage marks are recorded at the top of the notes, marked by open brackets and numbers representing the heritage.
Transposition in notation is very simple, just change the key signature. For example, if a tune in C major is to be moved up two degrees, change 1=C to1= d.
In notation, only three phonetic symbols are used: ascending (#), descending (b) and reduction, but ascending (×) and descending (bb) are not used.
In the notation system, long-term tone sandhi is marked by key tone sandhi instead of temporary tone sandhi.
The decorative phonetic symbols, ellipsis, velocity scale and speed scale used in staff are basically suitable for simple music.
In order to avoid the confusion of points representing staccato and treble, staccato is represented by ▽ or ▼ in simple spectrum.
Short leaning notes are marked with small sixteen or eighteen tones, written on the upper left or right of the tonic, and connected with the modified tonic by connecting lines.
Like the staff, the prelude, opening and ending are marked with small notes, and some are enclosed in brackets.
When writing a chord, the short horizontal line below the note is only written on the lowest note.