The ancient building of the Forbidden City was the imperial palace in China during the Ming and Qing Dynasties, and it was one of the first units listed in the World Cultural Heritage List in China. The value of the ancient buildings in the Forbidden City is mainly reflected in four aspects. First of all, it is of great significance in the architectural history of China. Palace is the most mature and successful type of ancient architecture in China, and the Forbidden City is the epitome of palace architecture in past dynasties, and it is also the only existing example and the highest level in the development history of ancient Miyagi in China. It is the largest and most complete ancient palace complex in the world.
The Forbidden City is not only the center of Beijing, the core of the rich connotation of Beijing's famous historical and cultural city, but also the most representative symbol of China culture. The ancient buildings in the Forbidden City are rich in China traditional culture. In the planning and design, the Forbidden City fully embodies the Confucian etiquette system and the ethical concept of the supremacy of imperial power. Architects believe that the design and architecture of the Forbidden City are really unparalleled masterpieces. Its plane layout, three-dimensional effect, grandeur, grandeur and harmony in form, and grandeur and luxury in architecture are the essence of ancient architectural art in China. It marks the long cultural tradition of China and shows the outstanding achievements of craftsmen in architecture more than 500 years ago. The Forbidden City is also symbolic. The Forbidden City is only an ancient building in material terms, but it is a palace. China has always paid attention to carrying Tao by means of containers. The Forbidden City and its royal collection solidified the traditional culture of China, especially in its glorious period. It is the crystallization of China's thousands of years' articles laws and regulations, national system, ideology, and the accumulation of science and technology. It is the spirit of China traditional culture, so it has become the most representative symbol of China traditional culture. The Forbidden City in Beijing is the crystallization of the wisdom and sweat of working people hundreds of years ago. It fully embodies the high wisdom and creativity of the working people in ancient China.
In the world architectural culture, China traditional architectural culture has attracted people's attention for its unique modeling pattern and ideological and spiritual implication. The Forbidden City is a splendid cultural and artistic treasure in ancient China, and a representative witness of human culture. It is not only a material product, but also a spiritual product. As a material product, it embodies the genius and wisdom of the people of China, exquisite technology and the power to move mountains and fill the sea; As a spiritual product, it embodies the ruler's will, national cultural mentality and the mysterious power of China's philosophy.
1, the embodiment of male superiority and female inferiority
In the traditional culture of China, men are superior to women, which is also reflected in the architecture of the Forbidden City. For example, it is embodied in the decoration of dragon totem and phoenix totem. Walking all the way from Daqingmen, wearing
The more you cross the hall of supreme harmony, the more you see the dragon, and the more you can't see the shadow of the phoenix. Phoenix first appeared in the Forbidden City with the same regulations, in the fifth house.
Another example is the layout and name of the palace. First of all, the latter three palaces are located on the central axis, and the scale of the system is smaller than that of the main hall outside the court, and the overall area is less than three.
One third of the hall. The prominent features of the Sixth Palace are the profound high walls and neat gates. It fully embodies the strict hierarchy and the inferiority of men and women.
2, the orderly and hierarchical patriarchal etiquette concept.
The old imperial palace in Beijing is vast as the sea, but there is no single building with distinctive personality. It pays attention to the harmonious combination, balance and symmetry of architectural groups, and
The overall orderly advancement and inclusive charm.