Appreciation of Zhu's Calligraphy Works
Pictures of Yao's calligraphy works 1
Figure 2 Calligraphy forms of calligraphy works.
Picture 3 of Zhu's calligraphy works
Figure 4 of Zhu calligraphy works.
History of ancient Chinese characters
? As a popular calligraphy style in Wei and Jin Dynasties in China, it is a calligraphy style that changed from official script to regular script, and it is full of interest in seal script, official script, running script, cursive script and regular script. Guo Moruo, the late famous master of epigraphy, said that there were three great waves of reform in the history of calligraphy development in China. From the beginning of word creation, Oracle Bone Inscriptions and Zhong Dingwen called it the reform of ancient Chinese characters; From the bamboo slips and silk books of Chu and Han dynasties, the stone carvings in the Western Han Dynasty are called seal reform; From the end of the Han Dynasty, the Jin Dynasty and the Southern and Northern Dynasties, it was called the official system reform. And style is the symbol of the third reform.
As it appeared in the Wei and Jin Dynasties, the calligraphy style was generally retained in the inscriptions. However, this calligraphy style, which was widely circulated in the society at that time, mysteriously disappeared from history because of the "forbidden tablet" of Cao Cao and later Sima Yan.
Until the Reform Movement of 1898, during the Qianlong period of the Qing Dynasty, the Baozi Monument and Yan Yan Monument were unearthed in Qujing, Yunnan Province. They were called "Long Yan Monument of Er Yi" in the world, which became the only source of inscriptions and ancient Chinese characters, and attracted scholars and calligraphers at that time and later. However, due to the backward communication means at that time and other factors, the research and understanding of this calligraphy style, which is called the great discovery in the history of China's calligraphy, has always remained between officials and researchers in the upper class. Until today, only in Qujing and a few calligraphy circles can we really understand and know this "stubborn" that was originally regarded as mainstream, noble and vigorous.
In the mid-1980s, due to work reasons, Mao, then an officer of the PLA, came into contact with a material published by Guo Moruo at 1965, "Seeing the Authenticity of Preface to Lanting from Unearthed Epitaphs", and became attached to Yaoti from then on. Since then, it has been widely used in calligraphy fields such as running script and regular script.