The mainstream belief in Mongolian society in Qing Dynasty was Tibetan Buddhism, which was also deeply influenced by Tibetans in culture. In terms of historiography, there are famous privately written historical books "Crystal Guide" and "Baby rosary" in Daoguang period. Crystal Mirror, written by Lama Kimba Dogg of Urad Central Banner, describes the history and geography of Tibet, Mongolia and Han, as well as the spread of Buddhism and the deeds of eminent monks with the world view of Gelug Sect of Tibetan Buddhism. Gao Erdan, the author of "Baby's rosary", once worked as a pen paste worker in Meng Qi yamen of Tubo Tubo Department. Baby rosary begins with the creation of heaven and earth, the origin of princes in India and Tibet, and then the history of Mongolia, with a particularly detailed account of the history of Gurkha. Other history books include The Golden History by Rob Zangdanjin, A Thousand-spoke Golden Wheel by Cha jamsu, Golden Beads by Old Man Nata, Crystal Beads by Laxi Ponsuke, etc. In addition to inheriting the tradition of Tibetan historical records of the previous generation, Mongolian historical books in Qing Dynasty used more Chinese and Manchu historical materials, and the relationship between Mongolia, Tibet, Chinese and Manchu became an important content in historical books. For example, the Crystal Guide not only contains the route of Xuanzang's learning from the scriptures in the Tang Dynasty, but also records in detail the specific time and process of the attachment of Mongolian ministries to the Qing Dynasty and the major historical events in the early Qing Dynasty. Another feature of Mongolian history books in this period is to list references and quotations, leaving a rich catalogue of Mongolian documents.
A Picture of the Han Dynasty in a Picture Association; Sun Na's Chuketufujin; In the late Qing Dynasty, when textual research was prevalent, Han scholars paid more attention to the study of Mongolian history and geography. Qi Yunshi's A Brief Introduction to Imperial Clans, his Mongolian Nomads and He's North of Shuofang are all among them. In the late Qing Dynasty, China scholars came into contact with foreign Mongolian history works, and the study of Yuan history reached a new height. Hong Jun's translation of the History of Yuan Dynasty, Ke Shaowen's New History of Yuan Dynasty and Tu Youyou's Historical Records of Mongolia (the last two were written in the early years of the Republic of China) and other important works appeared. In terms of literature and art, China's novels, poems and Peking Opera have exerted great influence on the upper class of Mongolian society. Famous novels in Qing Dynasty, such as Strange Tales from a Lonely Studio and A Dream of Red Mansions, were introduced to Mongolia shortly after they were written. Yin Zhannaxi, a Mongolian writer at the end of the Qing Dynasty, wrote the novel Romance of the Qing Dynasty, Crying for Hong Ting and The First Floor, and some of his poems were handed down from generation to generation. Cheden Bazzaner, king of Sainoyan County, collected many scripts of Peking Opera and Kunqu Opera, which was later called "Chewang Fu Qu Ben". In folk literature, the legends of "Badal Qin" and "Balang Sanger" appeared, a comment called "Uk" became popular, and some Tibetan and Indian folk stories were also absorbed into Mongolian literature.