Parallel prose is also called "parallel prose", "parallel prose" or "parallel prose"; Because it is commonly used in four words and six sentences, it is also called "Liu Siwen" or "Parallel Four Wives and Six". The whole article is mainly composed of two sentences (even sentences, even sentences), paying attention to the neatness of the antithesis and the loud melody. From the Han Dynasty to the Six Dynasties, there appeared the opposition between "writing" and "writing" in China's prose. The so-called "prose" is a kind of parallel prose, which is bound by flowery rhetoric, words and melody. The so-called "pen" is a kind of prose that focuses on clearly expressing ideas and is not bound by words and melody. (The expression here is inappropriate. According to Yan Yanzhi's viewpoint quoted in Liu Xie's Introduction to Wen Xin Diao Long, the pen is the body and the word is the text; Classics are words rather than words, and biographies are words rather than words. Liu Xie's own point of view is: "As the saying goes, writing has a pen, thinking that those who have no rhyme must write, and those who have rhyme must write." It can be seen that the focus of the debate on words in Song and Qi Dynasties is whether there is rhyme or not, rather than the differences in prose style. Moreover, the prose of the Northern and Southern Dynasties also rhymed, so it was revised. ) a style produced since Wei and Jin Dynasties, also known as parallel prose. Parallel prose is relative to prose. Its main feature is that it focuses on four or six sentence patterns and pays attention to antithesis. Because of the opposite sentence pattern, it is like two horses running neck and neck, so it is called parallel prose. In phonology, it pays attention to the use of flat and harmonious rhythm; Rhetorically, it pays attention to decoration and allusions. Because parallel prose pays attention to formal skills, the expression of content is bound, but if used properly, it can also enhance the artistic effect of the article. During the Northern and Southern Dynasties, there also appeared many profound works, such as Yu Xin's Mourning for the South of the Yangtze River. On the one hand, he described the sadness of his life experience, on the other hand, he condemned the fatuity of the officials and ministers of the Liang Dynasty and expressed his nostalgia for his motherland. After the Tang Dynasty. The form of parallel prose is becoming more and more perfect, and there are four or six sentences of parallel prose throughout, so it is generally called parallel prose in Song Dynasty. Parallel prose was still very popular until the late Qing Dynasty. After the style split, parallel prose became a style compared with prose. Parallel prose prevailed in the Six Dynasties, and the representative writers were Xu Ling and Yu Xin. After the ancient prose movement in the middle Tang Dynasty, it declined slightly. Become a masterpiece in the Yuan and Ming Dynasties. In the early Qing Dynasty, authors rose in succession. Luck is the last writer. Because parallel prose has the characteristics of conciseness, dense allusions, colorful algae and neat sentences. If you pay too much attention to formal skills, the expression of content will often be bound, but if you use it properly, the quality of the text is high and the language implication is high, you can enhance the artistic effect of the article. Five points are summarized for your reference.
The writing method of parallel prose:
Compared with prose, the first parallel prose is a style mainly composed of dialogues. Duality is one of China's traditional rhetorical methods. Wang Ming Zhijian said in Liu Sifahai's "General Introduction": "Ancient prose is like freehand brushwork mountains and rivers, and couples are like painting towers." It is of great benefit to practice some antithetical couplets frequently.
Secondly, parallel prose generally uses a lot of allusions. If you learn to write parallel prose, you must be familiar with these allusions. Will inevitably take the initiative to read China's classics, such as a hundred schools of thought contend, the world said Newspeak, immortal biography, Shan Hai Jing and so on. This is of great help to improve my knowledge of Chinese studies.
Thirdly, parallel prose pursues the literary grace of words, so-called carving jade and carving jade, cutting flowers and leaves, spreading splendid flowers, and being good at using grammatical skills, which makes the whole article rich in vocabulary and makes people applaud when reading it.
Fourthly, temperament is not a necessary rhetorical method for parallel prose, but it is a common rhetorical method. You don't need every two sentences to be equal, as long as you grasp a certain relationship at the rhythm point of the sentence pattern, you can read it with rhythm and strength. Using these methods, the article can be ups and downs, thrilling.
Fifth, there are nine prose writers out of ten, and there are many people. Even if you can't write prose, you can write a few essays, but the level is different. However, parallel prose writers are also various. If you can write a good parallel prose, it will always be impressive and memorable.
Recommended works: Si Shouqian's Dream Sentence, Che's Inspiration of Melody, and Li Yu's Duiyun. Literary criticism category Liu Xie's Wen Xin Diao Long, Liu Zhiji's Shi Tong's works category Mo Daocai's parallel prose, Yu Jingxiang's unique parallel prose of the Six Dynasties, Li Zhaoluo's parallel prose and Xu Wei's prose of the Six Dynasties.
Recommended masterpieces: Bao Zhao's Wucheng Fu, Jiang Yan's Resentment Fu, Bie Fu, Lu Ji's Wen Fu, Qiu Chi's Book with Chen Bo, Yu Xin's Jiangnan Fu, Xiao Yuan Fu, Xu Ling's Yutai Fu and Wang Bo's Qiu Hong Fu Wang Tengting Fu.