Interpolation between fonts and people-through the visual interpenetration between characters and fonts, a unique visual effect with a sense of space is created, which is very visually appealing. Interpolation between fonts and objects-In addition to interpenetrating characters, this technique is also suitable for interpenetrating animals or still lives. Just like the following case, there are fonts and flowers, fonts and animals such as fish and birds, as well as fonts and musical instruments. Through such an interpenetrating technique, a rich spatial hierarchy is created, which has a good visual effect. Case exercise-Next, through an actual case, learn how to design a poster by using the method of interlaced words and pictures. Poster copywriting information: picture selection-Step 1: Search the keyword "dance" and "dance" through the picture material website, and select a picture with good figure, dance and angle as the main picture of the poster. Word-picture superposition-Step 2: Choose a suitable font to superimpose on the picture, and consider the size and position of the font to form a good interspersed relationship with the text. Interpolation between words and pictures-Step 3: Delete part of the contents of the font to form an interpenetrating relationship with the words. The specific method is to select the part of the font to be deleted along the human body structure with the pen tool, and delete it after establishing the selection area. Typesetting of text information-Step 4: Typesetting of text information, using Song style with literary temperament in font selection, arranging the position and size of text according to the priority order of information, and paying attention to the rhythm and the relationship with the main body of the picture when arranging information. Finish the poster-Step 5: Combine the text information with the main body of the picture, and the poster is finished. It should be noted that in order to ensure that the text information on the picture is clearly visible, some picture areas need to be adjusted, such as darkening the bottom of the picture, otherwise it will be difficult to see the information of the organizer and co-organizer on the brighter picture. Well, this tutorial on designing posters by skillfully using text and graphic interpolation is over. I hope you can get inspiration and knowledge from it and apply it to practical work.
How to design font posters? Since it is a font poster, you must first have a font design. We need to properly consider the possibility of font application in layout when designing the font part, and we will analyze it in detail in the case; The second step is usually to adjust the effect of the font or increase the sense of form, mainly considering the expression of the font as the main body in the poster; The last step really lies in how to present the layout and proper composition by combining fonts and text groups. Let's start directly from the first case and look at the basic information first. The theme of this poster is "space", and the concept that the artist wants to express is "if space is a blank sheet of paper". Based on this concept, we try to design the font part. For the first one, we try a simpler basic glyph. The concept based on the white paper is also a relatively normal way to start, and it is a straightforward expression without modification. In this way, the basic glyphs with relatively regular order are made, and the regular glyphs are easier to start with in layout. Students with poor foundation can consider referring to commonly used headline words, and it doesn't hurt to be at the bottom, just pay attention to rationality. When making basic glyphs, we generally need to pay attention to two parts. One is the stroke thickness setting. Conventionally, based on visual balance, we set the vertical pen slightly thicker and the horizontal pen relatively thinner; If there are oblique strokes, we need to adjust the thickness appropriately to make the whole harmony. The second problem is the structural problem. What we are doing here is completely orderly processing, physically aligning the strokes around the font. Stroke spacing should be as neat as possible, and alignment should be as aligned as possible! As for the placement of strokes, students with zero foundation can refer to the handling of fonts. Basic glyphs always feel a little less sense of design, so we try to do some stroke deformation for empty words. When doing the deformation of strokes, we can change the design from a small part of the strokes, such as the treatment of leaving empty word, to increase the sense of design on the basis of the same overall structure. We can also make greater structural changes, which are relatively difficult as a whole and will involve the coordination of structure and strokes. Generally speaking, we should try our best to start with the manuscript, choose the direction, optimize the details and not expand. Let's try a basic effect first and make a similar gradient effect. The implementation method is extremely simple. Copy directly, and then use the clipping mask to select the reserved part. After the text effect is done, then we will enter the layout. Let's first divide the text group into hierarchical relationships, match appropriate Chinese and western fonts, and try to add small elements of color and rich details to the layout. Finally, we try to arrange the text groups and fonts in order in the form of double-column composition. Add some small elements appropriately to enrich the details, so that our first case is basically completed. Let's try another scheme (mainly because we are not satisfied with one scheme). Let's choose the same basic font as before and try different font effects. We use the "path finder" to cut the part, and then do a messy processing. Enhance the visual form of fonts. Similarly, let's try to arrange the text groups first, combining color matching and adding different elements. In this version, we have made a little more fashionable visual orientation. Based on the previously determined elements and text groups, we put them into the whole poster layout for arrangement. We still try to use a basic composition of double-column or so typesetting, and put "space" as the main body of the text on the right side, while other text information is weakened and typesetting is orderly and regular. Small radioactive elements are often used to compare the tonality of tidal currents. One more edition! ! Let's see if we can make a better "space" effect to try ~ We try to enhance the three-dimensional level of fonts with a hybrid tool. Copy the "space" to a smaller size, adjust the color to be the same as the background color and put it in the middle. Double-click the blending tool to adjust the number of steps, and then click the large font and the small font respectively. As for how this type of hybrid tool works, interested students can look through this article written before and have a detailed analysis. We try to add a sense of form to the arrangement of colors and text groups. After hierarchical division of text information, we combine text groups in the form of color blocks. The overall layout is not difficult, and the centered composition method puts the font design at the center of the layout. Mainly mention three points to increase the overall sense of hierarchy. First, adjust the surrounding color matching to red-blue contrast; Step 2, add a white wireframe on the gray background; Finally, a diagonal texture is superimposed on the whole before exporting the picture. Tired ~ Let's change the subject. "Phase", what the artist wants to express is "philosophical thinking about existence and perception". So we can be flexible in this version of the font, and we don't have to be too rigid about structural strokes. Everyone has different habits for glyphs with relatively flexible structures. I am used to trying manuscripts or referring to the source of ancient calligraphy. As far as possible, the deformation of structural strokes should be consistent with the sense of handwriting, so as to avoid problems such as stiff connection and disobedience. In the previous version, the tonality of the later layout was considered to be more elegant, with the text scattered up and down as the main form. So I changed the layout of the font to up and down and adjusted the strokes. Considering that it can be used as an auxiliary element in the following arrangement, the addition of circular strokes is also increased. After we clearly divide the text information level, we try to combine elements and typesetting tonality in the basic layout. When we have basically determined the text group and tonality, we can try to build the whole page. (In fact, in implementation, we often cross the composition mode and tonality at the same time. ) In the final layout construction, we take four columns as the basis of composition. The combination of words is completed in the form of cross-ordered arrangement. In the overall layout, in order to echo the glyph and theme, the combination of two red circles and the addition of seal elements are introduced. In fact, it is to enrich the details of the layout and the overall hierarchical relationship. As a course of conscience, there must be cases! ~ Let's do a new case with the theme of "sound prism", which is an art project of a sensory laboratory. Let's build a basic font first. At this time, we didn't think too much about the expression of the theme.
How to make posters with WPS text and graphic course is a good advertising means. Professionals who know how to design usually use PS or professional software to design, but how can office workers who don't know how to design a poster with pictures and texts? Beginners can't, for fear of getting into trouble online, the tutorial is too messy. What if there is no unified answer? Where is a better way? Making method of WPS character poster.
WPS text poster tutorial
Step 1: Design the inner frame of the poster. Let's draw the inner frame of a poster first to make it look lively. Considering the text changes in the text, it is drawn into three paragraphs. What is needed here is to insert an autoshape under the software. Select Line-Curve, make a wireframe according to the outline, and adjust the line shape and color.
WPS Text Making Poster Step 2: Insert Text Box
A good poster can't be without dynamic fonts. I use a very common POP poster here.
traditional Chinese characters
You can choose your favorite font according to your needs. After downloading and installing, you can change it at the location where you change the font, so I won't go into details here.
WPS online material library
Insert text box, enter theme text, adjust position, font size, color, etc. And take aesthetics as the standard. Then choose "line"-"curve", manually circle the word "sun protection", and flexibly use the attribute of "object format" to create many beautiful effects.
WPS Text Making Poster Step 3: Typesetting Design
This is the time when WPS online materials shine, and the cool graphics are hidden here. As long as you open the online material library, there are complete sets of icons, graphics and symbols for you to choose from to meet your cool requirements. You can insert the document directly by clicking the selected graphic once. exist
search box
Enter "bird" and so many icons appear at once. Choose one to try. Very good!
Finally, we can choose the appropriate icon in the online materials by adding other text information, such as product function and price information. In this example, I added on to the entry.
emphasize
Through the appropriate transformation of font size and color, better effects can be displayed. Adjust the size and position, set the order of layers, and a beautiful poster will be released!