Brief introduction of Bai Fan Yushan

Yushan yú shān fàn bài belongs to the "Ding" China traditional Buddhist music among the three major schools of Buddhism; It is the Sanskrit standard original sound of Chinese chanting in India's Five Ming Declaration; It is the only proper name to solve the sinicization system of singular and repeated Buddhist chanting methods in China and Vatican; It is the main way to sing praises and support the three industries of purity. China's earliest Bai Fan spread in the Han Dynasty in the Four Years of Taihe in the Three Kingdoms Wei Mingdi (AD 230). Chen and Cao Zhi visited Fish Mountain and felt the divinity of Fish Mountain, so they deleted Prince Ruiying from the beginning and began to write the ode to Prince Ruiying (today's ode to bathing Buddha). There are more than 3,000 scholars, about 42 of them. The six names are "Fish Mountain Brahma" or "Fish Mountain White", and later referred to as "Brahma White", which flourished in Qi and Liang Dynasties and became popular in Sui and Tang Dynasties. During the Tang Dynasty (804-850), Japanese monks Kong Hai and Ren Yuan invited Bai Fan to Japan, which was called "Fish Mountain Statement". Master Jian Zhen went to North Korea and called it "Fish Mountain". Therefore, in history, Cao Zhi has always been regarded as the founder of Buddhist music-Bai Fan. Lost for thousands of years, the Wu Yong monk, who was entrusted with the mission of inheritance, thoroughly cleared the source and inherited the glory. In June 2008, it was successfully declared and approved by the State Council as the second batch of national intangible cultural heritage protection projects, and now its full name is "Yushan Bai Fan". 1 There are monographs and rare ancient books in the calendar, such as Collection of Fish Mountain Declarations, Collection of Essays of China Fish Mountain Bai Fan Cultural Festival, Collection of Fish Mountain Bai Fan Declarations and Collection of Inheritance Methods of Fish Mountain Bai Fan. The famous inheritor master of Bai Fan national intangible cultural heritage in Yushan identified five elements of inheritance and protection: the first inheritor stone, the second representative Prince Zan, the third inheritor hall, the fourth inheritor's day, the Buddha's birthday festival and the fifth inheritor's fifty-character pedigree. The rebuilt Yushan Bai Fan Temple and Shenbao Hall enjoy the reputation of "Bai Fan Ancestral Temple", which inherits the mission of Bai Fan culture and has far-reaching significance for reviving culture and promoting Buddhism! It can be said that the merits are boundless!