Bai Juyi (772-846), whose name was Lotte, was a Buddhist in Xiangshan. Weinan, Shaanxi Province today. The initiator of the New Yuefu Movement, one of the great realistic poets, was a master in the middle Tang Dynasty, and his poems had a great influence on later generations. First lived in Taiyuan (now Shanxi), then moved to Xiaao (now northeast of Weinan, Shaanxi). When I was young, my family was poor, and I had more contact and understanding of social life and people's sufferings. Zhenyuan Jinshi, awarded the secretary provincial school book lang. During the Yuanhe period, he served as a doctor of Zuo Zangyi and a doctor of Zuo Zanshan. Later, due to the above requirements, the murderer who stabbed Prime Minister Wu was severely arrested, offended powerful people and was demoted to Jiangzhou Sima. In the early years of Changqing, he was appointed as the secretariat of Hangzhou, and Bao Li was appointed as the secretariat of Suzhou in the early years. Wei Wen advocates that "articles should be written in time, and songs and poems should be written for things", and opposes "making flowers and grass" without other sustenance. He is an advocate of the new Yuefu movement. Early satirical poems, such as "Qin Zhongyin" and "New Yuefu", sharply exposed the political darkness at that time and also reflected the people's painful life. His poems are popular, and it is said that old women can understand them. In addition to allegorical poems, the long narrative poems "Song of Eternal Sorrow" and "Pipa Travel" are all famous. He has a close friendship with Yuan Zhen, and his poems are equally famous all over the world. He is called "Bai Yuan" in the world. He also sang a lot with Liu Yuxi, known as "Bai Liu". Author of Bai Changqing Collection.
This word describes the spring scenery in Jiangnan. A simple and vivid word "good" captures all the beauty of spring scenery in the south of the Yangtze River. At the same time, it is precisely because of "goodness" that we can "remember" endlessly. At the end of the article, the whole word is wrapped in "Can you forget Jiangnan". The word "memory" not only expresses the author born in Luoyang's infinite nostalgia for the spring scenery in the south of the Yangtze River, but also gives birth to a lush charm, bringing readers into a beautiful realm.
[Edit this paragraph] Source
Originally named Looking at Jiangnan, Dreaming of Jiangnan, Being Good in Jiangnan and Going in Spring, Bai Juyi wrote three songs in the Tang Dynasty, and this song was renamed "Recalling Jiangnan". Jin Mang Ji entered Lu Nan Palace. Miscellaneous Notes of Yuefu in Duanan Festival: Looking at the South of the Yangtze River began in Zheri, Li Taiwei (Deyu) Town, Zhu Ya, and was written for Xie Qiuniang, a dead prostitute, whose real name was Xie Qiuniang, and later renamed. "Twenty-seven words, three-level rhyme. There are seven words and two sentences in the middle, and the duality is appropriate. There is also a bracket in the second sentence. Song people often use double tones. As the old saying goes, there is no word, and it is not far away. Bai Juyi's "Memorizing Jiangnan Ci" has been written for more than 1000 years and will be immortal. So where are these words? How can you "walk" so far?
This tone is twenty-seven words. The first sentence is three sentences. The second sentence is a five-sentence flat, and syntactically it is two and three. The third sentence is the seventh sentence from beginning to end, and the first sentence and the third sentence are flush. The fourth sentence is the seventh sentence of Pingyun. The fifth sentence is the same as the second sentence, so the first word can be even, even. This three-or four-sentence tune has the same syntax as the couplet in the seven-character poem; Therefore, the author uses duality for neatness, and there have always been many examples of poets.
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As the old saying goes, there is no word, and it is not far away. Bai Juyi's "Memorizing Jiangnan Ci" has been written for more than 1000 years and will be immortal. So where are these words? How can you "walk" so far?
Bai Juyi once worked as a secretariat of Hangzhou, stayed in Hangzhou for two years, and later worked as a secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed. Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind.
[Edit this paragraph] Smooth and even
○⊙●
⊙●●○△
⊙●⊙○○●●
⊙○⊙●●○△
⊙●●○△
(○ Ping ● Cloud △ Cloud ▲ Cloud)
[Edit this paragraph] Example of lyrics
How much hatred,
○⊙● (sentence)
In my dream last night.
⊙●● ○△ (even rhyme)
Just like swimming in the garden in the past,
⊙●⊙χχ ● (sentence)
Cars run like water, Ma Rulong,
⊙⊙●●χ△ (Xie Pingyun)
Flowers and the moon are spring breeze.
⊙●●○△ (Xie Pingyun)
[Edit this paragraph] Appreciation of Bai Juyi's Memory of Jiangnan
The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?
Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit?
Jiang Nanyi, followed by Wu Gong. Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. Will we meet again sooner or later?
Bai Juyi (772-846), a poet in the Tang Dynasty, was named Lotte, a Buddhist in Xiangshan, and his ancestral home was Taiyuan [now Shanxi]. When I arrived at my great-grandfather, I moved to Shimonoseki (now north of Weinan, Shaanxi). Bai Juyi's grandfather, Huang Bai, was a magistrate of Gongxian county and a good friend of Xinzheng county magistrate at that time. Seeing the beautiful mountains and rivers and simple folk customs in Xinzheng, Huang Bai loved it very much, so his family moved to Dongguozhai Village (now Dongguo Temple) in the west of Xinzheng. Bai Juyi was born in Dongguozhai on the 20th day of the first month in the seventh year of Dali, Tang Daizong (February 28th, 772). Wuzong Huichang died in Luoyang [Henan] in August (846) at the age of 75. He is the author of seventy-one volumes of Bai Changqing Collection.
In his later years, the official was the Prince with less Fu, and posthumous title was Bai Fu and Bai Wengong. He actively advocated the new Yuefu movement in literature, arguing that articles should be written in time and poems should be written for things. He wrote many poems lamenting the times and reflecting the sufferings of the people, which had a great influence on later generations. He is a very important poet in the history of China literature. Yuanhe was a bachelor of Hanlin and a doctor of Zuo Zanshan. Because of offending powerful people, he was demoted to Jiangzhou Sima and Shanfo in his later years, calling himself Xiangshan Buddha. He wrote many poems in his life, among which allegorical poems are the most famous, and the language is easy to understand, so he is called "the eloquent old woman". Narrative poems such as Pipa Xing and Song of Eternal Sorrow are all famous.
Bai Juyi once worked as a secretariat of Hangzhou, stayed in Hangzhou for two years, and later worked as a secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed. Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind.
It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it. Instead of describing the flowers and warblers commonly used in the south of the Yangtze River, he began to write with the river as the center, showing the bright and dazzling spring scenery in the south of the Yangtze River through the contrast between "red wins fire" and "green as blue". In the poems of the great poet Du Fu, we can often see descriptions in different tones, such as "two orioles singing green willows, a row of egrets soaring into the sky" and "Jiang Niao is too white, and the mountains are green and the waters are white". Two different colors set each other off to make the poem bright and picturesque. Bai Juyi took the same road, which can also be seen from his poems, such as "The sunset glow burns red, the clear sky is bluer than blue", "Spring grass is more dreamy when it is green, and the sunset glow is red near Chang 'an", "The green waves are east and west, and the red column is 390 bridges". Therefore, in Bai Juyi's works, the spring scenery in the south of the Yangtze River has been colored since the first day, and the river flowers (perhaps splash) and rivers have formed our imaginary pictures because of the way of drying and dyeing, which are dazzling in color and rich in layers, and hardly need more associations. Spring scenery in the south of the Yangtze River has come to my face.
What is Bai Juyi's longest impression in Hangzhou since I can't forget Jiangnan? The ancient book says: "Lingyin Temple in Hangzhou is rich in osmanthus. The monk in the temple said,' Plant this month.' Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks try to pick it up. "Since monks in the temple can pick it, it seems that Bai Juyi deliberately picked it when he was in Hangzhou, and he also went to Lingyin Temple many times to look for Na Yue's laurel seeds, just to appreciate the osmanthus flowers on the moonlit night in Sanqiu. Bai Juyi is a poet, and naturally he has a romantic temperament. On the moonlit night of osmanthus fragrans in August, he lingered under the moon, sometimes looking up at the moon, and sometimes looking down to see if there were laurel trees flying in the shadow of osmanthus fragrans. What a beautiful and moving picture this is. One is to find words, and emotion and scenery blend together, meaning and scenery blend together, poetic and fascinating.
Perhaps, laurel in the middle of the moon is just a legend, so the wonders of Qiantang River do exist. You may not find the seeds of laurel, but the tidal head is a truly visible and deeply felt landscape. Qiantang River flows from southeast to northeast of Hangzhou and reaches Haimen into the sea. Qiantang River flows from Haimen day and night every day, which is very spectacular. Qiantang bore has the largest tidal current on the third day after the Mid-Autumn Festival every year, and the tidal head can reach tens of feet. Because of this, Bai Juyi wrote that he was lying in the pavilion of the county government, and he could see the snowy tide, which was full of interest. In the first sentence, I went to the temple to look for the beautiful legend. In the second sentence, I was lying in bed looking at the surging qiantang bore, moving and quiet, from which I could get a glimpse of the psychological activities contained in the author's heart, and maybe I could feel the unforgettable Hangzhou.
The third song is about Suzhou. Wu wine and a cup of spring bamboo leaves. Some people may say that Zhu is not Wu wine. What is this? On the one hand, bamboo leaves and hibiscus are double in the next sentence. On the other hand, "spring" is an adjective here. The so-called spring bamboo leaves do not necessarily refer to bamboo leaf green wine, but to wine that can bring spring. Bai Juyi said in another poem that "the bamboo leaves in the urn are ripe in spring", but in the middle Tang Dynasty when Bai Juyi lived, many famous wines were named after the word "spring", such as "spring rich in water" and "spring every other spring". Most literati love wine, and Bai Juyi is no exception. Drinking Wu wine and watching "Wu Wa Shuang Dance" is like the dance of drunken hibiscus. Baby is a kind of beauty. Stone is called "baby", and the house built for her by Fu Cha, the king of Wu, is called "Guanwa Palace". Maybe Bai Juyi wrote this letter because he has contact with this beautiful woman. Ten years later, in Luoyang, he recalled drinking and watching dance, and could not help but sigh: "See you again sooner or later?" . Sooner or later, it was said at that time, which means when.
Three words, from now on, recall the past, and finally return to today, from Luoyang to Suzhou and Hangzhou, from today to the past more than ten years ago, today, yesterday, south to north, with a great time and space span. Bai Juyi, who lives in Luoyang, is obsessed with Jiangnan. Looking back on the past, he remembers the most unforgettable past in Jiangnan with infinite affection, which gives him a certain spiritual satisfaction. We read this word today because Bai Juyi's wonderful description can also get some spiritual satisfaction. I don't know whether Bai Juyi wrote it for his own memory or for future generations to appreciate.
Precautions:
① Familiarity: Familiarity
2 Red is better than fire: bright red is better than flame.
3 blue: blue grass, leaves can extract blue dye. Here, the color of blue grass is used to describe the depth and clarity of rivers.
Simple meaning: Jiangnan is a good place, and I used to be familiar with the scenery there. At sunrise, the red flowers on the riverside are brighter than the flames. Spring has come and the river is as green as blue grass. Can you not miss Jiangnan?
Today's translation:
Jiangnan is a good place, and the scenery there is familiar to me. At sunrise, the rolling waves in the river are redder than fire. In spring, a river with green water seems to be saturated with blue grass. How can people not always miss the beautiful south of the Yangtze River?