Introducing the stele into the grass is an advanced form of combining stele and calligraphy. The representative figure is Li Zhimin, a senior professor at Peking University and a master of calligraphy.
There are many ways to achieve the combination of inscriptions and inscriptions, and can be combined with different calligraphy forms. Among calligraphy styles, cursive script is the farthest away from the styles of stele studies, is the most difficult to practice, and has the greatest practical value. As the saying goes, "the greater the exaggeration, the higher the degree of innovation." Therefore, the introduction of cursive script into cursive script should be a combination of stele and inscriptions. advanced form. As a calligrapher with profound knowledge and artistic creativity, Li Zhimin had a profound insight into this development trend as early as the 1970s and 1980s. Based on the practical experience of combining the inscriptions and inscriptions of previous calligraphers, Li Zhimin took the lead in clearly proposing "introducing the inscriptions into the calligraphy." "The proposition, and carried out groundbreaking attempts and explorations, implanted the core and spirit of the Monument School calligraphy into cursive script, which greatly changed the cursive script from the brushwork, structure and style. Although its theoretical system and practical exploration are not yet perfect, the direction it has created and the accumulated practical experience and technical rules are enough to provide a foundation for future generations to continue to improve and expand the new calligraphy style that has been introduced into the grass.
As a new school of calligraphy, as a new school of calligraphy, like other things, it is also an open system. Once it is formed, it has only a starting point but no end. Then, generations of calligraphers need to use their own Artistic creativity and practice of pen and ink, constantly comprehend, enrich, improve and develop it. Li Zhimin's exploration as the pioneer of introducing monuments into grass has left a significant page in the history of contemporary calligraphy, which is worthy of careful study and reference by the calligraphy theoretical community.