Looking around, lonely and sad. It is the most difficult to arouse the interest of 1 when it is warm and cold. Three glasses and two glasses of wine, how can you beat him? It's late in the wind. Guo Yan is very sad, but this is an old acquaintance.
Yellow flowers are all over the ground, withered and damaged. Who can pick them now? Looking out the window, how can a person be dark? The phoenix tree is raining and dripping at dusk. Second, this time, how can a sad word get 3.
-Li Qingzhao, her voice is slow.
Read famous sentences completely
1, interest: rest, rest. 2. Second place: Scenes and situations. 3. I see: to sum up.
Lost at a loss, looking for, always everywhere, deserted, sad. It is the autumn when it is warm and cold, and it is the most difficult to recuperate and rest. How can you refuse to drink three glasses of light wine? The deep autumn wind blows rapidly. Just when I was sad, the geese flew by, turned out to be old acquaintances.
Chrysanthemums are scattered all over the floor, piled up all over the floor, withered and damaged. Who else will pick them now? How can you stay at the window alone and watch this scene until dark? Platanus acerifolia leaves are raining and the sound drops to dusk. Faced with this situation, can a word "worry" be included?
The story of famous sentences
This poem is the work of Li Qingzhao in his later years, and it is a long and slow word. In the world of ci, slow ci has the characteristics of "fu", which can be called "post-fu", and Li Qingzhao's "slow voice" is one of the best and the most popular. The whole book "Sound Slow" is based on sad autumn, including autumn scenery, such as wind, wine, flying geese, yellow flowers, phoenix trees, etc., to set off its desolate and bleak appearance, and then edit the poet's current feelings to express his grief after suffering and family destruction. The death of her husband Zhao Mingcheng was a great blow to Li Qingzhao, who suffered the greatest pain in her life. In order to escape from the military forces, she wandered around Jiangsu and Zhejiang. The stones, antiques and ancient books that she and her husband had worked hard for many years were scattered all over the place, leaving her with no one to talk to? . Her hatred of national subjugation, the grief of her husband's death, and the pain of bereavement all made her almost collapse, and this great pain also caused an unhealed wound in her heart, which made her unable to vent and could only be expressed in words.
Originally, the tune of "slow voice" was slow, but from the beginning, Li Qingzhao was "searching and searching, indifferent and miserable", and even used fourteen overlapping words, which looked like "pouring pearls of all sizes into a plate of jade", making the tune urgent, sad and even more desolate. Li Qingzhao's ci generally belongs to the graceful school, and this song "Slow Voice" is a special case. It is a bold and unconstrained work in the graceful school, which shows its mastery of writing. Another feature of slow voice is that Li Qingzhao has included spoken words, such as "How can it be dark when you are guarding the window?" And "how can I get a sad word this time?" , are very innovative, very strange. Ancient critics thought that the black characters here were wonderful (Volume II of Ci Jing), and similar scenes such as "No second person to bet" (White) were also adopted by Bai Pu, a Yuan Dynasty person. In Wu Tongyu on an Autumn Night, he said: "In Wu Tong, the rain is rustling, covered with leaves and a little cold." However, compared with Li Qingzhao's ci, it is slightly lacking in momentum and fails to hit the deep heart.
A famous sentence with a long history
This famous sentence "This time, how can I get a sad sentence" is taken from the second half of the poem. In just a few words, I don't particularly emphasize how to include a word "sadness", but it has pushed the poet's sadness to the most * * *; What people have been advocating is precisely the characteristics of slow and incisive sound. There are countless ancient poems about sadness. In addition to Li Qingzhao's words, "How can a sad word win this time?" It was Li Bai who said, "But since the water is still flowing, even though we cut it with a sword, it is even more sad to raise a glass." Li Bai deserves to be a poet. In just a few words, he can write the most unspeakable sadness in people's hearts.
Another person who is good at talking about sadness is Li Houzhu's expression in Yu Meiren: "How much sadness can you have, just like a river flowing eastward." He compared his melancholy with the surging river. At this time, Li Houzhu was the king of national subjugation, detained by Song Taizong, and lived a miserable and unfree life. It is said that it was because Song Taizong saw this word that he decided to poison Li Houzhu. Li Bai's "raising a glass to eliminate worries is more worrying", which means to stay worried and worry about no reward; Li Houzhu "asked you how much sorrow you can have, just like a river flowing eastward", talking about the decline and sorrow of national subjugation; Li Qingzhao's "what a sad sentence", he is worried about the hatred of national subjugation and the pain of bereavement. The sadness of the three people is different, but it is closely related to the reader's heart.
There is also a kind of sadness that is also worrying, and that is "homesickness." The Han Dynasty folk song "Ancient Songs" says: "Autumn wind is worrying about people, leaving them behind ... the distance from home is getting farther and farther, and the clothes are slowing down." Under the bleak autumn wind, it is easy to arouse the homesickness of the wanderers in the world. With the distance from home, people are getting thinner and clothes are getting slower and slower. It is really "the autumn wind is bleak and sorrowful everywhere." Yu Guangzhong also wrote a poem "Homesickness": "When I was a child/Homesickness was a small stamp/I was here/My mother was there/When I grew up/Homesickness was a narrow boat ticket/I was here/My bride was there/Later/Homesickness was a short grave/I was outside/My mother was inside/Now/Homesickness is a shallow strait/I am here. Only through Yu Guangzhong's explanation, I was shocked to find that homesickness would change with time. What changes is the object of missing, and what remains unchanged is the melancholy and sad missing that cannot be given up.