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Do you know what the tail of a crane looks like? Seeing this problem, everyone immediately began to open their eyes to see the picture of the pine crane painted by the old man Baishi. Crane has a high position in China culture and is a symbol of longevity, auspiciousness and elegance. The ancients often compared a virtuous and talented hermit to "He Ming". Crane is also a traditional theme of Chinese painting, and crane painters have passed it down from generation to generation. People often paint a "one-quality dynasty" with the theme of standing stone, expressing the position of respecting the people and valuing the ministers above one person and ten thousand people. In the past, the pattern of official clothes Nuwa was also a crane, second only to "phoenix". The crane painted by the painter is a common red-crowned crane.
Qi Baishi's work Song He Tu is included in The Complete Works of Qi Baishi.
The old man Baishi painted cranes with concise brushwork, with a few strokes, outlining the crane's demeanor. Looking back, he is tall and slender, dignified and noble. Those who can take down the white stone crane are not ordinary people. In the spring art auction of 20 14, the painting "Red Crane" painted by the old man Baishi for the literati Jin Songling was sold for 36.8 million yuan, which became a rare bright spot in the depressed art market at that time. No wonder some people say that Qi Baishi's works are the only way to save the market at a critical moment.
Part of Qi Baishi's Works "Song He Map"
Do you know what the crane's tail looks like when you see the painting of the old man Baishi? Yes, the beautiful black feathers behind the red-crowned crane in peacetime are actually not its tail E, but its wings. That is the second and third flight feathers on the crane wings, which are the feathers at the root of the wings. The front end of the red-crowned crane's wings is white and tall feathers, and at the back end of the wings, there are long curved black feathers under the white feathers. When a crane stands, the black feathers on its wings hang down to cover its tail, so people often mistake its black wings for its tail, but in fact, its tail is short white feathers. Even some painters drew cranes with black tails according to their own subjective imagination.
Part of Qi Baishi's Works "Song He Map"
Hewei tells us that to become a qualified art investment collector, we should not only have a rigorous and realistic attitude, but also have a pair of eyes that are good at finding problems. Attitudes and methods complement each other and are indispensable. After encountering a painting, calm your mind first, and then watch it carefully, without ignoring any details, to appreciate the subtlety of the masterpiece or find the problem of forgery. In particular, you can't take art collections for granted, be self-righteous, and stubbornly believe that the impression in your mind is correct. You must be rigorous and realistic. I often say that art collection is a very professional field. If you don't ask for a solution, you are smart and take a chance, and you may hurt yourself immediately. There are too many such cases. Cultivate your meticulous work style in the dribs and drabs of life, and try to see what the real "crane tail" is when something happens.
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(The picture material in this article comes from Qi Baishi Chuanren Painting and Calligraphy Network)
Note: The above pictures and texts are taken from Tang's lecture "Qi Baishi talks about young men".
The Year of the Ox is published in East China by China Qi Baishi Art Research Association (Shanghai Pudong Branch).
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