The Baijiachi Pavilion and the flowers and plants in the Wu Palace are just like those of that time. The most pitying place is Tiwu jathyapple, who still hates Xi Shi.
The "White Tiger in the Mountain" at the beginning of this song refers to the Tiger Hill in the northwest of Suzhou. According to legend, He Lv, the king of Wu, was buried here after his death. Three days later, "White tiger crouched on it, hence the name Tiger Hill". The works with Tiger Hill as the theme often reflect on the ancient love and lament the rise and fall. "Yunzang Temple" refers to the scenery of Huqiu Mountain Temple. Su Shi once wrote a poem about Tiger Hill here: "The East Hin has good intentions, and the clouds in Shui Li are thousands of hectares", and the Tiger Hill Temple, with its lofty clouds and towering pagodas, was covered by clouds and waves. Green hills are lush, white clouds are around, and the Golden Temple appears. When the reader is immersed in the tiger hill mountain scenery of Langyuan Xianpa, the author zooms in and depicts "Old Mei on the pond". The pool here is the sword pool under the Tiger Hill. There are several old plum trees on the cliff with flying rocks by the pool, which, combined with the above sentence, complement each other in distance, with scattered heights, showing the emptiness caused by the pen.
"Returning to Xing in Dongting" is influenced by scenery and human feelings, which leads to the author's association. "Returning to Xing in Dongting" borrows from Fan Li's book of retiring. Later generations often praise the character of despising fame and fortune. In the sentence "Citrus grandis", the author thinks of the especially famous Dongting red orange from Dongting Lake, where the fruits are fresh in four seasons, and recalls the story of the return of Huai orange to its mother in the Three Kingdoms. "Perch _ Silver Wire" uses the classic of Jin Hans Zhang. The author uses three allusions, which not only fits the theme of nostalgia, but also expresses the author's epiphany that he has suppressed his official career all his life: all fame and wealth, the rise and fall of honor and disgrace are just passing clouds, so he should retreat as soon as possible, which will far harm the whole body.
"Zijiachi Pavilion" describes the remains of Bai Juyi's visit to Tiger Hill when he was the secretariat of Suzhou. "Flowers and Plants of the Prince of Wu" is translated into the poem "the paths of Wu Palace are crooked with weeds" in Li Bai's on climbing in nanjing to the terrace of phoenixes. According to legend, the Wu Palace was built by He Lv and Fu Cha, with many exotic flowers and plants, and was burned after the death of Wu. There is a sense of mourning for the past. "Poetry that looks like a slope" is the aim of the previous two sentences, which say that Tiger Hill is still as beautiful as described in Su Dongpo's Tiger Hill Temple, but things have changed. Those who have left footprints here are unpredictable, and eventually they are scattered in the long river of vicissitudes of history, leaving only the beautiful scenery of Tiger Hill to warn the world of the sense of historical rise and fall and the disillusionment of the world.
The author inherited the "flowers and plants of the King of Wu" and further felt the rise and fall. Xi Shi seduced the king of Wu with beauty, which eventually led to the demise of Wu. Now this cold and cheerless Yamashita, the shrill cries are still telling the hatred of dissolute and wrong country. This bleak artistic conception has deepened the sense of rise and fall of "pity for others".
This poem expresses the sigh of nostalgia for the past and hurting the present from the human feelings of the scene. The author is also adept at using allusions, almost without a word or origin. As Wang Jide said in Ming Dynasty, "The beauty of Qu is that it is not used, nor is it used", but whether it is "exactly used" ("Qu Lv On Using Things"). Although the author frequently uses allusions and many people's poems in the song, he combines the author's understanding and conception to create a new artistic conception, which is a masterpiece in Zhang Xiaoshan's poem of nostalgia for the past.
References: 1. Zhao Yishan. Yuan Qu Appreciation Dictionary: Commercial Press International Co., Ltd., 212.1: 633-634.