I am most interested in the exhibition of sculpture art from ancient times to modern times in Anhui New Museum. The ancient sculpture art in China originated from the production of stone tools and pottery in primitive society. From the Warring States to the Qin and Han Dynasties, a large number of pottery figures and animal figurines were used for burial, which showed the strong characteristics of national sculpture art. Buddhism was introduced into China in the Han Dynasty. The Buddha statues from the Eastern Han Dynasty to the Sixteen Kingdoms Period are of primitive simplicity. On the basis of absorbing foreign art and combining with China's traditional carving skills, the production of Buddha statues in the Northern Wei Dynasty embodies the gorgeous, fresh and elegant cultural characteristics of China. The Buddha statues in the Eastern Wei Dynasty and the Western Wei Dynasty have friendly faces and profound religious implications. The works of Northern Qi and Northern Zhou Dynasties are more skillful in techniques, the proportion of characterization is appropriate, and the expression of modality begins to become secular. The Buddhist art of the Southern Dynasties also formed a unique and influential style. With the cultural exchange between North and South, its image of "showing bones and clearing images" and its clothing of "recommending clothes" gradually became the * * * characteristics of Buddhist statues in the Northern and Southern Dynasties. The Tang Dynasty was the peak of the development of sculpture art in China. While absorbing the essence of Indian classical art, the Buddha sculpture in Tang Dynasty combined with the profound artistic tradition and humanistic thought of this nation to form a magnificent, solemn and profound artistic style. Painted pottery figurines in the Tang Dynasty reflect the luxurious and rich social life in many ways with their biological shapes and gorgeous colors. Buddhist statues in the Song Dynasty are mainly colored sculptures and wood carvings, which reflect the emotions and demeanor of the characters and are particularly delicate and true. Buddhist sculptures in Yuan, Ming and Qing Dynasties, accompanied by the high maturity of technology, also brought about the lack of atmosphere in modeling. At the same time, China's craft sculpture has also made remarkable achievements.
The mystery of the universe does not yield to any formula, and no system can exist forever. Fortunately, the really important ideas will not be buried in the ruins of the system. Under the influence of cultural relics, lost memories are retrieved and hazy thoughts are clear. These cultural relics in the new Anhui Provincial Museum have aroused my strong sense of * * * from different aspects and left a notch in my heart.