Yuefu Poetry Collection divides Yuefu poetry into 12 categories, such as Jiaomiao Ci, Ci, Advocacy Ci, Transverse Blowing Ci, Harmony Ci, Dance Ci, Qin Ci, Miscellaneous Ci, Modern Ci, Miscellaneous Ci and New Yuefu Ci. It is divided into several subclasses. For example, poems with horizontal blows can be divided into two parts: Korean horizontal blows and beam-drum blows. Xianghe songs are divided into six quotations: Xianghe songs, Yintan songs, Pingdiao songs, Qingdiao songs, Hudiao songs, Chudiao songs and Daqu songs. The lyrics of Qing merchants are divided into wusheng songs and western songs. Among these different musical works, Symphony and Sheyan belong to the movements used by the court, and their ideological content and artistic skills are not satisfactory. There are also some works with poor artistic value in advocacy songs and dance songs. But on the whole, most of the poems it collected are excellent folk songs and poems written by literati with Yuefu as the old theme. Among the existing collections of poems, Yuefu Poetry is an important collection that was created earlier and brought together all kinds of Yuefu poems in past dynasties.
The important contribution of Yuefu Poetry Collection is to collect and classify the songs of past dynasties according to their tunes, so that many works can be written into books. This provides great convenience for the collation and research of Yuefu poems. For example, some excellent folk songs of the Han dynasty, such as Shang Mo Sang and Dongmenxing, can be found in Song Shu? Yue Zhi and Peacock Flying Southeast can be found in Yu Tai Xin Yong, and some of them are scattered in ancient books such as Literary Lei Ju, which are collected and sorted by editors. In particular, some ancient folk songs and proverbs are generally scattered in various historical books and some academic works, and most of them are ignored by the former. As for Du Fu's later works, such as Old Proverbs, they are much later than this book, and are obviously compiled on this basis.
Its arrangement is to put the "archaic poems" of each tune (the earlier poems written by anonymous) or the earlier poems in front, and list the later works later, so that readers can understand that some literati poems are influenced by folk songs or previous generations of literati. For example, the songs of harmony, autumn dew and Hao Li are in Song Shu? There are only Cao Cao's sketches in the book Le Zhi, but there are ancient poems of Han Dynasty in this book. Although Cao Cao's proposed work is higher than "Ancient Ci" in ideological content and artistic skills, it is far from obvious to explain the origin and original intention of this piece. Another example is Shang Mo Sang, which was originally the "tune" in the "harmony song" of the Han Dynasty. Only the drafts of Cao Cao and Cao Pi and Jin Yue's rewriting of Qu Yuan's nine songs are recorded in the Book of Music. Shan Gui's poems; As for Sang's ancient ci, it belongs to the category of "Daqu". In Yuefu Poems, ancient words are recorded first, which makes readers understand that Cao Cao and others' works are just new words based on the tunes of ancient words. This book also includes various poems written by later generations to Shang Mosang, such as Picking Mulberry Seeds, Beautiful Songs, Journey to Luofu, Journey to the Southeast at Sunrise, Journey in the Day, etc. This shows the influence of Sang on later literati. Another example is that Lu Ji's poem Ode to the East and Bao Zhao's Ode to the East are arranged together, which shows that the same tune can form all kinds of poems with completely different contents.
Poems in Yuefu poems are classified by musical tunes, and some tunes have influenced the music of later generations. For example, Plum Blossom Fall in Han Kua Chui Ge and Difficult to Go in Miscellaneous Songs are only the earliest songs put forward by Bao Zhao, but the editor still classifies Plum Blossom Fall as Han Kua Chui Ge, and quotes Chen Wu Biezhuan in the explanation of Difficult to Go, pointing out that this song was popular among northern herders before Wei and Jin Dynasties, indicating that it was early. It reflects the influence of folk songs on literati poetry and the relationship between music and poetry, and points out the inheritance relationship between the music of the previous generation and the music of the later generations for the same theme of all kinds of music. For example, Huang Dansi in "Blowing Across the Drum and Beam", the editor quoted Chen Shizhi's "Ancient and Modern Music Record" as "blowing across the Yellow River".
Yuefu Poetry Collection gives a detailed introduction and explanation of the origin, nature and musical instruments used in singing. These explanations in the book quoted many lost articles, such as Liu Song and Zhang Yong's Yuan Jia Zheng Sheng Lu, Wang Sengqian's Nanqi Ci Lu and Chen Shizhi's Ancient and Modern Music Lu. Many precious historical materials have been preserved. This is of great value to the study of the history of literature and music. But some of them may be hearsay and unreliable.
There are also some shortcomings in Yuefu Poetry Collection. In the Qing Dynasty, Ji Yun pointed out in the Catalogue of Sikuquanshu that it was not appropriate to include some literati poems in Yuefu. In addition, because it focuses on the melody, the recorded lyrics are often inconsistent with the narrative about the melody. For example, the editor of Shuiduige in Modern Lyrics thinks that it is the time when Emperor Yang Di visited Jiangdu, but the author is not indicated in Tangqu. In fact, I'm afraid these lyrics are all mixed from the works of the Tang Dynasty. For example, the second poem "Rupo" is obviously a poem by Du Fu.
Modern scholars have also argued about the classification of the book, such as the boundary between the harmony songs in the book and the Qing Shang songs. In The Beauty of China and Its History, Liang Qichao thinks that the Qing merchants are the three tunes of the Qing merchants in the Han and Wei Dynasties, while Guo Maoqian calls wusheng songs and western songs "the songs of the Qing merchants" and classifies them into the three tunes of the Qing merchants in the Han and Wei Dynasties. I don't agree with Liang's view that the songs of the Han Dynasty have been lost, and there are eleven "harmony songs" in the three tunes of Wei and Jin Dynasties. As for the tunes of Shangqing songs in Wei and Jin Dynasties after Sui and Tang Dynasties, they are no longer circulated, so Zheng Qiao listed Shangqing as only recording southern folk songs after Jin Dynasty (The Source of Three Sounds of Song Xianghe and Song Xianghe and Answer to Mr. Zhu Peixian's On Qing Merchants).
Yuefu poems include chicken bone pavilion edition in the late Ming Dynasty, Qing Dynasty edition and four photocopies. The Literature and Ancient Books Publishing Office photocopied the residual copies of Song periodicals, and the missing volumes supplemented the old manuscripts of Yuan periodicals. Today's General Punctuation Collation by Zhonghua Book Company (1980).
The first volume:
(Yue Ji said: "You have had fun and made a custom ceremony. It is based on the different times of the Five Emperors. three
Unlike the king, he doesn't attack rituals. "Ming its profit and loss. However, since the Yellow Emperor, as for the three generations, it has been thousands of years.
The preparation of rites and music will be known in the exam, only one week. "Zhou Song is full of heaven and success", and the suburbs are happy to worship heaven and earth.
Song Ye, Qing Dian, I Will, Zai Heng,
"How Dead" is also a song of Tian Sheguo's music. However, there is a song in the festival, and it is still coming. After the Han dynasty, there was a system in the world.
Work. The reason why it is used in the court of suburban temples to satisfy the pleasure of people and gods is because of its stone sound and singing and dancing ability as well as its own reasons.
The role of merit in controlling chaos is due to its customs. During the reign of Emperor Wudi, Sima Xiangru and others were ordered to write ten poems "Song of Sacrificing Suburbs".
Nine chapters and five suburbs interact. He also wrote seventeen chapters of the poem An Shi Ge and recommended the ancestral temple. In Ming Di, it was divided into four parts.
Product: One said "great joy" is the joy of going to the mausoleum in a temple in the suburbs. Suburban musicians, the so-called "Yi", "The former king respected virtue with music,
Yin Jian Shen. " Yu Shu, a musician who worships the temple, said, "The piano and the harp sing, and the ancestors come to the lattice." Poetry "cloud" Su "
Harmony is different, and the ancestors listened to it. Second, praise elegant music and code six cases of national music. A country musician, the so-called "poem"
"harp and drum, defend the ancestors." The Book of Rites says: "Music is applied to stones, more to sounds, and more to ancestral temples.
It's about mountains, rivers and ghosts. Yongping three years, Dongping Wang Cang made Guangwu Hall to sing chapters, called merit, and suburbs.
Chinese songs for sacrifice. Ge Wei's writing is invisible, and doubt is also used in China's writing. Emperor Wu of the Han Dynasty ordered Du Kui to create elegant music. Sometimes Deng Jing,
Yin Shang is good at training elegant songs, the singer Yin Hu can learn ancestral temple suburban sacrifice songs, and the dancers Su Feng and Fu Yang can dance the previous generation.
Wei Xiao always leads it. The first generation of Gule Weaver also started in Xi Kui. Jin Wu was ordered, Baidu created. In the second year of Taishi, he wrote a letter to Jiaomiao.
Wei Yi was used in the rites and music of Mingtang, and was called Li Yin by Zhou Shi, but it only made Fu Xuan change his music. Yongjia rebellion,
The old code does not exist. He Xun is too ordinary, and there is fun in singing. At the end of Taining, Ming Di ordered Ruan Fu to take it. Zhixiaowu
In Taiyuan era, there was no music in the suburbs. In Yuanjia, Song Wendi, the southern suburbs began to set up Gordon, and the temple fair dance was still lacking. Naizhao Yanyan
The creation of "Three Suburbs of Heaven and Earth" is largely imitating Jin's songs, but it is still Jin in the early Song Dynasty. Nanqi, Liang and Chen all started.
Follow, later created, thought a generation of code. Wei Yuan and Yu Wen learned from Shuo Mo and Xuanwu Gate that they were good at Hu Qu.
The joy of suburban temples is just a name. Sui Wenping Chen won Jiang Zuo's old music. Is to change the five tones into five summers, two dances and songs.
The room is 14-tone medium for guests. Tang Gaozu was meditating, but he didn't remould himself. Yuefu still used the old prose of past lives. Wudejiu
In 2000, Zuxiao Sun Xiuding was ordered to be a musician, and Liang and Chen were the voices of Wu and Chu, and Zhou and Qi were mixed words. So pour it.
Consider the north and south, archaeological sounds. As Tang Le, Zhenguan played for two years. According to the suburbs, Mingtang has been offering sacrifices since the Han Dynasty.
Greet the gods, sing songs, etc. After the Song and Qi Dynasties, they added light to the land, welcomed animals and drank blessed wine. Tang was sacrificed at night, and bare land was not used.
Music, or holding something, to drink happiness. An 'an, the chaos of history, salty, pickaxe as ruins, spread in five generations, enjoy the country through the ages.
I don't have time to make things. The ancestral temple is a cultural relic, but it is often regarded as a program cloud. )