1, Wei
Wei (737~792), a poet of the Tang Dynasty in China, was born in Chang 'an (now Xi 'an, Shaanxi), Han nationality. The great-grandson of Wenchang Youwei's family was born in Xiaoyao Mansion of Jingzhao Wei. Wei Jiangzhou Collection 10, Wei Suzhou Poetry Collection, Wei Suzhou Collection 10.
There is only one essay left. As the secretariat of Suzhou, it is called "Wei Suzhou". The poetic style is desolate and lofty, and it is famous for being good at writing landscapes and describing secluded life.
2. Liu Zongyuan
Liu Zongyuan (AD 773-AD 8 19165438+1October 28th), a native of Hedong (now Yongji area in Yuncheng, Shanxi Province), was one of the eight masters in the Tang and Song Dynasties, and was known as "Liu Hedong" and "Mr. Hedong" in the Tang Dynasty.
Liu Zongyuan and Han Yu are called Liu Han, Liu Yuxi is called Liu Liu, and Wang Wei, Meng Haoran and Wei Wuying are called Wang Meng.
3. Liu Yuxi
Liu Yuxi (772-842), a native of Luoyang, Henan, called himself "Luoyang" and Zhongshan. The first one is Zhongshan, Wang Jing and Liu Sheng. A writer and philosopher in the Tang Dynasty, he was called a "poet".
Liu Yuxi's landscape poems changed the narrow-minded and desolate style of Dali and Zhenyuan poets, but often wrote a half-empty and half-solid open scene of beyond space's real distance.
4. Liu Changqing
Liu Changqing (709-789), Han nationality, born in Xuancheng (now Anhui), was a poet in the Tang Dynasty. After moving to Luoyang, Hejian (now Hebei) is its county. Xuanzong of Tang Dynasty was a scholar in Tianbao period. Su Zong went to Germany to supervise the empire. He used to be the deputy general of Changzhou County, Suzhou, and Dai Zong vigorously served as the transfer judge. He knew that after the transshipment of Huaixi and Hubei and Henan, he was falsely demoted to Zhou Mu Sima. Because of the attack, I moved twice. Mid-term construction, official to Suizhou, known as Liu Suizhou.
5. Top Ten Talents in Dali
"Ten gifted scholars in Dali period" refers to a group of poets who were active in Dali period. Their titles and names were first seen in Ji Xuan Collection by Yao He: "Li Duan, a native of Zhao County, studied in Dali for five years. Singing with Lu Lun, Ji Zhongfu, Han Yi, Qian Qi, Si Kongshu, Miao Fa, Cui Dong, Geng Yong, Xia Houdun, etc., he was rated as one of the top ten talents.
The ten talented people in Dali took Xie Tiao as their ancestor in artistic expression, inherited the style of pastoral poetry, attached great importance to mountains and rivers, and sang songs of nature, among which there were many excellent works. The most obvious characteristics of their works are the standardization of rules and the precision of words.
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2. The poems about the prosperous Tang Dynasty are as follows: The three capitals expressed their feelings about the decline of the Tang Dynasty, saying that he was prosperous in the past: Du Fu, a horse painted by General Cao at the minister's house, came to paint pommel horses at the beginning of the country, with the spirit of being the master, Prince Jiangdu.
Then the general sergeant turned the eyes of the world to compete for the royal horse through his 30-year fame. He painted the luminous white horse of the late emperor, Ten Days Leifeilong Lake.
The crimson horse brain plate in the inner palace, the talk of ladies-in-waiting, and the miracle that attracts people's attention. The general bowed and danced, and accepted it in his distinguished home. After this rare gift, fine silk followed.
Many nobles demanded his art to add new luster to their screens. First, the curly horse of Emperor Taizong, and then the lion zebra of Guo.
But now in this painting, I see two horses, which is a thought-provoking sight for anyone who knows them. They are war horses. Either way, it is possible to face 10 thousand people. They let the white silk extend to a vast desert.
The other seven people with them are almost as noble. It is cold and empty. Horseshoe splits the snowdrift under the big tree. There are a group of officers here and a group of servants there.
Look at how these nine horses compete with each other, with a clear glance and a firm breath. Who understands the difference? Who really cares about art? , followed by Wei satire before Zhi Dun.
I remember when the late emperor went to his Summer Palace, Cui Hua blew into the eastern sky. 30,000 horses, prancing horse, Mercedes-Benz, fashionable, each like the horse in this painting.
But now the ghost of the emperor got the secret jade from the river god, because the emperor no longer hunted crocodiles by the river. Have you ever seen the pine and cypress in front of the golden millet heap, a bird lamenting that the emperor's horse is gone in the wind?
According to the night white note: the name of the horse. Longchi: In the Tang Palace.
Zhi Dun: A famous monk in the Eastern Jin Dynasty kept several horses. Some people say, all that glitters is not gold. Answer: "Being poor loves their God." Here, Wei satirized Cao Ba's painting of horses.
"Now, the mysterious jade is collected from the river": This sentence means that Xuan Di has passed away. Jinsudui: Xuanzong Tomb, located in the east of pucheng county, Shaanxi Province.
A brief analysis of this poem is about paintings and horses, but it is actually about people. At that time, both Xuanzong and Su Zong of the Tang Dynasty had passed away, and the poet met the temporary chief painter who had been announced in a foreign land, which caused many feelings.
Pu Yin Long said in "Reading Du Xin Jie": "The history of the body is ups and downs, feeling the times to comfort things, but there are tears in the chest, so there are things in words." It is a very pertinent explanation of predecessors.
Dan Qing offered general Cao to bully Du Fu and A Tong, descendants of Wei Wudi, and now it is Qing Dynasty. The heroic regime is gone, but the master of beauty lives on forever.
In calligraphy, your first master, Mrs. Wei, just didn't surpass it. Indulge in painting, you know that the age of youth is coming. In fact, wealth and status are floating away like clouds to me.
During the Kaiyuan period, you were often summoned by Tang Gaozong, and you were guaranteed to board the southern tour many times. The portrait of the hero in Lingyan Pavilion has faded, and Jiang Caojun can't brush away the repainted noodles.
The head wears a Jinshi crown, and the warrior wears a big feather arrow on his waist. Male and female hair seems to be shaking, and they seem to be fighting in fierce battles.
The first emperor had a horse named Yuhua, and artists imitated it in various postures. One day, they took him to the red marble stairs, and he stood upright and grew into a phoenix.
Then, general, I ordered you to continue your work. You concentrated all your money on a piece of silk. After a while, the dragon horse appeared on the silk, which was much more mediocre than all generations of horses.
There is a jade flower standing on the altar, facing each other on the couch. The emperor smiled and urged the left and right to give you gold, and the servant and the groom were all stunned.
Han Gan, a student of the general, can draw a horse and has many good images. Han Gan's painting shows no inner spirit, which often kills Liu Hua's horse of life.
The general's painting is beautiful, and the beauty lies in the painting. They are only willing to write a portrait for him. Today, I sketch some trivial passers-by from time to time.
In your later years, you suffered from the eyes of the world, and no one in the world was so extremely poor as you. From the earliest time, I have been reading records all day? Wrapped around him.
Note: Painting. Quotations: A kind of music in the Tang Dynasty is also a kind of poetic style.
Mrs Wei: Jin Ruyin is Li Ju's wife, and Wang Xizhi studied calligraphy with her. Wang Youjun: That is, Wang Xizhi, a great calligrapher in the Jin Dynasty and a general of the Right Army.
Duan He was a hero in the early Tang Dynasty. This poem is also a painting of a horse, and it was sent directly to the painter Cao Ba.
It focuses on the painter's life and experience, similar to a narrative poem. The whole poem centers on the painter's redrawing of the heroic statue of Lingyange and the jade flower horse under the emperor's favor, which greatly embodies the prominence of Cao Ba's painting at that time, thus highlighting the desolation of the evening scene.
During this period, poets also experienced vicissitudes and lived in poverty, so they could better understand Cao Ba emotionally. The whole poem is complicated, lyrical, ups and downs, and it is very successful in art.
On October 19th, the second year of Du Fu's Renshou, one of Mrs. Sun's female students was in the Song of Sword Dance, and Kuifu drove to the palace to watch the dance drama Sword by Li Linying's Twelve Niangs. He was so powerful that he asked his teacher, "I am a believer in Gong Sundaniang." When I was a child in the fifth year of Kaiyuan, I was very depressed when I thought of watching Gongsun's dance drama Sword Shadow in Yancheng. After winning the championship, he was worshipped by his wife at the second geisha workshop in Yichun Liyuan. Xiao is a dancer. At the beginning of Saint SHEN WOO, Sun was just a person.
The jade looks gorgeous, and I am bald. Today, I am a disciple of this school, and I am proud of it. Now that we know its origin, we know that there is no wave and we have a deep feeling for things. I call it "sword and weapon". Zhang Xu, a former Wu native, is good at cursive script and calligraphy. He often saw Gong Sundaniang dancing "Xihe Sword" in Yexian County. Since then, cursive calligraphy has improved and I am grateful, that is, Gongsun knows.
A few years ago, there was a beautiful Gongsun who danced her dagger from all directions. The audience is like a mountain lost between them, and the world moves back and forth with her movements.
So, beautiful as a group of emperors. She began to be like a thunderbolt, venting its anger and ending the shining calm like rivers and seas.
But those red lips and pearl sleeves disappeared, and no one except this student smelled of her fame. This beautiful woman from Linying, White God Town, still dances and sings happily.
When we answer each other's questions, we sigh together and feel sad for the changes that have taken place. There are 8,000 ladies-in-waiting in the harem, but none of them can dance short sword like Mrs. Sun.
Fifty years have passed, like the rotation of a palm, wind and dust filled the world and covered the imperial house. The children in the pear garden are scattered like smoke, and the female music reflects the cold weather.
The south wood of the golden millet pile has been arched, and I seem to hear the hay rattling on the cliff of Qutang. At the climax of joy, sadness comes with the rising of the eastern moon, China.
And I, a poor old man, don't know where to go. I must sharpen my feet towards illness and despair on a lonely mountain. Note: Gong Sundaniang was a dancer during the reign of Emperor Xuanzong of the Tang Dynasty.
Disciple: It refers to Li Erniang. Sword dance: refers to the popular martial arts dance in Tang Dynasty, in which the dancers are women dressed in military uniforms.
Dali two years: AD 767. The fifth year of Kaiyuan: AD 7 17.
Mixed Tuo: Mixed Tuo is a popular martial dance in the Tang Dynasty. This is a new dance that combines mixed tuo and sword. A brief analysis of the poet wrote this poem at the age of 55, and he is still stranded in a foreign land, which has a feeling of invincible in ancient and modern times. This feeling is reflected in this poem by recalling watching the disciples of the famous dancer Gong Sundaniang dance swords in the Kaiyuan period of Xuanzong several decades ago.
3. What schools of poetry were there in the middle Tang Dynasty? The middle Tang Dynasty was divided into two periods.
There are three schools of poetry in the later period: vulgar, strange and elegant, which constitute a peculiar confrontation pattern. The dominant style of popular poetry is practical and popular, not avoiding vulgarity and satirizing current events, which is worth writing.
This tendency can be said to have its reasons, which are generally the result of its subjective pursuit. As far as artistic practice is concerned, the achievements are not small, but the defects are inevitable.
"Don't seek high palace rules, don't seek strange writing", which is all the connotation of the aesthetic pursuit of popular poetry school, and also a clear banner to counter the elegant poetry school and strange poetry school. Careful observation of the pattern of poetry schools is helpful to understand the situation in the middle Tang Dynasty in a three-dimensional way.
1. Middle Tang Poetry School: (Middle Tang Poetry School and Yuan and Bai Poetry School. Simple use) Poetry is from Yuanhe Style to New Style (Yuanhe Style), and there are many famous poets and schools.
During this period, there were mainly: 1, Yuan and Bai poets represented by Bai Juyi and Yuan Zhen, who led a group of new poets to write new Yuefu, and their poems were realistic, vulgar and exhaustive. 2. Han Meng's poetry school, headed by Han Yu and Meng Jiao, is full of complaints, and its poems are strange and subjective, which directly influenced Li He and others and created a new world of poetry creation.
3. Liu Yuxi and Liu Zongyuan were also great poets in this period. Second, Bai Juyi's poetics and "the combination of articles and times, and the combination of songs and poems."
Bai Juyi is a poet with conscious theoretical consciousness. In his view, literature should focus on writing reality, sincerely remove falsehood, regard literature as a sharp weapon to relieve society and improve life, and demand that poetry can make up for current politics and release human feelings.
1, Bai Juyi put forward in "Nine Books of the Same Origin": "Articles are written in time, and songs and poems are written in things". He divided his 800 poems into four categories: allegorical poems, leisurely poems, sentimental poems and miscellaneous poems.
(This classification is unscientific. The first three categories are divided by content, while the latter is divided by form. But out of habit, I usually analyze my works according to my own classification. )
Third, the ideological content and artistic characteristics of Bai Juyi's The Charcoal Man: (Understanding the content and characteristics of fable poetry) 1. Ideological content: (1) Full of sympathy for the poor working people, and able to "plead for the people" and bravely expose the darkness of reality. (2) Criticize the government's atrocities of oppressing people.
(3) Exposing the political darkness and people's sufferings at that time showed a strong sense of justice and responsibility to society, politics and people, which was the most worthy of recognition in Bai Juyi's satirical poems. 2. Artistic features: (1) The theme is distinct.
(2) Make good use of contrast. (3) The language is popular and fluent.
"Very straightforward." Fourth, the ideological content and artistic features of Bai Juyi's Song of Eternal Sorrow: (Understanding) 1. Ideological content: (1) Thematically, there are dual theories of love, fable and love fable.
(2) We should grasp and understand the tragic implication contained in the theme of Song of Eternal Sorrow from a broader sense of the times. The tragedies of Li and Yang can be divided into love tragedy, political tragedy and times tragedy, which are a unified whole with triple variations. 2. Artistic features: Bai Juyi's Song of Eternal Sorrow (sentimental poem) has a high artistic achievement, and it has a strong artistic appeal to those who are moved by external things and whose feelings move from the inside.
Verb (abbreviation of verb) The ideological content and artistic features of Pipa Xing by Bai Juyi: (Understand) 1. Ideological content: (1) The theme of this poem is "We are all unhappy-at the end of the day, we meet. We understand. What is the relationship between acquaintances? ! "(2) The most praised part of this poem is its wonderful description of the virgo's pipa playing skills and music. 2. Artistic features: (1) Compared with development, it is characterized by its latitude and depth.
The tragic fate of the pipa girl in the poem being left out in the cold is somewhat similar to the author's bumpy experience of being relegated. The loneliness and unbearable feelings of the pipa girl are also in line with the author's feelings of being in a different place, complaining and unhappy. The poet's description and sympathy for the unfortunate experience of the pipa girl entrusted his feelings of "being reduced to the end of the world"
(2) The three descriptions of Jiang Yue have different intentions and connotations. A, see the night scene when seeing the guests off, to set off the infinite mood when leaving.
The sadness of parting blends with the bleak scene. B, the river scenery seen at the end of the song sets off charming music.
Write the charm of music. C. The pipa girl keeps the river view seen by the empty boat alone, rendering the pipa girl's loneliness, bitterness and anguish.
Write her sad mood. (2) Use novel and exquisite image metaphor and speaker imitation to depict the music image.
Turn abstract music into familiar natural scenes and life scenes. Writing a long string is "noisy like a rainstorm", with "noisy" as the image and "rainstorm" as the metaphor.
"Tearing brocade" means that the end of the song is crisp and loud. This transforms the abstract and elusive music image into vivid and concrete language image, which makes people feel heard with their own ears.
(3) Describe the pipa girl's skillful playing skills and deep feelings. (4) Describe the changes of music and convey the emotional activities of pipa girls.
(5) convey the listener's feelings about the emotional changes expressed by music to readers. Writing the poet's feelings about listening to the pipa will also determine the emotional direction for the reader's imagination.
(6) Write the realm of "sound" and "silence" to set off the sound. See the truth in the virtual, and highlight the musical effect with the aftertaste when the music stops.
(7) Write three times without repeating each other. First, the poet heard about Fujian for the first time by the river.
Incomplete, heard sporadically, but it already feels subtle. B, the second time, from tuning to playing the whole song.
Pipa girl tells the sadness of her life experience in music, which is both sad and angry. This is talking in musical language.
C, the third performance, the author briefly describes, but highlights its effect. Six, Yuan Zhen's mourning poems and love poems, "Dancing Waist" poems, "Palace" poems, "Five Poems of Self-reflection" (the fourth).
(Understand) 1, Yuan Zhen is better at writing love than allegories. He is good at writing love between men and women. It is not the new Yuefu that represents Yuan Zhen's creative characteristics, but the mourning poems of "Erotic Poems" and "Where Are You Going?" 2. "Dancing Waist" and "Walking Palace" are all erotic masterpieces.
3. Mourning poems such as "Five Thoughts" (the fourth one) are sad and moving, with simple and true language, which embodies the deep affection of the master's life. 7. Similarities and differences between Yuan Zhen's poems and Bai Juyi's poems (comprehensive application) 1. Similarity: (1) The literary opinions are the same.
Both Yuan Zhen and Bai Juyi, leaders of the New Yuefu Movement, advocated that poetry should reflect politics, society and people's livelihood. * * * promoted the creation of fable poems.
4. Poetry in the prosperous Tang Dynasty refers to the Kaiyuan and Tianbao periods, which lasted for more than 50 years.
During this period, the national strength of the Tang Dynasty was strong, the economy was prosperous, and the literati were full of hope, optimistic and extremely active. The infinite richness and vastness of real life have broadened the poet's horizons and mind.
Many famous poets appeared at the same time, which made poetry creation shine brilliantly and formed the heyday of Tang poetry. Poetry in the prosperous Tang Dynasty is extremely rich in content, among which frontier wars and pastoral landscapes account for a considerable proportion.
Many poets often have a life experience of frontier fortress joining the army. They describe the magnificent scene of the frontier fortress, express the ideal of making contributions, express the lofty sentiments of patriotism, reflect the hardships of fighting life, expose the arrogance and extravagance of rulers, open up the field of poetry themes and strengthen the reality. Among these poets, Gao Shi, Cen Can, Li Jie, Wang Changling, Cui Hao and Wang Zhihuan are the most famous. Their works are full of atmosphere and tragic artistic conception, and most of them take the form of seven-character songs or seven-character quatrains.
Gao Shi and Cen Can have the highest achievements in frontier poems, and the frontier poetry school in Tang Dynasty is also called "Gao Cen Poetry School". Gao Shi's representative works include Ge Yanxing, Chicken Menxing, Cezanne, Xia Sai Qu, Chicken in the Work, etc. Representative works include Song of Farewell to General Feng of the Western Expedition, Song of Farewell to General Feng of the Western Expedition, Song of Farewell to the Wheel Tower of the Western Expedition, and Song of Farewell to the Military Commander's Return to His Hometown.
Both Gao Shi's and Cen Can's poems are based on the theme of "tragic", but due to the differences in life experience, personality, literary thoughts and origins, their poems are obviously different: "tragic, tragic, but profound" (Wang Shizhen's Continued Biography of Teachers and Friends). Gao Shi is good at reflecting the sufferings of the military and civilians, exposing the reality, writing rigorously, expressing his feelings directly, and touching people with popular language; Cen Can is good at eulogizing victory, describing wonderland, expressing lofty sentiments, expressing affection with scenery and moving with strange words.
At that time, Wang Changling was known as "the poet's son of heaven". Besides frontier poems, he also wrote well-written poems about palace grievances and farewell poems. He is also a master of seven paragraphs, and can express rich thoughts and feelings in incisive language, which is meaningful.
During the prosperous Tang Dynasty, there were many poets who were famous for their pastoral poems, mainly including Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian and Zuyong, among whom Wang Wei and Meng Haoran had the highest achievements. Wang Wei's representative works include Wei Shui Farmhouse, My Retreat in Zhongnanshan, Chai Lu, Zhuliguan, Wei Cheng Qu, Autumn Night in the Deep Mountains, etc. These are landscape poems with pictures in them, which shows the great development of this school of poetry in the Tang Dynasty.
It is not comprehensive to describe Wang Wei as a landscape poet. There are many other chapters on his theme, such as the urgency of frontier defense in the form of Longxi, the generosity and patriotism of the old general, the spectacular frontier fortress and the excitement of the general in Hunting Watch, and the farewell and affection of acacia in Acacia, all of which are famous works in art. Meng Haoran and Wang Wei also said his pastoral poems, such as Autumn Mount Zhang and Passing the Old People's Village.
Li Bai and Du Fu marked the highest achievement of poetry in the prosperous Tang Dynasty. Li Bai is a great scarecrow poet and Du Fu is a great realistic poet. Their creation is not only the peak of Tang poetry, but also the peak of China's classical poetry. There are more than 900 existing poems by Li Bai, which are rich in content. Most of his famous works were written before the Anshi Rebellion, and some were written after the Anshi Rebellion. Among them, there are profound expositions of dark politics, severe reprimands of resistance forces, real reflections on the sufferings of people's livelihood, descriptions of the grand plan of saving the world, the pursuit of individual freedom and liberation, the eulogy of love and friendship, and the praise of the great rivers and mountains of the motherland.
Representative works before the Anshi Rebellion include Long March, Difficult Road to Shu, Midnight Wu Ge, it is hard to go, Climbing Mount Tianmu in a Dream, Fighting in the North, Entering Wine, Farewell, Popular in the North, and Farewell to Secretary Shu Yun at Xie Tiao Village in Xuanzhou. The representative works after the Anshi Rebellion include Antique and Westbound Lotus Mountain. Li Bai's poems and songs are profound and profound, and his feelings pour into thousands of miles. Idealism, rebellious spirit and heroism constitute the ideological basis of romanticism.
He is good at using bold, enthusiastic and exaggerated language, galloping fantasy with myths and legends, creating magnificent artistic conception and huge artistic image, and forming a unique unrestrained artistic style. In a word, Li Bai greatly broadened the aesthetic realm of poetry, developed the romantic tradition of classical poetry and its expressive art, and reached the glorious peak of romanticism in China's classical poetry.
Du Fu, a great realistic poet who is as famous as Li Bai, reflects the social reality in the transition period from the prosperous Tang Dynasty to the middle Tang Dynasty. Li Bai's poems and songs are mainly the portrayal of the brewing period of An Shi Rebellion, while Du Fu's works are the "history of poetry" in turbulent times.
Before the Anshi Rebellion, Du Fu wrote such famous articles as Car Shop, Second Way, Five Hundred Words of Love from Beijing to Fengxian, which exposed the profligacy, political corruption, exploitation and oppression of the upper ruling group and profoundly revealed his hidden worries about the current situation. After the Anshi Rebellion, he suffered from desertion, and wrote such famous works as Moonlit Night, Spring Hope, Aijiangtou, Sad Chen Tao, Qiang Village, Northern Expedition, Three Officials and Three Farewells.
Later, in the process of escaping and wandering, he wrote some excellent works, such as "The Hut was Blown by Autumn Wind", "The banks of the Yellow River were recaptured by the imperial army", "Wu Lang again" and "Sui Yanxing". Du Fu's poems faithfully recorded the turmoil of the country and the sufferings of the people, and expressed deep sympathy for the persecuted people, which became the first voice of Bai Juyi and others advocating the new Yuefu movement.
He is good at combining current affairs and politics with personal experience. He has a typical summary of life scenes and a strong expression of subjective feelings. He combines reason, things and feelings in one furnace, and is deeply pregnant, forming a unique depressed and frustrated style. In the development of China's realistic poetry, Du Fu plays an important role in connecting the past with the future.
The realistic tradition of China's poetry began with the folk songs of the Zhou Dynasty, which was inherited and developed by Yuefu folk songs and Jian 'an poems in the two Han Dynasties, but it was not until Chen Ziang swept the poetic style of Qi and Liang Dynasties in the early Tang Dynasty that this tradition was further developed.
5. How much do you know about the poetry culture in the middle Tang Dynasty? 1. Confucianism, Buddhism and Taoism coexisted in the Tang Dynasty, forming a political and ideological system based on Confucian political ethics and inclusive of Buddhism and Taoism, which not only consolidated the rule, but also promoted the mutual absorption and continuous improvement of the three.
In this atmosphere, people's freedom of religion, thought and speech has removed many obstacles for poetry creation. 2. In the Tang Dynasty, the foreign policy of being a good neighbor, being a partner and living in peace was pursued, and the policy of economic and cultural exchange was implemented, which had a positive influence and enlightenment on the content and style of Tang poetry.
3. Since the Qin and Han Dynasties, poetry has experienced a long-term development process, and accumulated rich experience in creative methods, stylistic features, artistic skills, the use of temperament, language style, etc., which provided great wealth for the development of Tang poetry. The inheritance of culture further laid a solid foundation for Tang poetry, and the poets in the Tang Dynasty made innovations while inheriting the cultural heritage, pushing the poetry culture to a new peak.
Poets in the Tang Dynasty not only inherited and developed the literary traditions of realism and romanticism since Qin and Han Dynasties, but also developed artistic traditions of various forms and techniques, and even created modern poems with beautiful styles. The emergence and maturity of modern poetry is an important event in the history of Tang poetry development, which pushes the artistic characteristics of poetry to an unprecedented height.
The ancient prose movement, legendary novels and ancient Buddhist poems in the middle and late Tang Dynasty contributed to the prose culture of poetry, and the rise of Qu Zi's poems opened up a new road for poetry in the late Tang Dynasty.
6. Needless to say, Li Bai, Du Fu and Bai Juyi, a famous poet in the Tang Dynasty.
Du Mu: Bo Qinhuai
Li Shangyin: Untitled
Yuan Zhen: "Seek Letian to demote Jiangzhou Sima"
Liu Yuxi: ""
Wang Wei: I thought of my brother in Shandong when I was on holiday in the mountains.
Meng Haoran: Passing the Old People's Village
Wang Zhihuan: At the Heron Villa.
Wang Changling: "Out of the Plug"
Han Yu: I took the morning shift with Zhang et al. 18 members of the Ministry of Water Resources.
Liu Zongyuan: Jiang Xue
Cen Can: Like the strong wind in spring, it blows at night. . . 》
Meng Jiao: Wandering sons.
Li He: Harmony creates yin out of nothing.
Wei Wuying: ""
Chen Ziang: On the Youzhou Tower.
Luo: Goose Goose.