Su Shi
Flowers wither and red apricots are small. Swallows fly, green water people go around. Small catkins are blowing on the branches There are many fish in the sea.
Inside the wall, outside the wall, there is a layman, and inside the wall, there is a beautiful woman laughing. The laughter died away, and so did the sound. Affectionate but heartless chagrin.
About the author:
Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His words are magnificent and bold, and his words are graceful and restrained. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
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This topic is called "Spring is bursting". The first film is about the natural scenery in late spring. From the perspective of an outing teenager, from small to large, from near to far, it is full of layering, color and movement. "The grass in the sea is flourishing", which not only opens up a scene for the late spring scenery, but also points out the melancholy of the young people who travel in spring and triggers the next realm. The following film describes the personnel in the natural background: a low wall separates the teenager from the beautiful girl, whose laughter touched the teenager's heart and caused the teenager's troubles. The combination of natural spring and Chun Qing beautifully shows that young people cherish the delicate romance of spring and the disappointment of being lost in a short time in the flowing breath of spring. Vivid, romantic and charming. This is a masterpiece with beautiful rhyme. The Chronicle of Linz (Volume 5) quotes the cloud "Ci Tan Xia Lin": "Zi Zhan is in Huizhou, sitting idly with Chaoyun. The young woman (referring to autumn frost) first arrived, and the wood was rustling, which was autumn sorrow. Life is in the clouds, white, singing' flowers fade and remain red'. The cloud will sing, and tears will fill her skirt. Zi Zhan criticized the reason, and replied:' What I can't sing is' there are fewer willows blowing on the branches, and there are more fragrant grass in the end of the world'. Zi Zhan turned and smiled and said,' I am sad for autumn, and my makeup hurts spring.' Then stop. Chao Yun died of illness soon. Zi Zhan will never listen to this word again in his life. "
A butterfly in love with flowers
Ouyang Xiu
How deep is the yard? The willow piles up smoke, but the curtain is not heavy. Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road.
March storm, closing at dusk, not planning to stay in spring. Tears ask flowers silently, and red flies over the swing.
Brief introduction of the author
Ouyang Xiu (1007- 1072), a native of Jishui, Luling (now Jiangxi), whose real name is Yongshu, was an advocate and leader of the ancient prose movement in the Northern Song Dynasty, a famous essayist, and his prose was eloquent and lyrical, and he was one of the eight masters in the Tang and Song Dynasties. His poems are graceful, inherited from the Southern Tang Dynasty and close to Yan Shu, but there are also differences. For example, he has written works on feelings, history and customs, and the subject matter is wider than Yan Shu's poems. Poetry is similar to its prose, and its language is fluent and natural. There is a public collection of Ouyang Wenzhong.
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This is a sad word for a lady in a boudoir. The author described the complex thoughts and grievances of a young woman living in a deep courtyard with profound brushstrokes. Don't write beauty, write beauty mansion first. When the word "deep" is repeated three times, it is conceivable that the beautiful woman imprisons the high door, is isolated from the inside and outside, and the boudoir is silent. The trees are foggy. The tighter the curtains, the deeper. "Zhangtai Road" refers to the Iraqi people's "land of visiting metallurgy", but it doesn't come from deep houses and tall buildings. It can be seen that the luxury of the material environment will eventually make up for the sadness of the emotional world. Looking at what you like without seeing it, you feel that youth is hard to stay, and the scenery in the eyes of beautiful people will inevitably become bleak and desolate. Feel the flowers falling with tears, ask the flowers falling with tears, and say nothing about the flowers falling. Hurting a flower is actually hurting yourself. Beauty and falling flower are the same fate. Is it flowers or people? The unity of things and me, the blending of scenes, has the deepest significance. The whole poem is tearful, touching, beautiful in artistic conception and beautiful in language, especially the last two sentences, which are highly praised by critics.
A butterfly in love with flowers
Ouyang Xiu
Who abandoned leisure for a long time? Every spring comes, melancholy remains. I often get sick before spending every day, but I don't care if I look thin in the mirror.
Why do willows on the green and black embankment by the river worry about new things every year? The independent bridge is full of sleeves, and Lin Ping returns to the new moon.
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This word expresses an indescribable heavy sentimental feeling, full of "when is the spring flower and the autumn moon?" How much do you know about the past? " The word also contains the hero's infinite attachment to beautiful things and his persistent feelings of being willing to languish for it. The sentence "independence bridge is full of wind sleeves, and the crescent man in Linping returns home" shows what the protagonist is waiting for and what he has lost. The language is light and far-reaching.
A butterfly in love with flowers
Ouyang Xiu
Where has he gone like a cloud these days? Forget to come back, spring will never end. A hundred flowers and a hundred flowers cold food road, whose tree is the car tied to?
Who is he and his horse? Tears on the first floor constantly soliloquize, double swallow, can you meet him on the road? Chaos and spring sorrow are like catkins, dreaming where to find him?
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This is a sentence that will always be in my heart. In the last part, I wrote that my lover traveled everywhere, forgot to go home, and the spring faded away. The cold food of flowers and the flowers on the road in spring are right, which shows the loneliness of a woman in the boudoir, and even she can't find him in her dream, which shows her yearning and infatuation with her lover. The poem portrays a boudoir woman with mixed feelings and full of grievances. The language is graceful and touching.
A butterfly in love with flowers
Liu Yong
Leaning against the dangerous building, the wind is fine, looking forward to spring sorrow, and the sky is dark. Who will rely on silence in the afterglow of grass smoke?
I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq.
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This is a people-oriented poem. The poet combines the loneliness of wandering in a foreign land with the lingering feelings of missing the right person, and writes lyrically and sincerely with the expression of "winding path leading to seclusion" In the first part, I wrote the scene of going upstairs to see it. Images such as breeze, grass color, smoke light and sunset constitute a picture of spring dusk. The last film focuses on "Spring Sorrow", describing the scene, state and graceful brushwork of spring sorrow. The next film is lyrical and straightforward, and the screenwriter is deeply convinced. The three sentences of "quasi-music" and "strong music" were suddenly broken, and the screenwriter wanted to call it out with a song of madness. Tao Ran was drunk, seeking drunkenness and forgetting worries, and sang for a while, in order to get rid of the depression and entanglement of spring worries, but he ended up with a "tasteless" boredom and emptiness, which shows that his spring worries are deep and cannot be underestimated. Finally, it reveals the poet's resolute attitude towards "Spring Sorrow": "Never regret". "For Iraq" is the only sentence that can explain that spring sorrow is hard to send far away, because the secret of spring sorrow is haggard and regretless: for her, for the loyal love of "Yingying Fairy" (Qu), I am also worthy of haggard and thin loss, believe in my life! The frank and passionate speech is really exciting. The whole poem successfully depicts the image of a sincere man, and describes his psychology fully and delicately, especially the last two sentences of the poem, which reveal the hero's spiritual realm directly and as the finishing touch, and are called "the strange man who specializes in love stories" by Wang Guowei.
This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow and gloomy clouds." "Spring sorrow" is to leave sorrow to the longing for the future. It's not that "spring sorrow" is hidden in my heart, but it comes from a distant horizon. On the one hand, we strive to avoid mediocrity, turn the intangible into the tangible, turn the abstract into the concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky. Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts. In the next film, in order to get rid of his troubles, the hero decided to drink crazy songs: "I'm going to get drunk." However, trying to be cheerful will eventually make you feel "tasteless". From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. Nodes "the belt is getting wider" write tenderness with a healthy pen, and swear that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's perseverance and persistent attitude, and the poetic realm is sublimated. He Shang's Wrinkled Water Language thought that Wei Zhuang's Sidi Township said, "Whoever is a romantic teenager in a foreign land, I suspect that I will marry for life. Even if you are mercilessly abandoned, you can't be ashamed. These sentences are "decisive speech is really wonderful"; The last two sentences of this word are based on Wei's words, but they are "angry and elegant". "In fact, Yan Feng has said in" The Magpie Treads on the Moon "that" wine often gets sick before the flowers bloom every day, and it is not shameful to have a mirror flower ".Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in "The Tales of the World" that "the great cause of ancient and modern times, the great scholar of a university must pass through three realms", and what he borrowed to describe the "second realm" was that "clothes are getting wider and wider, and people are gaunt for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.
A butterfly in love with flowers
Yan Dao Ji
Dream of entering the smoky waterway in the south of the Yangtze River, traveling in the south of the Yangtze River, and never meeting the people who left. I have nothing to say when I sleep, but I feel disappointed and dumbfounded.
I want to finish this love letter. Float geese sink fish, and finally there is no evidence. However, relying on the slow string songs, I broke my heart and Qin Zhenglie.
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This word is about lovers' endless lovesickness and parting. Write a dream about the last movie. Dream into the South of the Yangtze River directly cuts into the dream, with the image of "smoke and water", it highlights the confused and vast landscape characteristics of the water towns in the south of the Yangtze River, and also shows dreaminess. A Journey to the South of the Yangtze River is a thousand miles away, describing the urgency and hardship of its pursuit in four directions in the south of the Yangtze River. The phrase "leaving people" only points out the object and purpose that the poet is looking for hard, while "not meeting" reveals the loss and regret of this beautiful couple who dream of leaving. The two sentences of "sleeping" and "awakening" sum up the poet's longing for the soul of a couple, his feelings of missing his lover day and night, and the damage to the spirit caused by the feeling of "dispelling the soul". In the next film, I can't find my dream, and I can't trust the fish and goose to pass the book. Then I leaned on the strings to pin my love, but I stroked the strings on the pillars and played all the sad songs of parting. There is not a word "worry" in the whole word, but there are worries everywhere.
A butterfly in love with flowers
Yan Dao Ji
I don't remember when I got drunk, so it was easy to get together and leave. Half-moon window doesn't sleep much, and painting screen is idle.
It's always sad to see wine stains on clothes and words in poems. Red candle has no good plans, feels sorry for itself, but cries for others on a cold night.
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The sadness after writing this small word. In the last part, I woke up drunk from my dream and remembered that I was drunk because of the pain of parting. After waking up, I felt that life was like a dream, and it was easy to get together for no reason. At present, I am the only one left to draw an oblique moon map, which is desolate and lonely. At the beginning, there was a surprise. Chen and Yiren were drunk and separated. Then use Tang poetry to describe short parties and easy separation. The following is dedicated to remembering people on a moonlit night. When the painting screen is free, you can see that you are lying awake and the environment is empty. In the next film, I wrote a poem about wine stains when we were together. Now I feel sad when I see something, even the red candle oil flows out, and I feel sorry for people. The whole word is light and affectionate, and every sentence is sad. In the end, the red candle was endowed with humanity and even more desolate. Elegant style and superb technology.
A butterfly in love with flowers
Yan Shu
Six songs lean against the green trees, the willow wind is light, and the golden glow is exhibited. Who moved the cymbals and Zheng to the jade column and flew over the curtain and Haiyan?
The eyes are full of gossamer, and when the red apricots bloom, it will be sunny and rainy for a while. When you sleep, you will talk nonsense, be in shock and have a good dream.
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This word describes the leisure of spring. The first movie was about welcoming spring. The first three sentences are about the scene of early spring, just like wealth. The last two sentences are about the protagonist's activities, which are inverted in his mind. He saw Haiyan flying together, but he was lonely and sad. Facing the beautiful scenery of Fangchun, he touched the spring sorrow, so he played Zheng to express his feelings. The next movie expresses the meaning of bidding farewell to spring. The meaning of this word is implicit, it only expresses one kind of emotion of the protagonist. The language of this word is bright and beautiful, and its meaning is graceful and restrained.
A butterfly in love with flowers
Zhou Bangyan
The moon is full of surprises, even more leaking, and the gold well is pulled out. Tears arouse bright eyes and stiff neck is red and cold.
Hand in hand, frosty wind blowing the shadow on the sideburns. Don't worry. Upstairs decay across bucket handle, showing that people are far away from chickens.
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This word is written about the mood of seeing my lover off in the early morning of autumn. In the last film, I felt the ink on the pillow of the person who saw me off, indicating that I was restless and fell asleep. The second sentence "aroused" was aroused by a shallow nap. It is not sleepy, but it is crystal clear. Because I tossed and turned all night, my tears were wet and red, and my previous feelings were sad. The next movie is about parting and what happens after parting. "Hand in hand with frost and wind" and "hand in hand with tears", coupled with the sad autumn wind, is sad enough. "Leaving" and "saying goodbye" are both reminders of parting, and all kinds of attachments are among them. At the end of the day, the loneliness and cold of sending people back to their rooms are over. The lover is far away, the village chicken announces dawn, the boudoir is cold, and the school is scattered. The whole word is ingenious, orderly, full of twists and turns, euphemistic and touching, and impressive after reading it.
A butterfly in love with flowers
Zhao lingzhi
The wind and catkins are withering. The powder is fragrant and red every day. The new wine aggravated the hangover. This spring does not diminish the hatred of the previous spring.
Butterflies go and warblers fly, and there is nowhere to ask. The tall building across the water, looking at the letter from Pisces. Anger and chaos are an inch. Sunset in buried by the coming night.
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This word starts from the scene of vitality, floc, fragrance floating and falling flowers in the late spring, which causes the feeling of hurting spring. The words "new wine" and "this spring" show that the hatred of spring is constant and increasing every year. "Butterfly flies away" symbolizes the parting of missing, "looking into the distance" points out people's mind, and "stormy waves" shows that sadness is everywhere and the sunset is deepening. Writing hurts the spring girl's thoughts, the scenes are staggered, the sentences are progressive, the words are gentle and affectionate, and the blame is blamed. The whole word is clear and round, concise. Li Panlong's "Poems in Caotang are in Jun" says: "Miao is writing love stories, but he doesn't talk much, and his love is endless."
This word was written by Yan according to the Qiang village series "Xiao Shan Ci". "Yuefu Ya Ci" was signed by Zhao Lingzhi, and this book came from it. We think the author is Yan Xiaoshan. There are three reasons: First, Poems of Mountain Residence was collected before Yan's death, and it is generally impossible to confuse it with other people's works. Second, the word "Die Lian Hua" contained in Yuefu Ya Ci is literally different from the word "Die Lian Hua" contained in Xiaoshan Ci (see the note of this word), and it has different meanings. What is recorded in Xiao Shan Ci should be the original. Thirdly, as far as style is concerned, this poem forms a unified artistic style with the other fourteen poems in Xiao Shan Ci, and the way of choosing words and making sentences is basically the same, but it is obviously different from Zhao Lingzhi's Twelve Poems Carved on Top.
A butterfly in love with flowers
Zhao lingzhi
I want to reduce Luo Yi's cold. People are deep without rolling bead curtains. How many almond branches are there? The traces of crying stop hating the clear rain.
A wisp of smoke sinks every day. Waking up late after staying up late annoyed the mood of spring. Swallows write back by mistake, and Xijiang Road is on the small screen.
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This word describes the grief and indignation of thinking about women in the boudoir and hurting spring and nostalgia. The last movie uses apricot flowers to write about the sadness of hurting spring. "Want to reduce" without reducing shows the impermanence and helplessness of seasons and climate. People who "don't roll" say that the bead curtain hangs and doesn't roll, but that person hides in the boudoir. "How many flowers are there on the branches of an apricot" emphasizes the feeling of cherishing flowers when residual apricot flowers can bloom. "How many flowers" is just a typical feature of things changing in late spring, which means that the boudoir misses a woman like a flower, and youth fades like apricot flowers! The image of "crying mark" is also integrated with human flowers. In the rain, the petals wept with tears, and the boudoir missed the residual red and fell to the ground, crying from self-injury. People and flowers breathe together and share a common destiny. They only hate that the bleak drizzle in Tomb-Sweeping Day is too ruthless, the chill attacks people, and the bitter rain destroys flowers, so that homesick women dare not see the fallen flowers and hide in the boudoir. In the next film, I borrowed swallows to express my deep sadness. The sentences "stay in the wine" and "stay in the sun" describe the important reasons for wanting women to live in seclusion in the boudoir and "break the mood of spring". Chun Qing was dazzled and agitated, that is, her attachment to her husband was hard to contain, so she drowned her sorrows by drinking and woke up late because of excessive drinking. After waking up, the only ray of agarwood is accompanied all day, and its loneliness is known. The words "Yan Fei" sent resentment to Yan Fei, misled the good news of my husband's return to China, and made me happy for a while. It's really embarrassing! It's really strange and affectionate. Finally, I remember my husband's feelings with the scenery of "small screen": "Xijiang Road", that is, the Xijiang River in Cangwu, Guangxi, is the area where the poet Ning undertook his mission. In the boudoir, the poet expresses his deep love for his lover by missing his wife in vain and himself on Xijiang Road. The language is graceful and graceful, the emotion is soft and lingering, the artistic conception is implicit, the ending is endless, and the aftertaste is long, which has won praise.
This poem can also be found in the words of Zhao Lingzhi in Qiangcun's Xiao Shan Ci and Yuefu Ya Ci.
A butterfly in love with flowers
He Zhu
How many injuries after the spring dusk, Liu Qingying, partial hinder the balance of hair. Peach leaves step on the mountains in the sky, and white apples are full of skirts.
It is the day when I whisper long sentences, the curtain lights are faint and my heart sends Huqin language. Counting the rain and the wind, the hazy and pale moon clouds come and go.
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This word is a work that hurts spring and cherishes people. Write a scene in the last movie. The three sentences of "how much" combine the images of Liu Yin and gossamer, forming a scene full of cool shade and gossamer features in late spring, while the lush Liu Yin implies more catkins. The word "Tianya" is the poet's dream, suggesting that the poet had a love affair with a woman in Jinling, which was similar to crossing the river with peach leaves. After breaking up, he left Baipingzhou, where women washed clothes. Therefore, it hurts to see Bai Pinghua, revealing the nostalgia for Jinling women. The next movie is about my future thoughts and loneliness. The three sentences in Jing Ri are about the leisure and depression that hurt spring. "I Whisper in the Sun" is all because of my feelings, playing the piano under the lamp and voicing my heart. Two details have replaced the sad words of countless thoughts. The sentence "score" is based on the scenery. The whole song is about lovesickness, and the language is light and affectionate.
Feng Yanji ci
A butterfly in love with flowers
Who abandoned leisure for a long time? Every spring comes, melancholy remains. I often get sick and drink before spending every day, but I don't care if I look at myself in the mirror and lose weight.
Willow grows on the grassy banks of the river. Why worry about new things every year? The independent bridge is full of sleeves, and Lin Ping returns to the new moon.
A butterfly in love with flowers
How much trouble can you be in? I was heartbroken, but I went in the spring. I only like the lingque language on the wall, but I don't know that Jade Bird is completely wrong.
My heart is like a thousand flowers. The water is vast and beautiful, and the dream breaks Wushan Road. Eyes full of new worries, nowhere to ask. Are beaded curtains all the same?
A butterfly in love with flowers
Where has he gone like a cloud these days? Forget to come back, spring will never end. Where is the white grass Hua Qian cold food road car?
Tears leaned against the floor and whispered frequently: Shuang Yan is here, so long ago? Arouse catkin-like spring sorrow, long dreams are nowhere to be found.
A butterfly in love with flowers
How deep is the yard? The willow piles up smoke, but the curtain is not heavy. Jade music carving saddle tour smelting place, the building is not high, look at Zhangtai Road.
March storm. It closes at dusk, and there is no plan to stay in spring. Tears ask flowers, and red flies over the swing.
A butterfly in love with flowers
Six songs lean against the green trees. Liu Feng is light, showing golden thread. Who moved the cymbal Zheng to the jade pillar? Swallows flew over the curtains.
Eyes full of hairspring and falling flocs. When the apricot blossoms, it will be sunny and rainy for a while. When you sleep, you will talk nonsense, be in shock and have a good dream.
A butterfly in love with flowers
Xiao suo's clear autumn beads shed tears. The pillow is slightly cold, and the exhibition turns muddy and sleepless. The residual wine wants to wake up after midnight, and the moon is as bright as water.
Under the steps, a cold voice shouted to wind the weft. The golden wind in the yard quietly closed the door. Unfortunately, the old lovers joined hands and figured it out overnight.
A butterfly in love with flowers
It's cold chicken in China. The incense is printed to ashes, and the ground is muddy. The courtyard was foggy, and the double magpies in the shutters flew away in surprise.
On the screen, Luo Yi is embroidering. One afternoon, I remembered Jiangnan Road. Every night, I dream that my soul is silent, and I know that the past is nowhere to be found.
A butterfly in love with flowers
Author: Xin Qiji
Nothing can make the public angry and happy. People need mountains, but people don't want mountains. It's like mourning for Sine's lower teeth. Thousands of feelings are always there.
I want to write a record of Han Zuoji in Xitang. Today's machine cloud, good words are hard to compare. Old eyes are crazy and empty. The silver hook gets drunk first when it sees the heart.
All comments
[1] "What" sentence: "Shi Shuo Xin Yu Chong Qing": "Wang Xun? Sup> ③ ⒂ ⒂ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁ ⒁. Joining the army and shortening the main book can make the public happy and make the public angry. "
[2] "Self-important" sentence: Han Yu has "Yunzhou Xitang Poetry", which is earlier than the poem and records the reasons for the construction of Xitang. The cover here also refers to Han Nanjian. Named after his brother Long Yuan Ziyun, Nanjian eventually went straight to Longtuge and was sentenced in western Zhejiang. Nanjian and Nanjian are both famous for their literature, so the original meaning of the following sentence is Lu Ji and Lu Yun.
[3] "Silver Hook": "Book House": "Suo Jing cursive script in the Jin Dynasty is peerless, and it is called a silver hook." Bai Juyi's Chicken Distance Pen Fu: "Turn it into a golden distance, and the book into a silver hook."
According to the meaning of the latter part of this Que Ci, it should be written in the ninth year of Xichun (1 182), which may be a poem written by Han Nanjian after the first completion of Daihu Residence. The poet has another masterpiece, in which there is a proud sentence: "Ask what can make the public happy." I see how charming the castle peak is, and when I see it, I expect it to be so. "This mountain is the burial place of the poet Li Bai. Therefore, Shangque is an explanation for choosing a lifestyle of seclusion in the countryside, caring for mountains and rivers, and wandering poetry and wine. As the saying goes, "I have to pay back when I am tired, but I am idle early" (Qinyuanchun (a new house with a lake will be built) and "Three paths have begun to take shape"), the poet, inspired by beautiful mountains and rivers, chose the nature and poetry of "never tired of looking at each other". The next film, the meaning of the invitation is very clear, and it is inevitable to express praise and admiration, and that sentence is the language of the future, kind and difficult.
Year: Song Dynasty
Author: Li Qingzhao-"Dead Hua Lian"
Content:
Tears wet Luo clothes full of powder,
Quadruple yangguan pass,
Sing all over Qian Qian.
The humanities mountain is long, and the water is broken.
It's raining, smelling the lonely house.
Farewell, hurt, confused,
Forgot to leave,
The wine glasses are deep and shallow,
In order to pass audio books to geese,
Donglai is not as far as Penglai.
Author:
Li Qingzhao (1084- 1 155? Yi Anju was born in Zhangqiu, qi zhou (now Jinan, Shandong). He is famous for his ci and has a high artistic attainments.
Father Li was a famous scholar at that time, and husband Zhao Mingcheng was a textual research scholar. In his early years, he lived comfortably, and once cooperated with Ming City to collect and sort out calligraphy and painting stones. The nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and was in a lonely situation. In his lyrics, he wrote about his leisure life in the early stage, lamented his life experience in the later stage, and was deeply touched. Some of them also showed nostalgia for the Central Plains. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, he emphasized harmony, advocated elegance and affection, put forward the theory that ci is different from one family, and opposed the method of writing poetry. He can write poems, but he doesn't keep much. Some of his poems are old and lyrical, which is different from his style of ci. There are Collected Works of Yi 'an Jushi and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collection of Li Qingzhao's school notes today. (Cihai 1989 Edition)
Precautions:
Wet: Flowers and Plants is Yi.
Luo: "Daquan" is a symbol.
Man: "Flowers and plants" are "warmth".
Sing: "Poetry of Past Dynasties" as "Listening".
To: "Flowers and Plants Nazi Compilation": "Music".
Shan: The Poems of Past Dynasties is "water".
Square inch: that is, "square inch of land", refers to people's hearts.
All right: "Nazi Collection of Flowers and Plants" as "If there is".
Donglai: Laizhou, when it is clear and honest. Laizhou city, Shandong province today.
Penglai: the legendary name of Haixian Mountain.
Appreciate:
Huang's Chronicle of Zhao Mingcheng Li Qingzhao holds that "this word was written in the autumn of the third year of Xuanhe (1 12 1) and in July and August". The author lived in a lonely station in a strange place at night and stayed up all night by the cold light. Outside the window came the sound of falling rain, endless, adding to his infinite sadness and making him cry. The author used the vast distant mountains and drizzle to form a vast, confused and desolate picture, which effectively set off the melancholy, sadness and loneliness of the hostess of the lonely house at night. The author shows the sincere and deep feelings between sisters by describing their farewell, sleeping in a lonely house and sending messages to them. The language is simple, popular and fresh, and the feelings are true and delicate, which has a strong artistic appeal.
Year: Song Dynasty
Author: Li Qingzhao-"Dead Hua Lian"
Content:
There is not much joy at night,
Chang' an empty dream,
Recognize Chang 'an Road.
In order to report the spring scenery this year,
Flowers and the moon should be photographed together.
Casual cups and plates are sloppy,
Plum acid,
Just a hug.
Don't laugh when you are drunk,
Poor spring is like a person getting old.
Author:
Li Qingzhao (1084- 1 155? Yi Anju was born in Zhangqiu, qi zhou (now Jinan, Shandong). He is famous for his ci and has a high artistic attainments. Father Li was a famous scholar at that time, and husband Zhao Mingcheng was a textual research scholar. In his early years, he lived comfortably, and once cooperated with Ming City to collect and sort out calligraphy and painting stones. The nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and was in a lonely situation. In his lyrics, he wrote about his leisure life in the early stage, lamented his life experience in the later stage, and was deeply touched. Some of them also showed nostalgia for the Central Plains. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, he emphasized harmony, advocated elegance and affection, put forward the theory that ci is different from one family, and opposed the method of writing poetry. He can write poems, but he doesn't keep much. Some of his poems are old and lyrical, which is different from his style of ci. There are Collected Works of Yi 'an Jushi and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collection of Li Qingzhao's school notes today. (Cihai 1989 Edition)
Precautions:
Shangsi: The fourth day of the first three months of the lunar calendar.
Long night: A long night.
Exhausted by illness: He looks ill.
Chang 'an: the ancient capital of Han and Tang Dynasties, which later generations thought was the capital. This refers to Bianjing, the capital of the Northern Song Dynasty.
Recognition: recognition.
For: If, if. Besides, when it comes to talking.
Cao Cao: This means simplicity and sloppiness, not richness.
Appreciate:
The Nazi Compilation of Flowers and Plants thinks that this word was written by the author to entertain relatives. About the sentence "although the cups and plates are sloppy", it is similar to Wang Anshi's "sloppy cups and plates are laughing", and the detailed meaning covers the work of people who hurt the spring cup. He An refers to the capital of the Song Dynasty, and he was not in Beijing at the time of Qing Zhao. This word is very sad and touching.
A butterfly in love with flowers
The sky is light and the clouds are clear.
The courtyard is deep and the ground is covered with buttonwood trees.
The bone is cold and the soul is clear as a dream.
Dreaming back to Judah is the previous scene.
Take a cup and a plate to get drunk.
Drunk hats are frequent, and the wind blows.
When I came back from the moon, it was quiet there.
I am at the top of Penglai.
A butterfly in love with flowers
Everything is a dream.
I once told Handan and the pillow teacher.
Who can live to be a hundred years old?
In the meantime, you will know how worried you are.
Don't laugh at anything.
If you drink and sing wildly, you will get rid of your troubles.
The golden valley is full of flowers and the spring is just right.
Yushan falls before the next statue.