Zhuge Liang-Burning Valley Above (Tang Guoqiang VS Lu Yi) As we all know, Zhuge Liang is one of the best romantic figures in the original works. He knows astronomy above and geography below, and his tricks are ingenious, and he has won every battle thousands of miles away. For such an important role, the old director Wang Fulin was under pressure to let Tang Guoqiang, a young butterfingers who had no chance to shoot at that time. When the audience learned that Tang Guoqiang was going to play Zhuge Liang, they were extremely disgusted, and all the complaints went to the State Administration of Radio, Film and Television. With such a big pressure, Tang Guoqiang is holding his breath.
The image of a popular young man has led his translation career into a dead end. This time, his Jedi fought back. In order to play Zhuge Liang well, Tang Guoqiang stayed in the cast for three years. In Yunnan, I even lived in 2.5 yuan's bed. But all these efforts are worthwhile.
From the free and easy "who dreams first", to the high-spirited strategy on the battlefield, and finally to the brain drain, the situation is helpless and sad. Scenes, frames, in that dim lens, unforgettable, can be called a classic.
When the new version of Romance of the Three Kingdoms started shooting, when Lu Yi played Zhuge Liang, it was also questioned. The audience thinks that Lu Yi is too young and idolized. How can he play this complicated and profound character well!
But Gao Xixi has confidence in Lu Yi: "Your Zhuge Liang can't be surpassed in twenty years!" Lu Yi, who is competitive, has strengthened his faith, carefully pondered over the characters, and pondered over how to express himself. In order not to be the same as the 94th edition of Romance of the Three Kingdoms, he deliberately didn't go to see the old version of Tang Guoqiang's interpretation, for fear of losing himself in subconscious imitation.
Lu Yi, which has made various efforts, is completely different from Tang Guoqiang in Shanggu Bridge. When Sima Yi was trapped in the valley by Zhuge Liang and was about to die by fire, a heavy rain, God helped Sima Yi not to hold the lamp, drowned Zhuge Liang's ambition. At this time, the Tang Guoqiang version of Zhuge Liang was dying, desperate and helpless, and understood the mystery;
And Lu Yi's Zhuge Liang screamed loudly, and one mouthful blood gushed from his mouth.
Same scene, different expressions, old version introverted, new version extroverted. Many spectators cheered for Zhuge Liang in Lu Yi. If the new version of Zhuge Liang gradually returns to the ordinary from deification, then the new version of Cao Cao has completely returned to the golden mean.
Cao Cao-Duke Zhou Push-Feed (Bao Guoan VS Chen Jianbin) In the original work, Cao Cao is brilliant, but treacherous and treacherous, combining merits and demerits. At that time, casting the role of Cao Cao was Wang Fulin's biggest headache, and he didn't dare to neglect it. But the selected actors always feel worse. At this time, Bao Guoan was recommended, so he personally went to the dormitory of Huamian Hutong in Beijing for an interview.
In the idle narration, Wang Fulin saw that Bao Guoan spoke calmly, was of proper height, was burly, had the style of a general, and had a deep expression, which was enough. Playing Cao Cao can shape!
It took Bao Guoan only half an hour to win this important role with complicated personality. But I didn't expect the life experience of the crew to make him full of anecdotes. Bao Guoan likes to hide in the corridor and recite lines. He is quiet and introverted. The canteen master doesn't know him. His hands shake three times when he cooks. A few leaves in the canteen made Bao Guoan burst into tears.
Eating badly and sleeping badly didn't affect Bao Guoan's performance in the play. He vividly interpreted Cao Cao's treachery, cunning, unforgettable and casual use of troops, and his eyes were the most hateful, which made the audience itch, but he was helpless.
This wonderful performance won Bao Guoan the Golden Eagle Award and Flying Award, which was very beautiful. When the new "Three Kingdoms" was filmed again, the role of Cao Cao simply made the actor grab the head. But in the end, Chen Jianbin won the first place. I changed directors several times, and time dragged on like this. After signing the contract, he waited for two years before finally getting the role.
Chen Jianbin has always liked Cao Cao very much, and felt that in his legendary life, he found the connection between soul and poetry. Among the New Three Kingdoms, Chen Jianbin endowed Cao Cao with more humanistic features.
In the last scene, Chen Jianbin asked Gao Xixi: Can you give me a longer lens? I lie on the sofa and give me a beam of sunshine. I hold this beam of light in my hand. In order to shoot this scene, the crew spent hundreds of thousands of dollars to cut a hole in the roof. Finally, in the play, they presented this satisfactory shot in 6 seconds.
Every word and every action vividly shows that this once all-powerful figure is just a dying old man at this time. The new version of Cao Cao in the Three Kingdoms is more comprehensive. He became a vivid, real, sensitive and affectionate person. Regardless of the old version or the new version, the role of Cao Cao has received rave reviews. The new version of the role of Lyu3 bu4 is what Gao Xixi wants to beautify most.
It is also a work that costs hundreds of millions. The difference between the Romance of the New Three Kingdoms and the Romance of the Old Three Kingdoms is not that the scenes are not refined, but that the understanding of the essence of the classics is different. At that time, the old version of Romance of the Three Kingdoms was broadcasted for six episodes after the Spring Festival Evening. Unexpectedly, the ratings were almost the same as those of the Spring Festival Evening.
What everyone is singing is not any song in the Spring Festival Evening, but the theme song of Romance of the Three Kingdoms: "The Yangtze River is rolling eastward, and the waves are all heroes!" A legend that has been circulating for a hundred years; A TV, inheriting classics; A song, sing in your heart. The reason why the old version of Romance of the Three Kingdoms is classic is not only because every shot is full of meticulous research, every song is in line with the situation, but also because every look and every line interprets and inherits the classic. It has been baptized by years and has a rich background.
The new edition of the Three Kingdoms is a modern interpretation of the classics and represents the ideas of some people. This kind of innovation needs time to verify.