Guo Maoqian's Yuefu Poems

Yuefu Poetry Collection classifies Yuefu poems into 12 categories, such as Jiaomiao songs, Sheyan songs, advocacy songs, cross-blowing songs, harmony songs, dance songs, Qin Ge, miscellaneous songs, modern songs, miscellaneous songs and new Yuefu songs. The following is a brief introduction of my collection, and you are welcome to read it for reference.

Yuefu Poetry Collection is a famous poetry collection that summarizes the ancient Yuefu songs in China after the Book of Songs. It was compiled by Guo Maoqian in the Song Dynasty (Northern Song Dynasty). There is 100 volume, which is the most complete collection of Yuefu songs. It mainly collects Yuefu songs from Han, Wei, Tang and Five Dynasties, as well as ballads from pre-Qin to the end of Tang Dynasty, with more than 5,000 songs. It has a wide collection, all kinds have a general order, and every song has a solution.

"Yuefu", originally the name of the organ in charge of music, was first established in Emperor Wu of the Han Dynasty, and there were Yuefu organs in the Southern and Northern Dynasties. Its specific tasks are making music scores, collecting lyrics and cultivating musical talents.

Lyrics come from two sources: some are written by literati; Part of it is collected from the people. Later, the poems collected by Yuefu organs were called Yuefu, or Yuefu poems and Yuefu songs, so Yuefu changed from an official name to a poem name. The two best Yuefu poems are Mulan Poetry and Peacock Flying Southeast.

Guo Maoqian was a programmer in Yunzhou (now Dongping, Shandong Province) (History of Song Dynasty, volume 297, Guo Quanchuan). Advise sun, source. In the seventh year of Yuanfeng (1084), Zongshen joined the army for Cao Fa, an official of Henan Province (Volume 59, epitaph). Yuefu poetry has been handed down from generation to generation for hundreds of volumes, so it has attracted the attention of academic circles.

Yuefu Poetry Collection divides Yuefu poetry into 12 categories, such as Jiaomiao Ci, Ci, Advocacy Ci, Transverse Blowing Ci, Harmony Ci, Dance Ci, Qin Ci, Miscellaneous Ci, Modern Ci, Miscellaneous Ci and New Yuefu Ci. It is divided into several subclasses. For example, poems with horizontal blows can be divided into two parts: Korean horizontal blows and beam-drum blows. Xianghe songs are divided into six quotations: Xianghe songs, Yintan songs, Pingdiao songs, Qingdiao songs, Hudiao songs, Chudiao songs and Daqu songs. The lyrics of Qing merchants are divided into wusheng songs and western songs. Among these different kinds of music, the songs of Jiao Miao and She Yan belong to the movements used by the court. Generally speaking, most of the poems it collects are excellent folk songs and poems written by literati with old Yuefu poems. Among the existing poetry collections, Yuefu Poetry Collection is an important work which was written earlier and collected all kinds of Yuefu poems in past dynasties.

The important contribution of Yuefu Poetry Collection is to collect and classify the songs of past dynasties according to their tunes, so that many works can be written into books. For example, some excellent folk songs in the Han dynasty, such as Shang Mo Sang and Dongmenxing, can be found in Song Shu? Lezhi and Peacock Flying to the Southeast can be found in Yu Tai Xin Yong, and some of them are scattered in ancient books such as Literary Lei Ju, which are collected and sorted by editors. In particular, some ancient folk proverbs and miscellaneous ballads are mostly ignored by the former. Later, Du Fu's "Old Proverbs" and other works were obviously compiled on this basis. Mulan Poetry and Peacock Flying Southeast are collectively called Yuefu Shuangbi.

Its arrangement is to put the "archaic poems" of each tune (the earlier poems written by anonymous) or the earlier poems in front, and list the later works later, so that readers can understand that some literati poems are influenced by folk songs or previous generations of literati. For example, the songs of harmony, autumn dew and Hao Li are in Song Shu? There are only Cao Cao's sketches in the book Le Zhi, but there are ancient poems of Han Dynasty in this book. Although Cao Cao's proposed work is higher than "Ancient Ci" in ideological content and artistic skills, it is necessary to explain the origin and original intention of this piece; Another example is the tune "Shang Mo sings". According to gu Lu, it was originally a "tune" in the song of the Han dynasty, but it was in the song book? Only the drafts of Cao Cao and Cao Pi and Jin Yue's rewriting of Qu Yuan's nine songs are recorded in the Book of Music. Shan Gui's poems; As for Sang's ancient ci, it belongs to the category of "Daqu". In Yuefu Poems, ancient words are recorded first, which makes readers understand that Cao Cao and others' works are just new words based on the tunes of ancient words. This book also includes various poems written for Sang in later generations, such as Sang Jian, Xing, Sunrise in Southeast Corner, Xing to Japan, etc. Thus, Shang Mo Sang's influence on later literati is various. Another example is that Lu Ji's poem Ode to the East and Bao Zhao's Ode to the East are arranged together, which shows that the same tune can form all kinds of poems with completely different contents.

Poems in Yuefu poems are classified by musical tunes, and some tunes have influenced the music of later generations. For example, Plum Blossom Fall in Han Yuechui Song and Difficult to Go in Miscellaneous Songs were only the earliest songs put forward by Bao Zhao, but the editor still classified Plum Blossom Fall as Han Yuechui Song, and quoted Chen Wubie Zhuan in the description of Difficult to Go, pointing out that this song had been popular among northern herders before Wei and Jin Dynasties, indicating that it was early. For example, Huang Dansi in "Blowing Across the Drum and Beam", the editor quoted Chen Shizhi's "Ancient and Modern Music Record" as "blowing across the Yellow River".

Yuefu Poetry Collection gives a detailed introduction and explanation of the origin, nature and musical instruments used in singing. These explanations in the book quoted many lost articles, such as Liu Song and Zhang Yong's Yuan Jia Zheng Sheng Lu, Wang Sengqian's Nanqi Ci Lu and Chen Shizhi's Ancient and Modern Music Lu. Many precious historical materials have been preserved.

Yuefu poetry also has many shortcomings. In the Qing Dynasty, Ji Yun pointed out in the Catalogue of Sikuquanshu that it was not appropriate to include some literati poems in Yuefu. In addition, because it focuses on the melody, the recorded lyrics are often inconsistent with the narrative about the melody. For example, "Shuidiao Song" in modern lyrics is considered by editors as the time when Yang Di visited Jiangdu, while "Tangqu" recorded in the book does not specify the author. In fact, I'm afraid these lyrics are all mixed from the works of the Tang Dynasty. For example, the second poem "Rupo" is obviously a poem by Du Fu.

Modern scholars have also argued about the classification of the book, such as the boundary between the harmony songs in the book and the Qing Shang songs. In The Beauty of China and Its History, Liang Qichao thinks that the Qing merchants are the three tunes of Qing merchants in the Han and Wei Dynasties, while Guo Maoqian calls Wu Shengge's western songs Qing merchants' songs, which belong to the three tunes of Qing merchants in the Han and Wei Dynasties. I don't agree with Liang's view that the songs of the Han Dynasty have been lost, and there are eleven "harmony songs" in the three tunes of Wei and Jin Dynasties. As for the tunes of Shangqing songs in Wei and Jin Dynasties after Sui and Tang Dynasties, they are no longer circulated, so Zheng Qiao listed Shangqing as only recording southern folk songs after Jin Dynasty (The Source of Three Sounds of Song Xianghe and Song Xianghe and Answer to Mr. Zhu Peixian's On Qing Merchants).

Yuefu poems include chicken bone pavilion edition in the late Ming Dynasty, Qing Dynasty edition and four photocopies. The Literature and Ancient Books Publishing Office photocopied the residual copies of Song periodicals, and the missing volumes supplemented the old manuscripts of Yuan periodicals. Today's General Punctuation Collation by Zhonghua Book Company (1980).

(1-4) (Fu Zengxiang Tibetan and Song Edition)

Author: edited by Guo Maoqian.

Publishing House: People's Literature Publishing House

Release time: 20 10-2- 1

ISBN: 978702007762

Format: 16

Pricing: 2 10.00 yuan

Guo Maoqian has compiled Yuefu poems of the Northern Song Dynasty 100 volume, which can be divided into symphonic songs, She Yan songs, advocacy songs, cross-cutting songs, harmony songs, Shang Qing songs, dance songs, Qin Dian songs, miscellaneous songs, modern songs, miscellaneous songs and new Yuefu songs 12. It has collected more than 5,000 pieces of music and literature before the Song Dynasty, which is of great poetic value. What is particularly valuable is that the four volumes of Modern Ci-Hua include the newly developed Ci-Hua of Yan Yue in Sui and Tang Dynasties, which provides an important reference for investigating the origin of Ci-Hua style.

First, Yuefu folk songs directly reveal the ugly face of the ruling class, their resistance to the ruling class and some scenes of struggle. This kind of works include Cockcrow, Meet, Pinglingdong, Women's Disease, Joining the Army in the Fifteenth Five-Year Plan, Resistance, East Gate and Mulberry on the Stranger.

Secondly, there are many chapters in Yuefu poems that reflect the fate of women, and Weeds on the Mountain is a typical example.

Third, show healthy and pure love. The love between men and women is a common genre in poetry, including Jiangnan, business evil and thinking.

There are also some reactions to the anxiety, wandering pain and negative emotions caused to intellectuals in the late Eastern Han Dynasty. This is mainly Vu Thang, where the dead fish cry over the river, Man Gexing, Ximenxing and so on. Among them, the first two poems are unique in the form of allegorical poems.

Representative recommendation

Name: Shang Mo Sang

Han Dynasty

The author's Yuefu poems

Genre five-character ancient poems

Laiyuan hanyuefu

Moshangsang

Southeast corner of sunrise, shine on me, Qin Lou. Qin has a good daughter who calls herself Luo Fu.

Luo Fu is good at raising silkworms and picking mulberry in the south corner of the city. Moss is a cage system and cassia twig is a cage hook.

There is a bun on the head and a bright moon in the ear. Qi is the lower skirt and Qi is the upper skirt.

When Monkey saw Luo Fu, he put it on his shoulder and smoothed his moustache. When the teenager saw Luo Fu, he took off his hat and hung his head.

The tiller forgets to plow, and the hoe forgets to hoe. In spite of resentment, he sat watching Luo Fu.

You come from the south, and five horses stand upright. Your majesty sent officials to ask whose family it was.

"Qin has a good daughter who calls herself Luo Fu."

"Luo Fu Year Geometry?" "Twenty is not enough, fifteen is quite enough."

Your Majesty thanked Luo Fu: "Would you rather recite it?" Luo Fu preface: "You are such a fool! The monarch has his wife, and Luo Fu has his husband.

Thousands of people ride the east, and the husband is at the top. What's the use of knowing your husband? A pony's white horse; Hair tied with ponytail, horsehead covered with gold; Deer sword, a deer in the waist, can be worth more than 10 million. A petty official in the fifteenth mansion, a doctor in the twentieth dynasty, an assistant in the thirty, and a resident in the forty cities.

People are clean and white, and they have many needs. Ministry of Industry and Service of Ying Ying, Ran Ran and Zhong Chao. There are thousands of people sitting in the room, all of whom say that their husbands are extraordinary. "