What are the last two sentences of "people's hearts are only in danger, and the Tao's heart is only in micro"? Where did it come from?
"The human heart is only in danger, and the heart is only in the micro; Only the essence is exclusive, let it be stunned. " These sixteen characters are the famous "sixteen-character heart biography" in the cultural tradition of Confucianism and even China. It is recorded in the ancient prose Shang Shu Da Mo Yu, and there is a similar quotation in Xun Zi Jie Mu Pian, saying, "The Taoist scriptures say,' The danger of human heart is the pride of the Taoist heart.' There are some dangers, but only gentlemen can know. According to legend, these sixteen words originated from the story of Yao Shunyu. When Yao passed the throne to Shun, and Shun passed it to Yu, what he entrusted was the important task of the whole world and the fire of Chinese civilization. Sixteen Chinese characters with the theme of "heart" have been handed down from generation to generation. It can be seen that the implication is profound and significant. There are many understandings and explanations of "people's heart is in danger", and its connotation can be understood from at least the following three aspects. First of all, the ancient glyph of "danger" (small fork) shows people above, a cliff in the middle and the shape of leg joints below, which symbolizes danger and danger. Mr. Li □ once had such an analysis: "People's illness, or in love, or in wealth, or in fame. Everything wins the heart, it is jealousy, jealousy, meanness, caring for others, right and wrong, and various diseases emerge one after another. " (Two Episodes, Zhonghua Book Company, 1996 Edition: Page 2) If this is the case, it can reflect the danger of people's hearts. Secondly, "danger" is "crisis". As an understanding of the crisis, there are both dangers and opportunities. There is a saying in the Zen Gate: "Life and death are great and fast." Human life is limited. If you can't realize the meaning of life in your lifetime, it's really a big crisis. But if you can see through this crisis, once you know life and death, it is to seize the opportunity in a crisis. Tagore, an Indian poet, once expressed his wish in his poems: Let me die before I die, so as to realize the meaning of this life. Ehrlich Fromm, an American psychologist, once lamented the same thing: I was born again to understand the mystery of life and death. A similar confession can remind people of an artistic conception of "Down with a blackbird", and it can also be regarded as an understanding of "the danger of people's hearts". Moreover, the "danger" of Chinese characters also contains a kind of "fear of danger", such as the saying that "everyone is in danger" The Book of Songs Xiao□ has: "Fear it, such as exploring the deep, walking on thin ice"; In the fifteenth chapter of Tao Te Ching, Lao Tzu described the ancient goodness as Taoism, saying, "Yu Xi is like Sichuan winter;" I am still afraid of my neighbors. " The fear of danger actually contains a warning, such as the ninety-three hexagrams: "A gentleman works all day, and if he hesitates, he is completely blameless." Zhu (93) said: "Being superior to others is very dangerous, but it is a mistake." But if a gentleman lives in it, he can worry, but he is in danger without blame. The heart of Tao is the heart of nature, and English can be translated into the heart of nature. There is a saying in the Book of Changes, Fu Guabu, "Fu, it sees the heart of heaven and earth". Looking at the restored divinatory symbols, Zhu Zeng sighed: under the accumulated yin, one yang revived, and the hearts of the creatures in heaven and earth were almost extinguished, but now it is visible again. Zhu commented: "People finally move for the static pole, evil is extremely good, and they will see each other after a few breaks." In this regard, Shao Zi has a poem as evidence: "The winter solstice is in the middle, and the heavenly heart has not changed. When the sun first moves, everything is lifeless. Xuanjiu has a light taste and a positive sound. If you don't believe this statement, please ask Bao Xi. " (Zhu's Notes on Zhouyi, Shanghai Ancient Books Publishing House, 1996 Edition: Page 70) Cheng Yi also made a similar comment: "The return of one yang is the natural heart of heaven and earth. In ancient times, Confucianism took quietness as the heart of heaven and earth, and the end they didn't know was the heart of heaven and earth. People who don't know can't know. " The subtlety of Tao's mind can also be quoted from Tao Te Ching: "Tao is a thing, but it is only vague." It's embarrassing, and elephants. I was in a daze, and there was something inside. It is subtle, essential and has letters. "(Chapter 21 of Tao Te Ching) The mystery of Tao also sets off the exquisiteness of debut. Therefore, there is a wonderful use of "observing the heart with the heart" to achieve the only situation of unity of mind and nature. As an introductory classic of Confucianism in later generations, "University" puts forward three basic programs of Confucianism at the beginning: "The way of university is to be moral, to be close to the people and to be the best." In fact, "Ming Ming De" is to explain the subtle essence; The heart of Tao is integrated with everything, regardless of you and me, which is the connotation of "being close to the people"; Tao's heart comes from goodness, not his own goodness, that is, "stop at the best." Mr. Li once described and developed the experience of "Tao's heart is only subtle": "I have nothing to worry about in my chest, I just make up my deficiency, and I look at my heart with my heart, so that I can never be born." From the empty room to the white for a long time, the sky is full of interest, and from beginning to end, it is like a bright moon, with a clear heart, loose body and muddy air. Qin Mingyue, it is not enough; Jianghan Qiuyang is not enough to imitate its pride. Line and dust are six in one, and the moment is eternal. Just a language, no clouds. In other words, sometimes what you have to say or see is both overflowing and natural; I'm too lazy to think hard, and I don't need to sort it out. I'm just saying that every word is spiritual, refreshing and refreshing. People are already salty. "(Collection of Song Dynasty, Zhonghua Book Company, 1993 Edition: Page 145) Viewing the heart with the heart, the unity of mind and nature, just like infinite Tai Chi, the change of yin and yang, that is, the artistic conception and connotation of" the heart is only in danger, and the heart and program of the golden mean ". Zi Chengzi said: "Unbiased is right; It is not easy to call it mediocrity. The winner is king, and the world is right. Mediocrity is the norm of this world. " This is an incisive annotation to the Biography of Sixteen Metaphors, from which the Confucian teaching method of the Doctrine of the Mean evolved. "The nature of fate; Temperament is called Tao. "It is true that frankness must be the nature of heaven and earth, that is, the portrayal of' being exclusive'. Lu Jiuyuan also emphasized the unity of mind and nature when commenting on the 16-character Heart Biography, instead of being paranoid about the division of two hearts: "If the heart is one, people are in danger; Technically, it's just tiny. Crazy and sacred are not dangerous, are they? not have