Quotation/1
Chapter I Ancient Greece
Music in the beautiful temple /2
Music in the Age of Mythology and Homer /3
Poetry, Songs and Instrumental Music /7
"Tragedy is born from the spirit of music"/12
Overview of Sociology of Music/14
Music science/18
The last stage of ancient music /20
Chapter II Byzantium
Oriental Christian Music /24
A comparison between ancient Greek music and Byzantine music /28
Byzantine church music and hymns /30
Chapter III Rome
Chapter IV Early Christian Godfather Period
"Middle Ages" and "Renaissance" /44
The problem of Christian church music /46
The Origin and Elements of Christian Etiquette Music /49
The organizational structure of liturgy, secular music and the resistance of the Christian church /58
Theological, Philosophical and Scientific Basis of Christian Ritual Music /62
The fifth chapter is Gregory's art and its influence.
Pope Gregory /70
Roman hymns in England /73
Roman hymn of Caroline Empire, Celtic influence /74
Gregory Music Branch /78
The decline of Gregory's art /85
Gregorian chant in universal sacred art during the Roman style period /87
Secular music in Caroline's time /89
Theory, Art and Philosophy of Music /93
Chapter VI The further spread of Gregory's art.
Drama comes from etiquette/100
Parody of lyrics and poems/107
The musical origin of medieval lyric poetry/1 10
Feudalism and its art/11
Singing poet/1 14
Other aspects of knight lyric art/1 17
Bard/120
The decline of knight art/123
Italian lyric art awakened by Provence art/124
English poets and bards/128
Poet's lover/129
Chapter VII Gothic Style
The Rise of Gothic Style/136
The origin of polyphonic music/139
Forms and means of early polyphonic music/14 1
Ancient art/145
Romanesque Art and Gothic Style/150
Medieval music theory and theory/15 1
The Christian Church's Resistance to Polyphony Music/153
The Influence of French Gothic Style on the Surrounding Civilization/156
Chapter VIII New Art
The collapse of medieval order/160
Medieval and Renaissance/162
New Art and Ancient Art/164
Art nouveau in France/167
Art nouveau in Italy/170
14th century music practice/173
The new trend of music theory and aesthetics/175
65438+widespread spread and universal appreciation of music in the 4th century/178
Chapter IX Renaissance
Renaissance and Humanism/184
Modern research confirms Renaissance music/189
The last embodiment of late Gothic music/19 1
Style Harmony between Gothic Factors and Early Renaissance Factors/193
The influence of England/193
Burgundy Music School/196
The Rise of Neo-Gothic Style/198
Migration of Flemish musicians. /kloc-Italian music in the 0/5th century. The rise of French Flemish composers /204
/kloc-music problems in the 0/6th century /2 12
Reform and Revival —— German Humanism, Artisans and Singers /2 16
The influence of Burgundy in German art and France-Flanders /22 1
Liberation of German Composers /22 1
Luther and German Protestant Music /223
Classical Dutch Style and Its Internationalization /229
French music in the Renaissance /23 1
Venice Music School /234
Italy-Flemish style /238
The final synthesis of polyphonic music, Catholic reform and anti-religious reform /240
Palestrina /246
Music-changes in the political situation /25 1
Music and instrumental music /252
Types and forms of instrumental music /257
German music in the late Renaissance /262
The second stage of the French Renaissance /264
Huguenot Sect and Its Music /268
Spanish and Spanish music in the Renaissance /27 1
Chorus Composer of Flanders School, Spain /276
English music before Tudor /280
A composer in the early Tudor dynasty /283
The Reformation in England /286
The Influence of the Contradictions among Humanism, Renaissance and Reformation on Music /287
Music School in the Period of Elizabeth I and James I /293
Vocal Music /293
Instrumental music /300
Aesthetic principles of Renaissance /303
Music of the Renaissance /307
The response of humanism--the trend of lyric drama. Various aspects of music practice in the Renaissance /3 13
Consequences of the Reformation /3 17
University music /3 17
New World Music /320
Chapter 10 Baroque
The decline of the Renaissance /324
Religious thought is the motive force of early baroque art /327
Changing artistic ideal /330
Romanticism in Baroque Drama /336
The Relationship between Drama, Poetry and Music /338
The predecessor of musical /339
Early musical /342
Monteverdi /347
Religious operas, oratorios and Xi operas /35 1
Rome and Venice /35 1
65438+Italian Opera in the Late 7th Century /360
New Techniques of Composition and Deduction: Keyboard Music of basso continuo Orchestra /364
Principles and Types of Instrumental Music: Italian Violin School /370
"Grand Baroque" Fashion-Catholic Church Music /375
65438+Western Europe at the beginning of the 7th century /378
The influence of new political philosophy on literature and art Louis XIV style /380
Music in the heyday of Louis XIV /382
The Fundamental Resistance of French Thought to Opera /388
Pipa music and harpsichord music /390
Thirty Years' War /392
Baroque music in Germany /396
Early German Baroque Opera /408
Reorganization of social forces /4 1 1
England under Stuart's Royal Family: Revolution and Restoration /4 12
Baroque in other countries /422
Netherlands countries /422
Spain /424
North America /428
Chapter 11 Late Baroque
Authoritarianism and Enlightenment /436
Philosophical background /438
Baroque Music Thought /440
Theory of Temperament and Emotional Types /440
Rationalism, Irrationalism and Symbolism /446
Secularism: the dominant spirit of late Baroque /449
Late baroque opera /45 1
Naples Music School /456
Italian Opera in Germany /460
Italian Opera in Britain /467
Late Baroque Catholic Church Music /47 1
Religious and musical thoughts of northern Protestantism /475
Harmonious relationship between church music and opera /48 1
Late Baroque Instrumental Music /487
Johann sebastian bach /494
Chorus works /500
Instrumental Music Works /507
Late baroque English music /5 17
Handel/52 1
Oratorio /524
Bach and Handel /528
Chapter 12 Rococo-Gorgeous Style-Emotional Style
The period after the reign of Louis XIV /532
Three Kings Opera /534
Rococo rose from the collapse of Baroque /535
French Rococo Music /538
Mora /545
Rousseau's Harmonious Opera Debate, French Opera /549
The new face of opera and lyric tragedy /554
Enlightened autocracy /567
The Ideal of the Enlightenment and Its Influence on Literature /570
Music and Enlightenment —— Berlin Conservatory of Music /574
Opera and singing opera /579
The Relationship between Music Theory and Music Practice /584
Pre-classical symphony /590
Karl philip Emanuel Bach /595
Sonata-Part of Symphony /597
Italian Music School and Austrian Music School /60 1
Mannheim Music School /606
Further Creation of Pre-classical Symphony /609
Pre-classical chamber music /6 13
Chapter XIII Classical Period
The return of classical thought /6 18
Classical tendency in literature and art /620
Haydn /626
Early Works /628
Late works /632
Mozart /640
Instrumental Music Works /652
Drama and Opera in Classical Period /658
Mozart's Italian Opera /663
Mozart and Opera /669
Mozart's Opera Idea /677
Chapter 14/kloc-the edge and practice of music in the 0/8th century
Spain /682
United Kingdom /686
USA /694
/kloc-the concept of vocal music in the 0/8th century /70 1
Protestant Church Music /705
Catholic music /707
/kloc-music practice in the 0/8th century, the construction function of orchestra, deductive art /7 13
/kloc-a sociological survey of music in the 0/8th century /722
Music Criticism and Historical Compilation /727
The Enlightenment failed in its attempt to create popular art /733
Chapter 15 the intersection of classicism and romanticism
Classicism versus Romanticism /736
The Romantic Movement in Germany /742
Classicism-Romanticism in Literature and Its Correspondence in Music /747
Beethoven /752
Life /758
Early Works /762
Late works /769
Beethoven style /773
Schubert /778
French Opera in Revolution, Tudor and Empire /788
Early German Romantic Opera /796
Chapter XVI Romanticism
An Overview of Romanticism /806
Mendelssohn Schumann Chopin /8 14
Style Criticism of Romantic Music /824
Grand Opera /833
Italian opera /842
German Opera /847
Chapter 17 From Romanticism to Realism
Realism as a philosophy of life /854
Explore all-encompassing holistic art /857
Church Music and Symphony —— The New Trend of Drama /865
Berlioz /87 1
Liszt /876
Wagner /886
Overall artwork /895
Chapter 18 Countercurrent
Brahms /908
Bicai /9 18
Verdi /922
/kloc-the edge and practice of music in the 0/9th century
Germany /932
France /939
Britain /945
USA /949
Nationalism in Music /954
Russia /960
Bohemia /97 1
Scandinavia /974
/kloc-music practice in the 0/9th century /976
/kloc-Music Thought in the 0/9th Century-Theory, Aesthetics, Philosophy and Science /988
Music Review /994
Musicology/1000
Chapter 20 The Road to Modernity
New concept of tonality/1006
Instrumental music/1008
Opera/10 15
Dance music and operetta/10 18
Church music/1023
Song/1027
The last style synthesis of the century-Impressionism/103 1
Impressionism in music/1033
"The decline of the West?" / 1040
Suoyin/1049