On the ancient poem "Twenty-four Ploughing and Weaving Pictures Written by an Imperial Order" by the Millennium.

Twenty-four Ploughing and Weaving Pictures Written by an Imperial Order

Date: Yuan Author: Zhao Mengfu

A hundred herbs are under the white dew, and the stems and leaves are in dispute every day.

it's the time to harvest millet, and it's contemptible to accumulate it all over.

it's a thousand miles in the suburbs, but it's a thousand miles in the city.

people talk about family music, but no one can compare with it.

Rent taxes to lose officials, and the rest will be reserved.

otherwise, the wind and snow will come, and the wife will be frozen.

if you swim under the eaves of a thatched cottage, you can die.

Taiping Yuan has an image, and this is the way to govern the world.

A brief introduction to Zhao Mengfu, a poet of Twenty-four Textures on Farming and Weaving:

Zhao Mengfu (1254? 1322), the word Zi Ang, named Songxue, Songxue Taoist, and Shuijing Palace Taoist, Gulbo, was a middle-aged Meng Fu, Han nationality, from Xing Wu (now Huzhou, Zhejiang). Famous painter in Yuan Dynasty, one of the four masters of regular script (Ou Yangxun, Yan Zhenqing, Liu Gongquan and Zhao Mengfu). Zhao Mengfu is well-read, good at poetry and prose, knowledgeable in economy, industrial calligraphy, fine painting, good at epigraphy, fluent in temperament and understanding appreciation. In particular, calligraphy and painting achieved the highest achievements, creating a new painting style in the Yuan Dynasty, which was called? Yuan crown? . He is also good at seal script, official script, truth, calligraphy and cursive script, especially in kai script and running script.

Character evaluation:

There are various painting themes

In painting, landscapes, figures, flowers and birds, bamboo stones and pommel horses are omnipotent; Meticulous brushwork, freehand brushwork, turquoise, ink and wash, and everything is fine. He has occupied an important position in the history of Chinese calligraphy.

a biography of the history of the yuan dynasty. Meng Zhen's calligraphy and calligraphy are all the best in Zhao Mengfu's "Que Hua Qiu Se Tu" in ancient and modern times, Yuan and Yuan Dynasties, so it was named after the world? . Yuan Xian Yu-shu's "Collection of Sleepy Learning" said:? Ziang seal, Li, Zhen, Xing and Dian Cao are the first in the contemporary era, and small letters are the first in Ziang's books. ?

his book style is charming, elegant, well-organized, well-written and world-renowned. Zhao Ti? , and Yan Zhenqing, Liu Gongquan, Ou Yangxun and called regular script? Four people? . He is called the second generation of Wang Xizhi.

A great calligrapher

Zhao Mengfu is a great calligrapher, who experienced a complicated and glorious life. As a legacy of the Southern Song Dynasty, he left many controversies in the history books. ? Thin his person and thin his book? , belittle Zhao Mengfu's book style, the root cause is from despising Zhao Mengfu.

Although many people criticize Zhao Mengfu's painting skills because of his official position, it is unfair to judge the artist's artistic level by non-artistic factors.

In view of Zhao Mengfu's achievements in the history of fine arts and culture, in 1987, the International Astronomical Society named Mercury Crater after Zhao Mengfu to commemorate his contribution to the history of human culture. The ink of Zhao Mengfu's paintings and calligraphy scattered in Japan, the United States and other places are regarded as treasures and well preserved.