In the production concept, it is necessary to achieve the effect of looking like photography but not completely photography, painting and not completely painting, that is, the combination of photography and painting makes the finished product look like a real person with photographic effect, but it is slightly different from real photography; It looks like a painting effect, but there is no direct 3D original painting.
First, consult historical materials, such as History of the Old Five Dynasties, History of the New Five Dynasties, Zi Jian, Xu Zijian, etc., to understand the background and related information of the original painting. According to the character form in the original painting, shoot the real image material.
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Ancient painting refers to ancient painting, which is an important part of Chinese civilization and a treasure of China art. From the perspective of art history, Chinese paintings before 1840 are collectively referred to as ancient paintings.
Introduction:
Ancient painting, also known as ancient painting, is the representative of China art and an important part of Chinese civilization. The era can be traced back to the ancient times of budding painting, down to the late Qing Dynasty, up and down for 4,000 years.
The categories include painted pottery and prehistoric rock paintings in the Stone Age, bronzes in the Shang and Zhou Dynasties, silk paintings in the Warring States and Western Han Dynasties and lacquerware in the pre-Qin period, tomb murals in the Qin and Han Dynasties, portrait bricks and woodcuts in the Han Dynasty, grottoes and tomb murals in the Wei, Jin, Sui and Tang Dynasties, and paper and silk paintings by famous painters of various generations since the Six Dynasties.
These categories constitute the long and continuous history of China's painting, one after another, shining with gorgeous brilliance.
The origin of ancient paintings:
There is an interrelated phenomenon in the art field of the Chinese nation, especially in various arts centered on Chinese culture. Although their shapes and uses are different, and the methods and tools of expression are different, the artistic charm and interest of different kinds of art, that is, the national characteristics expressed, are similar in essence.
For example, architecture and clothing are built on a broad and serious basis; The display of tables and chairs is called the keynote by the user; Even in the literary language, there have been four or six rows of even-numbered works that have never been seen in the languages of all nationalities in the world, and so on. This is the beauty of symmetry that is particularly emphasized in China culture. Therefore, the requirement of symmetry runs through most of this culture and art.
Specifically, calligraphy and painting have some unique internal relations. Only one line is used to describe the characters. Without the help of shadows, several lines are added to the cheeks to make the characters stand out. This is called "vivid". The word "vivid" does not refer to portraits in the field of painting, but is often used to draw other objects.
Such as "to convey the spirit to mountains and rivers" and "to convey the spirit to flowers and birds". Using this word mainly refers to removing all the details of objects and images, but grasping their overall points. Therefore, many "freehand brushwork" characters are not mistaken for cats and dogs by the audience; A touch of a distant mountain was not mistaken by the audience for a wet mark on the paper. Especially draw trunks, flower heads, mountains and clothes pleats, not exactly the same.
But don't let its strokes crash. Over time, after the appearance of China's paintings, especially literati paintings, the pursuit of pen and ink expression and appreciation became the main theme, and the similarity and awkwardness of objects were no longer concerned. Calligraphy is the simplest and most abstract art category in visual arts.
It seems to be just the structure of calligraphy, strokes and rules of line spacing. In fact, in the development of Chinese characters and in the practice of calligraphy creation, a unique artistic image of "eclectic and divided into one" has long been formed. This unique artistic creation can be regarded as the ultimate expression of China's general requirement of "avoiding truth".
Because of this, China's painting and calligraphy must have a more internal and profound relationship.