Well, Liang has been writing "Ting Chang Xiao Wu" for a long time. Liang wrote day and night in the dark room, and finally, he wrote an amazing thing. That summer, we often saw Liang's novel posts on the website of the new college. Even when we began to feel aesthetic fatigue, Liang still talked with relish about the graceful and small arms in his mind. Finally, the novel was published, and time passed. That autumn, we got up from our dreams and looked in the mirror, only to find that our invisible body had lost weight.
Liang is the most fond of writing articles online among my peers I have ever met. Search his articles casually, and at least 180 will pop up. Perhaps because of the convenience of the Internet, perhaps because of its unparalleled interaction between readers and authors, he likes to post articles on the Internet very much. When I first read this novel, I saw Liang serializing his novels online. I don't know whether this writing style itself makes his novels have too many traditional storytelling meanings. Although there is nothing blatant to write, listen to the next decomposition, almost all of them are plots. I know that plot is the first element in a novel, but if I read something full of plot, especially when telling a story with a long history, I sometimes feel breathless. They are all stories with complicated and mixed characters, which makes me, who is familiar with the beauty of simplicity, almost impatient. However, this novel also has a very special attraction, because it is unfamiliar to that era. I don't know the details of that era, but I know a little about the celebrities at that time. It is because of strangeness that the simple and heavy power of this novel is created.
There is no doubt that everyone should solve his own loneliness problem. I am used to thinking, but sometimes I can successfully bypass my own thinking and care about other people's living conditions. Liang may have been used to writing. When he was a little lonely in Beijing Normal University, when he successfully bypassed the eyes of the students in the Ancient Books Institute and the noisy campus, when he sat in the dining hall after eating like an old shrimp, the cold place in the study was very boring, so he had to go back to writing. Liang has his own unique talent, and his novels, especially earthly human feelings, We should spit on each other, Teacher's Textual Research and so on, all show his always slightly bitter humor. How smart and lively the language is. Like a master who has debuted for many years. So far, I insist that these novels are the best parts of his works. These are all related to early life experiences. When the inner pain has already festered and cocooned, everything becomes quiet and bitter humor with the help of the novel. Liang seems shy, but there are many places in his heart that ordinary people can't touch. In particular, I firmly believe that people who can write such mean and old-fashioned things must have ulterior frustrations when they grow up. His sensitivity makes him more prone to psychological imbalance than the average person. Fortunately, writing seems to relieve this pain. However, in later articles, this style of writing, full of fierce hatred and flying knives, seemed to have weapons hidden in the sleeves, and disappeared. After setbacks, Liang still has an independent style, but his experience of life and inner growth drives his novel creation to die out. Later, we saw the novel Ting Chang Xiao Wu, which was written by talented people.
I'm a little disappointed and at a loss. In this era when no one strengthens our moral sense, but countless people incite your imagination, stars can show off the beauty of their bodies, and beautiful writers can show off things about bedding. We have nothing to show off, but at least we can gossip. As a man, you should stand up and maintain the self-esteem of your gender. No matter in the grass-like years or in the mood of love, don't be confused at a suitable age and come up with countermeasures as soon as possible. In his early years, Liang abandoned the extraordinary talent of describing deformed people in the street, abandoned the neurotic perceptual resources as a tragic teenager, and took out his accumulated knowledge and insight for many years. Fortunately, at this time, although he still has a lot of troubles in his life, he has successfully bypassed the wasted years after graduation. Liang wants a masterpiece. He wants to write a completely popular historical novel. He is confident that he can be proud and proud in this respect. He can recite Han Shu for a long time, he is familiar with the laws and regulations of the Han Dynasty, and he also knows many figures in the Warring States period. Therefore, this novel is actually a very typical literati novel, full of historical details of faithfulness and evidence. It shows that the author is extremely skilled and profound in ancient Chinese, and he is ready to write decrees and official documents to the ancients. Historical novels are also extremely difficult. From the beginning, they lost the opportunity to flatter martial arts novels, such as sword shadow, intensive training and martial arts. First of all, we must have a simple attitude and warmth and respect for history. It's really hard. Liang's novels have developed in narrative style, abandoning the internalized and sensitive first-person narrative that he is good at. On the one hand, he should spare no effort to make up lessons for our poor historical knowledge, on the other hand, he should tell gripping and climactic stories and hold our eyes tightly. If our attention starts to focus on him a little bit, he will be a little discouraged and depressed. We strongly need your encouragement and support. In this way, the novel has a lot of unbearable weight. It was okay at first, but then the fatigue of that language appeared, and Liang was forced to the end like a tired old horse. My metaphor is not groundless. Liang himself is extremely thin, which can be described as "knocking on the bone first, still bringing his own copper sound." After reading this novel, I admire Liang and his rich historical knowledge, but I think the novel really lacks attractive excitement. If you want to know a person thoroughly, you must look at his emotional world. In the description of feelings, the weight is lighter. Without touching love stories, meeting is not beautiful. It started with vulgar sex at the Fat Cow Pavilion that night, and then their love did not break away from the model of hero and beauty. How clever Liu Lidu was before marriage, almost cunning and cruel. After she fell in love herself, she was just a sad woman who looked pretty. Finally, he was blinded by Zhao He Qi and died in some confusion. In Zhao's words, "once a woman marries, she becomes a perfect and stupid animal, and she will die for a man." Although this is from the mouth of abnormal Zhao, it has a cruel truth. Because of this sentence, my heart was badly hurt and hopelessly sad. The tragic ending made me feel deeply for a while. People die like lights go out. When Wang Guowei commented on Li Houzhu's mournful poems, the spring water faded away, and it was a "magnificent" place. However, I think this beauty has passed away, and her dream has faded, but she has not written the magnificent poems she should have.
So far, I think excellent novels should have a slightly feminine sympathy, and excellent novelists should also have a bisexual temperament. Strictly speaking, it is a gift of reason and sensibility, and "knowledge" and "emotion" win-win. He can write about men's masculinity and women's weakness. She has both feminine sensibility and clear and perfect rationality. Tingchang Xiaowu undoubtedly belongs to an excessively masculine narrative. Male images can be said to be rich and changeable, both positive and evil. But the female image is very thin and conceptual. Although the novel is not a great cause of the country, it must be able to enjoy the scenery and complain, but it must have a compassionate temperament. Even writing from scratch, even calmly describing historical events, should also be able to see the author's potential emotional tendencies. There is no doubt that all the greatest writers have this kind of compassion. If the works can't even touch themselves, but only highlight some characters, this kind of novels stay more in recreation. Through history, we are constantly misunderstanding history and historical figures. What is even more frightening is that we have mastered the legal right to harm history. Therefore, the excavation and reproduction of history is similar to a knowledge archaeology. Knowledge archaeology, which reproduces history as truly as possible, is only the beginning of basic work, and it can't and can't solve the problem of novels. Otherwise, we might as well read Historical Records and Hanshu directly. Finally, we should not only clarify the rumors about history, but also touch readers with the writer's hidden and powerful historical concern and literary feelings and images. In Du Fu's poem, he said, "Sunflowers depend on the sun, but their physical properties are hard to win." It is Du Fu's strong personal feelings and almost paranoid emotional ways that make Du Fu great. Pasternak once made thought-provoking remarks. He thinks that among all the qualities of Russia, he likes the naivety of Pushkin and Chekhov best. It's similar to what Wang Guowei said. They are shy and naive; I am not worried about the so-called high-profile redemption of mankind, but I use my life-long talent in the details of reality. They are amazing children, just like apples planted by God on the earth, and we have tasted its sweet fragrance. On the contrary, our literature is so complicated. Our words are too full of smooth, old and greasy expressions, the struggle for rights, the decline of love, and the abnormal and cool game ridicule.
Sigh, as the end of this article, I have always been a little pessimistic and like to sigh. As a friend, I am happy for the publication of Ting Chang Xiao Wu. After all, this is of great significance in Liang's lonely life. I know nothing about novels, and my knowledge of history is even more poor. Please forgive me if I said something inappropriate.