The font format of the thesis opening report requires 1. Papers (including opening report and document translation) are printed on one side of A4 paper, and the page setting: the left margin, the right margin and the bottom margin are all 2.5cm, and the top margin is 2.8 cm. The header and footer are 2 cm. The paper (including the task book) and its attachments shall be bound into one volume in duplicate.
2. The header starts from the text. The top box at the left end of the header is the title of the paper, and the title of the paper uses five characters in Song Dynasty. If it is an opening report or document translation, add? /Opening report or/document translation? . Align the right end with the page number and use the fifth Arabic numeral.
3. The text (including the opening report and document translation) is written by Song Zixiao No.4, about 15000 words. All non-Chinese characters are Silla. Word spacing is set to? Standard? , the paragraph is set to? Single spacing? All paragraphs are indented with two words at the beginning. Mathematical formulas are expressed in italics and numbered according to chapters. For example, the third formula in Chapter 2 is (2-3) and is aligned with the right line of the paragraph.
4. Start a new page for each chapter, with three-level titles and Arabic numerals (e.g. 1, 1. 1,1). A chapter is called a first-level title, which is located in the center of the first line of the page, with a bold font size of two, with a spacing of 0 points before the paragraph and a spacing of 12 points from the immediately following text or second-level title. The second-level title is Song Ti No.4, which is aligned to the left. The distance before breaking is 12 kg, and the distance after the segment is 0 kg. Three-level titles are bold in small letters, aligned to the left, with a distance of 12 pounds before the paragraph and a distance of 0 pounds after the paragraph.
5. The chart should have a name, the table name is directly above the table, and it is bold with the small number 5. The name of the picture is located directly below the picture, and it is bold with a small five. This chart is numbered by chapter. For example, Table 2.7 is the seventh chart in Chapter 2; Figure 3- 1 is the 1 graph in Chapter 3. Don't spread the chart across pages. All referenced charts should be marked with corresponding brackets [] after the chart name (for example, [1]). The reference number here should be the same as the reference number.
6. The cover and task book are purchased by students at the binding office on the first floor of the school library, and the cover shall not be copied. And bind the paper at the binding place.
7. In addition to the cover, the first page is the task book, which is issued when writing according to the application.
The second page is a Chinese abstract (at least 150 words). ? Abstract? These two characters are small and bold, centered, 102 points before the paragraph and 12 points after the paragraph. The content is in Song 5? Key words? The three words are bold and indented, and the content behind them is Song Wuzhong. Generally, 3-5 phrases are enough, separated by commas, and there is no punctuation at the end. The distance between the keyword and the abstract is 12 points (that is, 12 points before setting the paragraph). Chinese abstracts are numbered in Roman numerals and located at the bottom and middle of the page.
The third page is the abstract (at least 500 printed characters). Abstract? (Times New Roman No.2 in bold), with Times New Roman No.5 as the content. The key word is Times New Roman bold small five, and the content behind it is Times New Roman five, which is also 12 pound away from English abstract. English abstract postponed? Chinese abstract? Pages are numbered in Roman numerals, located at the bottom and middle of the page.
The fourth page is the table of contents. ? Directory? In the middle, use bold two, set it to 0 point before the paragraph and 12 point after the paragraph. Extension of directory page? Abstract? Pages are numbered in Roman numerals, located at the bottom and middle of the page.
The contents are: abstract, abstract, text (the first and second-level titles are required to be listed, with the first-level title in bold type 4 and the second-level title in bold type 4), references, thanks, attachment 1: opening report, and attachment 2: document translation (in Chinese and English). Use small four for page numbers.
Note: Chinese and English abstracts and tables of contents are not text, so don't set headers!
8. References are located on another page after the text, and the page numbers are numbered consecutively with the text. ? Reference materials? In the middle, use bold two, set it to 0 point before the paragraph and 12 point after the paragraph. The main formats of references are as follows:
Books: [serial number] Author's name (separated by commas), book title, version number (first edition not written), publisher's name, publication year, and cited page number.
Tip: Don't put a period at the end!
Example: [1] Hu, Senior Management Accountant, Xiamen University Press, 2005, p. 5 1.
Periodical: [serial number] Author's name (separated by commas), title, publication name, publication year, volume number: (issue number), starting page number to ending page number.
Special note: all references cited in the paper should be marked in the quotation of the text in order. The marking method is located at the end of the last sentence in the quotation, and the toolbar has gymnastics: open format-font-superscript. (for example: [1]).
9. The thank-you page is located after the references and numbered consecutively with the text. Thanks? In the middle, use bold two, set it to 0 point before the paragraph and 12 point after the paragraph. The content is Song Xiao Si Zi.
10. Attachment 1: Opening Report (including five parts: research background, literature review, technical route, timetable and references, and there is no need to start a new page between each part).
The title of the opening report is centered in bold type II, and the distance before and after each paragraph is 0. The title is: major, (admission ticket number) and name, all in bold number four, in the middle.
Description of font format requirements for thesis opening report: the title of the opening report should be the title of the thesis, not the word opening report!
Font format requirements of thesis opening report: The opening report is followed by abstract (Chinese only) and keywords. ? Abstract? And then what? Key words? Use small number four in bold. Abstract? The content is Song Xiaosi. Key words? Contains 3 to 5 phrases, separated by commas, with no punctuation at the end. Neither the abstract nor the keywords need to be indented at the beginning. Then there is the text, and the distance between the text and the keyword is 12.
Font format requirements of thesis opening report: In opening report and document translation, the first-level title does not need to start a new page, and the first-level title before and after the paragraph is set to 12 points, and the other formats are the same as the text.
Attention should be paid to the font format of the thesis opening report: the page numbers of the opening report and literature translation should be coded continuously according to the page numbers of the text.
1 1. Appendix 2: Literature translation (Chinese and English) is about 25,000 words, first in Chinese (according to the paper format), and the title should be the title of the translated article, with bold type II in the center. Here, the name of the original author (English) is below the title of document translation, in bold, centered in Times New Roman. After Chinese translation, two blank lines indicate the source of foreign language materials. What is the text content? Source of foreign language materials: books/periodicals (reference format)? Don't stop at the end of data source! Empty 2 boxes to write: XXX translation. Fonts are bold in small four (non-Chinese characters are bold in Times New Roman) and aligned to the right.
Dance model essay: Dance in hearing, hearing in dancing Abstract: Music is the soul of dance, and at the same time, dance and music have been well unified. Beautiful music can stimulate the dancer's inspiration and imagination, while the beating music rhythm can promote the dancer's action. In dance, the images of dancers also arouse people's aesthetic appreciation through harmonious hearing and vision. Without music, dance will lose its vitality. Since ancient times, music is the voice of dance, and dance is the expression of music. Music and dance are closely related to different arts and have certain aesthetic value. The perfect cooperation of music and dance can bring people a grand auditory and visual feast.
Keywords: music, dance, jumping and harmony
Music and dance are closely linked, and the graceful movements of dancers are inseparable from music. Stimulated by different music, people's hearing will make corresponding psychological reactions through the central nervous system, thus causing association. Choreography begins with music. The combination of music and dance, through the infiltration of space to express the feelings of dancers, so that dancers can blend physically and mentally, will produce * * * sound. Therefore, in the relationship between the two, music is an inseparable and important part of dance, and music gives dance more artistic expression with its diverse styles, bright and light rhythm and beautiful melody. Dancers can not only enjoy beauty, but also perform beautiful dance movements in beautiful music and cultivate their sentiments. At the same time, dancers' understanding of accompaniment music also affects the artistic expression of dance, so in practice, it is necessary to combine dance and music harmoniously to promote its development.
First, the important position of music in dance
(1) Music can help dancers express their emotions and set off the atmosphere.
The addition of music can stimulate and strengthen the expressive force of dance. Without music, dance can't fully express feelings. Because one of the direct characteristics of music is that it permeates people's hearts, people often take the feelings expressed in music as their own inner feelings when they appreciate music, and dance will have a profound experience of music before dancing, so when this understanding and feeling of music stimulates the dancers' inner feelings, these feelings will be expressed through rich dance movements. In this way, the involvement of music will first impress the feelings of the public and let the audience have a deeper understanding of dance. In addition, the rich emotion of music also endows dance with richer artistic expression, which also brings the audience closer to dance.
Music can help dancers organize their movements.
Music and dance have the same rhythm, rhythm and emotional content, and they are displayed at the same time, so they must be highly coordinated and unified. There must be music before designing dance moves, not after dancing moves. There are two main forms of music used in dance. One is to create relevant music for the established dance plot and theme, and the other is to use ready-made music. Among them, the common method is to arrange dance according to music. For example, classical ballet is an action skill based on the melody and soul of music, also called dance music. It mainly uses harmonious and symmetrical music to express dance movements, but it should also be noted that dance is not only subordinate to music. This is mainly manifested in, first of all, if you want to create music for a specially conceived dance, you need to create music according to the requirements of the choreographer. Secondly, the soundtrack of the dance should also be chosen, because not all music is suitable for dance. Thirdly, the choreographer can modify the music according to the requirements of the dance content in the specific arrangement.
(3) Music is conducive to the conception and creation of dance.
Because of the rich functions of music, it is easy to think of dance as soon as you hear it, so the idea of dance came into being. In practice, you still face the problem of whether the music you hear can become accompaniment music immediately. If you want to dance when you hear music, this is the inspiration caused by the music you hear, which promotes the creation of dance movements. Music is composed of time, emotion and rhythm, so music can be directly turned into dance for application, so music actually has the dual characteristics of accompaniment and creation. For example, after hearing Beethoven's Symphony of Destiny in practice, someone wants to create a dance related to destiny, so the dance of destiny came into being. Dance is a visual expression of music to a certain extent, and the two are interdependent. Dance is a semi-finished product without music. At the same time, all songs can jump freely, which is a dance creation based on ready-made music.
Second, the sublimation of dance to music.
(1) Dance needs the rhythm and melody of music.
Music is an independent art form, but music in dance is the re-creation of music by dancers. After hearing the music, the dancer's body movements consistent with the music according to his own understanding are the interpretation and expression of the dance music. However, the display of this kind of body is not based on every note in music, but the spirit and emotion of music. In addition, a similarity between music and dance is the same rhythm, and rhythm is also an important basis for the combination of dance and music. In practice, dance needs to strengthen the display of movements and the rendering of emotions through music, and it also needs to be accompanied by a certain rhythm when performing dance. In dance, the displacement factor of body dance is due to the existence of rhythm, and any form of body movements will form more beautiful body movements after rhythm treatment, which is an important prerequisite for the formation of dance movements. Music changes quickly. Music is the art of time, while dance is the art of space and time. Dance is not a mechanical reflection of every subtle change in music. Another similarity between dance and music is lyricism. Both dance and music are direct expressions of feelings, but the expression of music is generally abstract, so it will not interfere with or contradict the specific emotional expression of dance, but can be perfectly combined with dance. Because people's emotions are rich, the expression of any kind of emotion is a process from generation to gradual change, especially when the joys and sorrows in life are put on the stage, it is more necessary to express these emotions with the help of certain expression forms. All the body movements produced in dance need to be carried out around the subject of human beings, and the body movements should be sublimated according to the laws of nature. Any emotion in dance is formed by the choreographer's conception of dance works, and then a certain degree of creation is carried out. The dancer grasps the feelings and presents and expresses the emotions to be expressed in dance. On this basis, dance and music are combined, and emotions are also combined. Therefore, the creator needs to have certain aesthetic ability when choosing the corresponding dance music.
(2) Dance needs the auxiliary function of music.
Dance art is a way to express language by the movement of limbs, and the development process of things and events is also realized by the movement of limbs, so the whole thing can be clearly expressed by dance language, but the expression form of dance art can not show the background and environment of the event. And this can be made up by music. Because music has certain auditory characteristics, the expressive forms and creative forms of music will also leave a distinct emotional expression and the characteristics of the times of music, and this sense of the times will also bring a certain sense of the times to the appreciators. For example, when we hear The Red Star Shines and The Yellow River Concerto, it is easy to think of the events of that era, so the concert can explain the events expressed in the dance well. In practice, dance art takes the rhythm of music and exaggerated mouth shape as the starting point of body movements. The charm and feeling of dance are expressed through body language, so dancers will completely release their bodies during the dance. In addition, dancers will also express the emotions contained in the dance according to the rhythm of music, and according to the lively rhythm, dancers will constantly change their body movements in the actual dance process, giving the audience a feeling that the stage is empty and there is only one emotion on the stage with strong emotions. At the same time, dance is a good combination of freehand brushwork and realism, which uses the dynamic transformation process of limbs to convey information and also embodies emotions through certain personalized body movements.
(C) the unity of dance image and music image
Music image is mainly composed of emotional music image and sports theme music image. In dance art, music is actually as important as the literary image of dance, and the image of music is also a backbone of dance. Without music, dance will lose its color and soul, so dance can not be separated from the background of music. The dance image in dance is the main musical image of dance at first. In a dance work, the main musical image is generally a main clue that runs through, and the dance performance phenomenon is also created according to the corresponding literary image based on this clue. The main musical image in dance is a good interpretation of literary image, so the unified collection of dance image and musical image can let the audience appreciate the dance art by watching and listening, and then cultivate sentiment and form a beautiful spiritual feeling. In addition, the combination of the main music image and the dance music image can make the dance image more personalized and typical, and form a perfect and unified dance artistic effect.
Third, the conclusion
To sum up, dance movements and music are closely linked. Music can not only prompt dance movements, but also inspire dancers. In dance, the combination of hearing and vision is used to arouse artistic beauty. Without music, the dance performance will lose its vitality. So a successful dance needs the cooperation of music. Accompanied by beautiful and harmonious music, it is easy to ignite the passion of dancers and perfectly present the connotation of dance.
References:
[1] Tang. Dance art and practice [M]. Wuhan: Wuhan University of Technology Press, 2009.
[2] Song Xiaolu. Music is the soul of dance —— On the importance of music in dance [J]. Culture Monthly, 2009, (07).
[3] Fishes. The value orientation and social responsibility of contemporary dance choreographers [J]. Journal of Beijing Dance Academy, 2005, (04).
[4] Pei Chenling. Visual art and auditory art —— On the characteristics of dance piano accompaniment teaching [J]. Dance, 2009, (04)
[5] Zhang Juan. On the art of piano accompaniment in dance [J]. Journal of Xi Conservatory of Music, 20 10, (04).
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