2. Editor-in-chief of the five-volume Copy and Creation (Part II):
"Copy and create Wang Duo's calligraphy".
"Copy and create Mi Fei's calligraphy".
"Copy and create He's calligraphy".
Copy and create seal script and writing rules.
Copy and Creation of Sun Calligraphy, Anhui Fine Arts Publishing House, 2002.
3. Editor-in-chief of China Contemporary Calligraphers Works Series (20 volumes, Macau Zhonghua Book Company Edition).
4. China Symbol, Deputy Editor, Jiangsu People's Publishing House, 1 Edition, 2005.
5. Selected Inscriptions and Postscripts of Paintings and Calligraphy in Past Dynasties (four volumes), edited by Chongqing Publishing House, 2008.
6. Forever Farewell (a set of 8 books), edited by Chongqing Publishing House, 2009.
7. Illustration of China Calligraphy Seal Cutting, Jiangsu People's Publishing House, 2009.
8. Editor-in-Chief of Calligraphy Appreciation, Southwest Normal University Press, 2009.
9. Editor-in-chief "Calligraphy for Primary School Students" (a set of 5 books), Southwest Normal University Press, 2009 edition.
10, editor-in-chief of Calligraphy (calligraphy textbook for secondary vocational schools), Southwest Normal University Press, 20 10 edition.
1 1, editor-in-chief of writing training course, Higher Education Press, 20 10 edition. Research on Iron Studies in the Late Qing Dynasty (doctoral thesis), Tianjin People's Fine Arts Publishing House in 2005, Lanting Award, the highest calligraphy award in China (2006), National University Research Award (Humanities and Social Sciences) (2009), Chongqing Municipal People's Government Award (2008) and Lanting Award, the highest calligraphy award in China (2006);
Appreciation of University Calligraphy, First Prize of Best-seller of Southwest Normal University Press in 2003/National University Publishing Association, Chongqing Book Award (2005);
Complete Works of China Calligrapher Gao, Hebei Education Press, 2004;
From copying to creation Li Yong, Shanghai Painting and Calligraphy Publishing House, 2007. 1, on Zhao's calligraphy style (4000 words), Journal of Southwest Normal University, No.3, 1998.
2. On Du Fu's Calligraphy (6000 words), Journal of Southeast University, 200 1, 2A.
3. On Calligraphy in Chongqing in the 20th Century (10000 words), Friends of Calligraphy, 6 issues, 200 1.
4. On the Calligraphy of Bashu Scholars (6000 words), Journal of Sichuan Normal University, 200 1, No.2..
5. Analysis of Zhao's calligraphy seal cutting style (6000 words), Journal of Guizhou Normal University (Education Science Edition), 200 1, No.2.
6. On Zhao's Aesthetic Thought of Calligraphy, Yindu Academic Journal, 200 1, No.2..
7. Writing Beauty from Bitterness: The Rational Light of Seal Carving, Fang Jiekan (6000 words), Collected Papers on the Centenary of Mr. Fang Jiekan's Birth, 200 1 year 65438+February.
8. Calligraphy Education: From Practicality to Art (2000 words), China Education News, June 5438+1October 65438+April 2003.
9. Academic Research on Xu Calligraphy and Its Significance (4,000 words), China Calligraphy, No.9, 2003.
10, Style: An Important Means of Calligraphy and Painting Appraisal (2,500 words), Youth Calligraphy (Youth Edition), 7 issues in 2003.
1 1, Inscription and Posting Ideas of Pavilion Posts in Jiaqing Daoguang Period (5500 words), Shanghai Wenbo, No.3, 2003. (Shanghai Museum September 2003 "Chunhua Pavilion Post" and the paper of the two kings calligraphy art academic appreciation meeting)
12, Postscript of Lanting in the Late Qing Dynasty and the Evolution of the Concept of Writing (15000 words), the second prize of the 6th National Calligraphy Seminar.
13, Discussion on the Relationship between Abstract Painting and Calligraphy, First Prize of the Third Chongqing Calligraphy Symposium (200 1).
14, Desalination of practicality and prominence of artistry: 265438+ On the characteristics of calligraphy education in the 20th century, Collection of 20th Anniversary Works of China Calligraphy Education Association (2003).
15, Xu's academic research and calligraphy, 1, 2004.
16, Iron Blood and Iron Blood View, Calligraphy, 2004, 12.
17, "Wu Dexuan's Posting Concept in Essays on the Moon Building", Art Hundred Schools, No.3, 2005.
18, Perseverance in Tongcheng-Yanghu Cultural Circle, Art and Design, No.3, 2005.
19, Notes on the Monument: On Kang Youwei's Postscript Studies, Calligraphy Research 127 (2005.6438+00).
20. Kang Youwei's Bad Learning Theory and Its Influence, Literature and Art Research,No. 1 1 2006.
2 1, "From Ruan Yuan to Guo Moruo:1The Trend of Thought of Denying the Preface to Lanting", On Gao Ershi and Lanting, China Literature and History Publishing House, August 2006.
22. Postology and its position in the late Qing Dynasty. In March, 2007, The Chinese University of Hong Kong gave a speech at the international seminar of "Guanlan II: Couplets, Posting and Calligraphy Art", and included it in the collection of essays (the abstract of the thesis has been published, and the collection of essays is to be published).
23./kloc-since the 9th century, the ideological trend of denying the preface to the Lanting Collection has been included in the debate between Gao Ershi and the preface to the Lanting Collection to commemorate the 40th anniversary of the debate.
Tongcheng School and Post-school Circle in the Late Qing Dynasty, Proceedings of the Seventh National Calligraphy Symposium (invited), Yellow River Publishing House, 2007.
24. Calligraphy Art in Chongqing in the Twentieth Century, published in the summer issue of Chongqing Literature and Art in 2006.
25. Organizing history, building elites and enhancing Chongqing's cultural competitiveness, Chongqing Literature and Art, 1, 2007.
26. Selected Inscriptions and Postscripts of Paintings and Calligraphy in Past Dynasties (four volumes), Chongqing Publishing House, 65438+2008 10.
27. Post-Qing Calligraphy and Its Status, Proceedings of the International Symposium on Post-Qing Calligraphy Couplets, Museum of Cultural Relics, Chinese University of Hong Kong, March 2008.
28. Charm: the Core of Guo Shangxian's Postscript Theory, Proceedings of the International Symposium on Calligraphy History in Ming and Qing Dynasties, Shanghai Ancient Books Publishing House, July 2008.
29. On Zhao's Calligraphy and Seal Cutting, Selected Theses of Master's Degree in Calligraphy, Press, 2007, 1 1.
30. The concept of calligraphy in the Republic of China and its post-monument characteristics, China Calligraphy, 12, 2008.
3 1, The Concept and Reasons of Inscription Named by Zheng Daozhao, Art Hundred Schools, No.6, 2009.
32. Calligraphy Research and Cultural Responsibility-Reflections on Calligraphy Research, China Calligraphy No.7, 20 10.
33. The change of book style and the self-confidence of China people, Art Watch, 20 1 1, 3 issues.
34. He Chuan's cultural origin of learning politics and its style of wrist endorsement, Art Hundred Schools, 20 1 1, 2.