If a national treasure can speak, the third season will enter the Sui and Tang Dynasties in Wei, Jin, Southern and Northern Dynasties. Twenty-five pieces of civilized material evidence, and continue to build an image index of Chinese civilization. We entered the prosperous Tang Dynasty from the Wei, Jin, Southern and Northern Dynasties with constantly updated historical curiosity.
How beautiful is Luo Shen? Travelers describe it this way: "Its shape is as elegant as Youlong. Glory Qiuju, Song Chun, Hua Mao. Xu Xi, if light Yun Zheyue, floating Xi, if romantic back to the snow, "travelers borrow waterinfo, thought invited. Iraqis are affectionate, referring to running water and thinking about expectations. Fate is like an undercurrent. If it is impermanent, it will enter a difficult period. Although it is close to the oath of Luo Shen, travelers are hesitant and suspicious because of the two extreme ways of man and god.
There are nine versions of "The Goddess of Luo". Academics believe that the A version collected in the Forbidden City and the Liaoning Provincial Museum was copied by the same mother of the Song Dynasty, and the painting style has the charm of the Six Dynasties. The female parent should have been made in the 6th century A.D. and spread to Gu Kaizhi in the Eastern Jin Dynasty. There is no definite theory.
Luo Shen stood out from the vastness of the Book of Songs and the myriad clouds of Lisao, and with infinite yearning for beauty, he laid the foundation of oriental aesthetics, and also brought the first smart breeze to China's painting, which blew a new era.
Yonghe nine years, aged in Guichou, will gather in Lanting to repair things in late spring and early spring. A group of smart people never miss, but some of them are long and salty. There are mountains here, and there are bamboo cultivation in Maolin; There is also a clear stream, which reflects left and right, thinking it is a stream, followed by a row. Although it is not as prosperous as the string of silk and bamboo, it is enough to love.
It's sunny, sunny and breezy. Looking up at the size of the universe and overlooking the variety, it's enough to enjoy watching and listening. I believe in coke.
The phase of a lady, pitching for a lifetime, or taking a bosom, realizing a room; Let the waves go because of the entrustment. Although the fun is different, the calmness is different. When it is happy with what it meets, it will gain something from itself for the time being, and will soon be self-sufficient without knowing the coming of old age. What he is tired of is that his feelings are advancing with the times and his feelings are sentimental. I'm happy about it. It's a thing of the past between pitches, so I still have to be happy about it. The situation is short-lived, and it will end in the end. The ancients said, "Life and death are great." It hurts!
Every time we look at the reasons for the excitement of the ancients, if we unite, we will not be without sorrow, and we can't compare it to something in our chests. Knowing that a dead life is a false birthday and the destruction of Peng Qi is a mistake. Look at the present in the future or look at the past today. Sad husband! Therefore, as soon as people go public, they record what they say. Although the world is different, they are happy and they are one. Later visitors will also be impressed by Sven.
Wang Xizhi's "Preface to the Lanting Pavilion" has been missing since the early Tang Dynasty. In the Tang Dynasty, there were five calligraphers' copies of Lanting Preface. This was copied by Feng Chengsu, a calligrapher in the Tang Dynasty. Because of the small seal script in the left half of the word "dragon", emperors in Tang, Song and Qing dynasties all praised the Preface to Lanting. Mi Fei, a calligrapher in the Song Dynasty, called Preface to Lanting the best running script in the world, and Wang Xizhi was recognized as a book saint by later generations.
Brick paintings of the seven sages of bamboo forest and Rongqi period unearthed from Gongshan tomb in Xishan Bridge, Nanjing, are roughly locked in the early Southern Dynasties. This set of pictures brings together the seven sages of bamboo forest in Wei and Jin Dynasties and the glorious period of hermits in Spring and Autumn Period, presenting the earliest group portrait of the seven sages, and it is also the first appearance of this lineup in known works. The eight characters are natural and unrestrained, separated from each other in proportion, and connected by different kinds of trees. This scene is like a dream, which makes later scholars yearn for it infinitely. In this dream, the mountain is stable and the water is flowing.
Ji Kang sighed lightly: "Guangling San" is unique today and ends at forty; Ruan Ji drove alone, walked to the end of the road, wailed, and then disassembled; Looking through the clouds in Dan Tao; Liu Ling who was drunk and lied; Xiang Xiu who recited "Thinking of Lao Fu"; Ruan xian, who is good at playing; Wang Rong, a good talker.
Standing in front of the brick wall, you can still feel the oncoming mountain wind, which blows an immortal model and a deep desire for pure life.
Qingzhou Buddha statue, Southern and Northern Dynasties. At that time, people hollowed out rocks and left traces of human thinking activities on natural materials, and his first life was born.
The right hand stands on the chest with the palm outward, which is a common fearless seal in Buddhism; Put your left hand on your waist, as if happiness would flow from your palm to your fingertips. As a newborn, he has a round face and smiles like a child. His cheekbones and nose are raised high, like mountains and hills; Eyes and eyebrows are like ravines, like rivers.
If you look carefully, all the Buddha statues in this room have traces of restoration. Humans have given the Buddha a longer existence with a short life, so that those who have lived through the Buddha's long life can be reborn in our hearts. Five hundred years have passed, and most people who have seen these Buddha statues have become part of the sculpture. Someone witnessed his robe changing from bright red to light red, and someone witnessed the gold foil falling off his face one by one. You may ask me why people don't put all these pieces together and restore their perfect appearance, because people find that in these countless scars, they see one historical detail after another, and in these bits and pieces, they see the footsteps of human beings in suffering.
We came to this world crying, but we can go to eternity with a smile.
Floating, floating, under the blue sky, colorful flowers and rain, splashing colorful ripples, that is, we are rising, rising and dancing.
Endless freedom is aroused by us, and we walk gracefully among flowers, trees, pavilions and pavilions. What kind of clouds, wind, fire or wings do you need? The staggered flow of lines and space can outline our flying appearance.
We were there when it first opened. In this paradise, we spread flowers to support and dance happily. The painter painted us with concave-convex method and daubing method. The bun and crown on the head are memories from my hometown of Ganges. In a U-shaped posture, I tried to break away from the bondage of gravity, and my semi-naked body was three-dimensional and round, playing with flowers and ribbons in the air.
1650 Over the past years, there have been more than 270 caves and more than 4,500 human figures, and there are millions of kinds of geisha in the sky. We take advantage of the times, seeing the big from the small, singing and dancing.
In our graceful posture, it is life;
The place where we fly lightly is the sky.
From AD 460 to AD 465, under the auspices of monk Yao Tan, 10,000 craftsmen built the first five caves of Yungang Grottoes on a kilometer-long cliff at the southern foot of Wuzhou Mountain in Datong, Shanxi.
From a blooming lotus flower, a thousand Buddhist robes, the crown on the head, the expression in the eyebrows and eyes, to the garland on the body, all emerged from a mountain through carving.
We use the word "as if" to describe the state of mind. The human body, every move, every smile is like a Buddha, like the world between heaven and earth, time and our appearance, every moment is a sculpture. At this moment, right here, the world is one.
This pair of Jin Buyao was unearthed in the tomb of Feng Sufu, the royal family of Beiyan, and was buried with his wife. The base is used for winding and fixing the hair, and the craftsman bends it several times by hand with the winding branches on Jinbo Mountain as the support. The extremely thin gold leaf hangs on the ring at arm's length, giving birth to a trembling feeling. They are worn on the top of the head, and the owner shakes step by step when he walks. They are swaying in the wind like trees, like a golden flower, and ten thousand beams of light come.
From the Sixteen Kingdoms to the Tang Dynasty, political power frequently alternated, divided and combined, and there were disputes in troubled times. The army is deadlocked at home and abroad, and only the United States has inadvertently crossed the border.
When you see beauty, it will pass through this land, bloom when it passes through the plains of West Asia, pass through Luming Literature when it passes through the dense forests of East Asia, pass through different surnames and countries, and pass through Qian Shan. Banquets come and go, and there is always an urgent rest and a lively banquet. At that time, the beauty finally settled, and Murong Xianbei fell into memories. The woman in my memory has a beautiful face and walks in the beautiful world with light steps.
In the sun, moon and stars, her golden footsteps are wrapped in golden ribbons, and the golden branches and leaves are rippling; Between the vast Milky Way, follow her footsteps and see joy step by step.
A long time ago, three Greek goddesses competed for the title of the most beautiful goddess. Paris, who is good at judging, gave Cupid the most beautiful golden apple because Cupid promised him the most beautiful woman in the world. A few years later, Paris met Queen Helen in Sparta, and they fell in love and eloped. When the Spartan king came home, he was so angry that he went to war and captured Troy in 10. He wanted to kill Helen, but when he saw that beautiful face again, his heart melted and they were together again.
The story was engraved on a gold-plated silver pot. 1983, found in the tomb of Li Xian, a general of Northern Zhou Dynasty in Guyuan, Ningxia. At that time, this kind of bottle was called "Hu bottle" The head on the handle of the kettle comes from Greek tradition to protect the water inside from evil spirits. The grooves on the pot body and handle are reminiscent of the colonnade in ancient Greek architecture, which combines classical order and symmetry. The beaded pattern of dividing the pot body into three sections is a typical style of Bossasan, and the characters and their costumes in the pot death have Indian modeling characteristics.
The object is novel, and the story behind it is also novel. Inside, it seems that you can touch the life you can see every day, and there is another life.
In front of the North Koreans, it seems that a door has been opened. They can see the outside world, imagine the outside world and then go to the outside world.
You look dignified and lovely in a girlish Twin Bun. Your cheeks are full, and your small nose and mouth are very pleasing. You are wearing a robe with round neck and wide sleeves. You can't see the color on the skirt, but it must be the most fashionable pattern this year.
Luoma bun is lazy and noble; The bun with a round face seems to be spoiled; This kind of double bun is lively and playful, which is the favorite of those crazy girls who love to play; You also appreciate the dancer wearing a double-ring fairy bun, because the exaggerated bun dances like a butterfly.
As a fat girl who is trying to lose weight every day, I once dreamed of living in the Tang Dynasty, but later I learned that in the early Tang Dynasty, I was not fat. In the late Tang Dynasty, even in the prosperous Tang Dynasty, I didn't always take being fat as beauty, and you also had a slim girlfriend. It was just that I was confident and comfortable at that time. At that time, the freedom of being fat was beautiful.
Datang, I miss Datang because you can be yourself without voting for others.
Letting you bloom is the most exciting thing that Datang has done. When it can open like this, it will be spring.
Li Shibao's brocade is a cultural relic of the Tang Dynasty. The animal patterns in the garlands on it were created in the early Tang Dynasty, which is a typical product of the combination of animal patterns imported from the western regions and China's aesthetic flower patterns. This brocade pattern has a free and realistic style and is one of the typical representatives of the late Tang Dynasty. Through this cultural relic, people can feel the splendid culture of the Tang Dynasty.
In the Northern and Southern Dynasties, the brocade pattern of Julian's group class was popular in the western regions, and it was inherited by the Tang people who liked novelty in the early Tang Dynasty. After the transformation of aesthetic taste in the Central Plains, the combination of garlands and animal images has become the mainstream decorative theme. This is a unique sample of Lingyang. Since then, weaving technology has developed steadily, and complex warp and weft interweave into a vibrant and exquisite presentation.
In 6 18 ad, the battle of the early Tang dynasty and the battle of shallow water tableland, the horse was pure black and its hooves were like snow, so it was called white hoof; In 6 19 ad, the battle of sparrow and mouse valley lasted for three days. This horse is yellow with white spots and a slightly black mouth, so it is named Taylor. In 62 1 year, in the battle of Mangshan, Li Shimin pacified Dongdu, a purple horse with an arrow in his chest, and became famous in one fell swoop. In the same year, at the Battle of Tiger-fastened Pass, the horse was mottled, with five arrows in his body, and his name was Qing Zhui; Another war horse, pure red, named Shivaqi; In 622 AD, in the battle of Mingshui, Macelo Wong, curly, was shot with nine arrows. He died in front of both armies. What's his name? .
Stones can move, but the monument of art has not collapsed. The artistic will of pictures, reliefs, stone tablets and scrolls transcends materials and media. As the recorder of history, the six masters of Zhaoling still run forward on the track of time in a special way.
Knife, horizontal knife, horizontal knife of Datang. This knife has been sleeping in the ground for 4 thousand years, only to feel rusty all over. When it woke up, it suddenly felt infinite sadness. In those days, none of its companions died. This is a huge porcelain, and it is the only complete tangdao unearthed at present.
When the fog cleared, Tangdao suddenly found himself alone. Nothing seems to have happened just now.
Are you going alone? Or dream back to Datang? Tang Dao's mind is hard to decide.
Taicang Division, Xinducang, the fifth line east of Luocheng Beishu Street, Nadine Su Gongmi, respectively, came from eight counties, with four-level official titles, and the great cause was on December 20, four years. In the first year of the Great Cause, Yang Di moved its capital to Luoyang, and began dredging natural rivers and rivers dug for many years, building the Grand Canal, and transporting materials from the fertile North China Plain and the southeast coast to Luoyang. In December of the following year, Luocang returned to Luoyang North.
Back in the heyday of Kaiyuan, there were thousands of families in the small town.
Rice is fat and white, and public and private warehouses are rich.
-Du Fu's Two Memories of the Past
The granary and storage and transportation system buried deep underground laid the foundation for the stability of the capital and the operation of the country, and supported the prosperity on the ground.
In the 12th year of Kaiyuan in Tang Dynasty, an infrastructure project was started as a national strategy. This is a costly project. In fact, four-fifths of the national iron production in that year was consumed by this infrastructure project, about 1 100 tons. This is the Yellow River Iron Bull, the bridge pile of Pujin Ferry River pontoon bridge.
Pujin Ferry Pontoon Bridge is not well-known today, but in the Tang Dynasty, it was the lifeline of the whole country. The salt in Hedong, the iron in Shanxi, the grain in Guanzhong, and the soldiers guarding Gyeonggi are all assembled here. So the pile of this pontoon bridge is very important. The pontoon bridge floats on the river, and the key stress point is on the pile on the shore.
Today, we use cattle to describe stubbornness. We use cows to describe stubbornness, and also to evaluate ability and praise people we admire. Yellow River Iron Cattle may be the cattle with the longest overtime in the world. They used iron chains to pull up the Pujin Ferry pontoon bridge and witnessed the diversion of the Yellow River and the passage of time. The Yellow River Iron Bull may be the most inspirational cow in history, still standing silently on the bank of the Yellow River, watching the rivers and mountains remain the same.
The seas run dry and the rocks crumble, which used to be our longest imagination. We carve words on the stone in the hope that it will bring our story into time.
On Sunday, February 4th, 78 1 year, a stone tablet was erected in Yining Square, the capital of Chang 'an, the first church in China. A Christian symbol cross was carved on the stone tablet, which was among the traditional dragons in China, surrounded by lilies and flying clouds. Under the cross, the inscription "Daqin Nestorianism Popular China Monument" is engraved in regular script.
Nestorianism, which originated in the Eastern Roman Empire, was an independent faction from early Christianity in the 5th century. In the ancient books of Han and Tang dynasties, this empire, which was integrated with the East, was called Daqin.
As a precious code to explore the changes and spread of this ancient Sect, the Chinese stele is very popular in the Nestorianism of Daqin, and it is also a time door to witness the exchange and mutual learning of civilizations. That scene, it has seen the glowing Datang.
Painted clay figurine, civil servant sitting on clay figurine, painted clay figurine, prone figure, painted dancer, painted clay figurine, bird, bun, woman, painted long skirt, dancer.
In this way, Gao Chang's daily events and small things were randomly preserved in the dry climate of Astana cemetery.
The time and space of the western regions in the Tang Dynasty were folded and collected by this flaming mountain. A word at that time, a mystery now, some trivial things and some earth-shattering things are all stories of Astana.
Tang Sancai is a kind of low-temperature lead glazed pottery. Metal oxides containing copper, iron, cobalt and other elements are added to the glaze, which changes with the temperature during the firing process to form a variety of glaze colors. Because most of them contain about three striking solid colors, they are called tricolor. Tang Sancai, as a ritual vessel, is the product of the thick burial system in the prosperous Tang Dynasty. This unintentional art, because of its gorgeous colors, became a symbol of the Tang Dynasty.
The back of the tall camel was covered with a diamond-shaped blanket, and seven male musicians wore soft towels and round neck and narrow sleeve robes. They sat outside cross-legged and played with their hearts. The musical instruments they play are: clapper, which is an important rhythmic instrument with clear voice; Pipa is the main musical instrument, with big strings humming like rain and small strings whispering like secrets; Paixiao, shaped like the wings of a phoenix, sounds like clouds in the sky; Flute, melodious and euphemistic; Xiao is far-reaching; After a long time, twelve doors melted with cold light, and twenty-three moved with purple emperor; Sheng, like a crane singing in the sky, the song is nowhere to be found, and the Wushan Mountain is in the twilight ... Surrounded by many musicians, this woman is wearing a black bun popular among women in the Tang Dynasty, with her right hand in front of her, her left arm brushed back, and her lips slightly parted, as if singing.
Gorgeous court music, exotic musicians with exquisite skills, colorful feathers flying, and an eight-member orchestra floating in the footsteps of camels, like a carnival in spring, may be in line with our imagination of the Tang Dynasty.
Shu Zhouyu, Li Shidang and Li Bai lived and died together.
-Du Fu's Two Memories of the Past
What are bells and drums, delicacies and treasures? I hope I will never wake up.
-Li Bai's "Into the Wine"
Master Cen, Dan Qiusheng can drink and drink endlessly.
-Li Bai's "Into the Wine"
Have you ever noticed how the water of the Yellow River flows out of heaven and into the ocean, never to return?
Have you noticed that the lovely hair in the bright mirror in the high room, although it is silky black in the morning, has turned into snow at night.
-Li Bai's "Into the Wine"
"A don't thousands of miles, come irregularly. On the 30 th of the month, there is no night without acacia. " A 20-word hip flask records the love of a generation.
The porcelain pots in Changsha kiln have a huge amount of existence in the world, and their shapes are mostly classic hip flask styles in the Tang Dynasty. The spout is open, the hand is behind your back, and the short flow is prominent, which is convenient for pouring wine. The design of hip flask is simple, which shows that they are cheap, and they are daily appliances that ordinary people can consume at that time. Because of this, the poems on the pot are widely sung. "Birds fly flat and not far away, people follow the flowing water, white clouds are thousands of miles away in Wan Li, and the moon flows before and after." White clouds, flowing water, birds, and journeys, the Tang people used Chinese characters to calculate the unknown, Wan Li, which is thousands of miles away, and January every year, but they could not calculate the distance between people's hearts.
More choices and faster transportation make people go further and break up easily. It is conceivable that in that era when it was easy to say goodbye, how many people longed for an ordinary feeling.
Time has settled in the soil, making it impossible to research love and not love. Don't take Wan Li Road, goodbye is old age.
Fuxi's belief in Nuwa was first seen in the pre-Qin period. Influenced by the theory of Yin and Yang in the Western Han Dynasty, Fuxi Nuwa began to appear as double god, representing the relative and endless existence of Yin and Yang. Fuxi and Nu Wa, snakeheads, have a serpentine lower body and a pleated skirt around their waist. They wear round necks, double-breasted buttons, black borders, red backgrounds and printed sleeves.
Fuxi is on the right and Nu Wa is on the left. They are opposite, but their makeup and headdress are different. Nu Wa holds the rules in her right hand and four chips for calculation in her left hand; Fuxi left hand carved, Mo Dou right hand played chalk line. If the conjoined mating snake body symbolizes the desire for survival and reproduction, and represents the metaplasia of everything after the creation of heaven and earth, then the rules, Fiona Fang, the sun, the moon and Yin and Yang symbolize the rationality and will that a civilization decided that Fiona Fang was unknown at the beginning of chaos and gave the world a scale.
Through the picture of Fuxi Nuwa, the deceased was finally under the sky blessed by the gods. Although the world is like a pale dog, life will eventually wither, but the pursuit of eternal and gorgeous life continuation in impermanence is preserved in our cultural memory. As far as I can see my motherland, I look up at the same starry sky.
In the eyes of Tang people, dragons are auspicious and auspicious animals. When the ancient Chinese watched the celestial phenomena at night, they found that the stars located in the east, such as horn, sublime, sublime, room, heart, tail and dustpan, were connected together, which was the image of a dragon. So they call these stars Long Xing to express their worship of dragons.
Whether it's Du Fu's "and later, when you are a dragon, you will be born from the sky" or Li Bai's "riding a dragon to create wind and crossing the sea", the lines are full of the elegance of the Tang people. Li Ying's phrase "Four Dynasties are concerned about the country, and the spirit of dragon and horse is graceful" makes the word "the spirit of dragon and horse" synonymous with vitality.
The gold-plated iron core copper dragonfly comes down, which is light and heavy, elegant and powerful, and instantly freezes. Thousands of years have passed, the Grand Palace has turned to dust, the streets and alleys of Chang 'an have turned to ashes, the situation has changed, and the dragon's appearance has not changed. Listen carefully, its enduring song is the deep echo of ancient civilization.
Mouse, ugly cow, silver tiger, hairy rabbit, Chen Long, four houses and five horses
? Wei Yang Shen Hou You Ji Gou Haizhu
Every Lunar New Year, there will always be work handover between the zodiac. Be responsible for the year's zodiac, and hand over the responsibility to the next one, starting with the mouse and ending with the pig. Twelve years, each animal only needs to be on duty for one year. Since the Spring and Autumn Period, the zodiac has lived in every moment. As the gods of time, they are in charge of twelve hours. Twelve kinds of animals, from mice to pigs, appeared on time.
The zodiac corresponds to twelve hours, twelve months and twelve years, and we have never been apart for a moment.
The custom of timing the zodiac has been circulating for thousands of years. When the zodiac corresponds to the year of birth, we have an innate zodiac. Twelve animals changed from guardians to companions. We are not only protected by the zodiac, but also influenced by the zodiac, living in a world protected and symbolized by the zodiac.
The golden animal head agate cup is a vessel for holding wine. Agate is a colloidal mineral, which is also produced in China, but it is mentioned that agate is mostly exotic from abroad. Great agate is extremely rare, and it is wonderful to suddenly dig into a hollow cup. The agate cup is a sauce red tone with yellow and white stones in the middle, like animal markings. The jade craftsman carved the animal's head at the small end, and a gold hat was inlaid on the nose and mouth, which could be disassembled. Most scholars believe that this kind of cup with a head at the end and a trumpet shape as a whole is what the west calls "Laitong", which appeared as early as the Assyrian Empire and the Persian Achaemenid Dynasty in the two river basins. In the Greek Dionysian belief, the Le Tong Cape Cup is a sacred object, which can prevent poisoning by injecting wine. People hold up buckets full of wine, let the wine flow down from a small hole and inject it into the mouth like silk thread. If it's a gulp, it's a tribute to Dionysus. It is speculated that the agate cup of the animal head probably first flowed into the Central Plains with the Sogdian caravan.
The powerful Tang empire in the luminous glass wine exudes a breath that cannot be copied and carved, and is full of brilliance and pride that goes deep into the bone marrow.
In the 14th year of Xian Tong, he returned the Buddhist relic and held a grand ceremony to seal the door, which is well known all over the world. He dedicated a tea set to his property and offered it to them with his body.
A cage, weighing sixteen and a half, is stamped, inlaid with gold and hollowed out. Carved lotus petals in the cage mouth, incarnated as a pure land saint, and swans circled at the zenith. Swan knot is naturally boundless, and the world is endless; A pair of salt platforms, weighing thirteen Liang, are covered with lotus buds to catch hands, and covered with lotus rolls. The cover is decorated with four-tailed Capricorn, the veins are clearly defined, and the bottom of the lotus leaf is rolled up, as if floating in the wind. The table is flat-bottomed, concave in the center, and the wide side is carved with double lotus petals with sea pomegranate as stamens. The flat-bottomed lotus is decorated with salt and pepper. There is a silver wire coiled on the tripod, Capricorn fish and wisdom beads stand at the end of the silver wire, and the salt table seems to be held up by clouds, which is more solemn; A cage, weighing 823 points, has an oval body and is made of silver wire. The four-legged knees are covered with dragon patterns, which means to ward off evil spirits and avoid disasters and seek happiness. The middle part of the cage cover is decorated with golden pagoda flowers, which sets off the lotus leaves to open, as if nirvana, gaining another life; A pair of grinding tea ware, the two ends of the bottom of the tea trough are like clouds, the center of the rectangular management board is welded with a pearl-shaped gripper, and a swan goose is hung on each side of the gripper, lined with clouds. The ingot is made of pure silver, which says: It weighs thirteen taels. The ingot is decorated with a lotus petal ball, which goes around in clouds and the teeth are broken with tea. At this point, tea changed from leaves and cakes to the end, such as Wan Li Xiangyun illusory impermanence; A pair of tea Luo, each side has a crane with a bun and a commendatory coat, and the walls at the other ends are decorated with mountains and clouds, and lotus petals are decorated around them. The bottom of Chaluo is engraved with the word "five brothers", which was the nickname when I was a child.
Tea drinkers, the first in the south, should be thrifty. In the 14th year of Xian Tong, they devoutly placed private tea sets, and sealed 2,499 pieces of gold and silver vessels, robes, mats and treasures in the underground palace under the Famen Temple tower, praying for the Buddha to bless the Tang Dynasty with eternal life, lush foliage and no waves in the four seas.
Every time the morning sun shines through the dust and illuminates the cold walls of the grottoes, the colors from the Tang Dynasty wake up. The huge hall stands like a mountain peak, which is divided into three parts from front to back along the axis. The beams and columns are dense, the roof is steep, the pavilions are row upon row, and the square is connected with the corridor. The Buddha suddenly appeared in the center of the building, sitting with his eyes down, flanked by bodhisattvas and goddesses.
The northern wall of Cave No.1 172 in Dunhuang Mogao Grottoes is painted with "Watching Life Endlessly" in the prosperous Tang Dynasty, depicting the pure land of western bliss where Amitabha lived. The reconstructed paintings are drawn according to Buddhist scriptures, in order to convey hidden meanings to the world and vividly depict the Buddhist world of all parties. Dunhuang Tang Dynasty classics often draw lessons from the style of famous paintings in the Central Plains and render Buddhist stories with solemn and full pictures. The paradise in the painting is like the spiritual entrance created by the Tang people.
Fantasy is born in the dust, and there is dance here. The steps are straight, as if they are in front of us, as if people in the dust can log in to Elysium by just taking one step forward along the steps. Jade carving fence, lush flowers, birds gathering, looking at the umbrella cover from a distance and looking at the incense burner from a distance are all treasures that can only be made by the court.
There are groups of geisha music teams, jumping around on the circular carpet, taking from the western customs. The fantasy world in Buddhist scriptures has become a reality in the painter's pen. The charming Xanadu is more and more like the memory of Chang 'an wonders. The focus of the line of sight returned to the vicinity, as if the goddess raised her arm and lit the lamp tree in the blink of an eye. At that time, the fire was bright in the twilight. Isn't this the grand occasion of Chang 'an Shangyuan Lantern Festival? Even Chang 'an abides by the curfew system for most nights of the year. Only in Shangyuan, this dream city has twelve hours of light, and the white night is like day. People wearing beautiful clothes and different masks are chasing flowing light and shadow, like ichthyosaurs in the sea, wandering in endless happiness.
The superposition of the beauty of secular life and the world of belief has created a paradise. Heaven and man are like the world, and the other side is so born.
The other side of the dream of Buddhism in the Tang Dynasty is the door for us to return to the motherland. This is the imagination of the Tang people, and it is also the Tang in our imagination.
China's ancient civilization has a long history and exists in vast historical records and magnificent poems and songs. It exists in thousands of cultural relics and beautiful buildings; It also exists in this vast land, and people of all ages have left countless outstanding creations. Of course, Chinese civilization also exists in imagination. Countless thrilling stories, touching and magnificent legends, gorgeous and colorful words and beautiful pictures all exude extraordinary imagination. These imaginations may be solidified into cultural relics, deposited in the long river of history, and become a treasure of time and a gift of civilization.
Datang, I miss Datang! In the collision of the torrent of the times, success or failure, emotions, joys and sorrows have become today's legends.
In this era of economic prosperity, granaries are rich and brocade is brilliant;
In this era of strong national strength, the martial arts are brilliant, the six armies of Zhaoling are under siege, and the western regions belong to the territory; The literary ambition is shining, and on both sides of the Yellow River Tieniu Xiongzhen, the natural moat becomes a thoroughfare;
In this era of openness and self-confidence, civilians can be officials through examinations, women can be officials or even emperors, and people in the western regions can freely exchange business and spread teachings in an orderly manner; It attracts talents and envoys from all over the world, its porcelain is exported to overseas, and it also brings together wonderful creations from overseas countries;
In this era of civilization and prosperity, Chinese characters have written countless beautiful poems, and tea ceremony has become a way of life that has created a thousand-year paradigm. Buildings, sculptures and artifacts left by this era have become model symbols with their flying lines and open atmosphere. Poetry, calligraphy, painting, stories, legends, and the spirit behind them have become the genes of Chinese civilization and have been integrated into the soul of every China person.
It passed like this, day and night! 1300 years have passed. Today, we stand at a special historical node and look back at that glorious and swaggering era through one piece of cultural relics. We can lead to the time and space of the birth and experience of cultural relics, whether it is pastoral or war; Whether it's Wan Li Silk Road or the corner study. Its richness, vicissitudes, simplicity and flying, every unique figure has put his own mark on the civilized time and space, conveying the information of Chinese civilization to us.