At the age of three, Lin Sanzhi liked writing and drawing. At the age of five, he could draw sketches of objects. When he was six, he went to school. From then until I was thirteen years old, I spent seven years reading hundreds of surnames, thousands of words, classics about Confucius and Mencius, Zuo Zhuan, Guanzi, The Book of Songs, Shi Mao and Tang poems in ancient literature, and learned to write, belong to the Rightists and write poems. At the age of twelve, I was able to write Spring Festival couplets to my neighbors. After school, he sketched in Xiu Xiang or imitated the characters in Romance of the Three Kingdoms and Water Margin by Xiu Xiang, which was bold and imaginative. Because of his playfulness, he did many interesting things when he was a child.
When Lin Sanzhi was fourteen, his father died and his family life was difficult. After that, he studied hard, first from Wenxian famous teacher, and then from Zhang Qingfu to Nanjing Normal University to learn figure painting.
At the age of sixteen, he came home with a sore. I asked Fan Liutang for poetry and prose, learned calligraphy from Fan Peikai, and practiced martial arts to strengthen my body. /kloc-when I was 0/8 years old, I applied to teach at the sister-in-law's house in Hexian county, studied poetry and prose with Zhang Lian, read all his books, and taught calligraphy by him.
/kloc-When he was 0/9 years old, he married Zhao, and Zhao died the following year. At the age of twenty-one, he was seriously ill and dying. Fortunately, Zhang Shi was well trained and rescued. At the age of 22, he was chosen as his husband by a rich boy in Quanjiao. His wife, Sheng Decui, is virtuous and reasonable, and is good at managing the family, which makes him concentrate on literature and art and accompany him for decades.
At the age of 23, Lin Sanzhi got nearly four acres of ancestral rice fields, several acres of hills behind the house and ten original houses. It also bought the surrounding barren hills, turned them into orchards, and planted a large number of trees, which was named "Miki Mountain House" in Japan. At that time, his poetry, painting and calligraphy had gained a good reputation.
At the age of twenty-six, I began to compile landscape series, and I finished it at the age of twenty-nine. At the age of 32, Ann introduced him to quit his teaching job and go to Shanghai to learn landscape painting from Huang. At the age of thirty-four, because of financial difficulties at home, he returned to his hometown and still taught. That autumn, when his hometown was flooded, he stepped forward and volunteered to preside over fair and decent affairs, which won the hearts of the people.
Lin Sanzhi is thirty-seven. According to Huang's instructions, he went to Wan Li alone and got more than 800 paintings and nearly 200 poems. The following year, it was written as Wandering Notes and serialized in Shanghai Travel Magazine.
1936 You have been to Yushan and Yangzhou.
1937 visited Huangshan and got 6 poems 16 pictures. During 1938, Lin Sanzhi's hometown was occupied by Japanese invaders and his family fled. Over the past few years, he has been carrying poems, rubbings, pen and ink, and continued to write poems and calligraphy in the wandering.
He lamented 1945' s victory in the Anti-Japanese War and wrote 19 poems for it.
After liberation, Lin Sanzhi was elected as the Standing Committee of the People's Congress of Jiangpu County (now Pukou District) on 195 1 and has worked and lived in Jiangpu as a national cadre for 2 years. In the meantime, 1956 was appointed as the deputy magistrate of Jiangpu County, 1958 was elected as the Standing Committee of Nanjing CPPCC, and 1959 was elected as the CPPCC member of Jiangsu Province.
1963, when he was about to retire, Jiangsu Provincial Academy of Chinese Painting hired him as a full-time painter and moved to Nanjing to live in a two-story building with painter Qian Songnie, with Lin Zhai downstairs. Since then, I have devoted myself to the creation of calligraphy and painting, and achieved fruitful results.
1966 at the age of 69, his wife died of illness, Lin was heartbroken and deaf in both ears. In the year when the "Cultural Revolution" broke out, Lin was alone in Nanjing, traveling between Nanjing, Yangzhou and Wujiang with her children, and had been wandering for seven years.
1970 On the New Year's Eve, he was taking a bath in wujiang town, and accidentally fell into a boiling pool, and his whole body was badly burned. After four months of treatment, he recovered and the five fingers of his right hand stuck together. Fortunately, his thumb, forefinger and middle finger have all been rescued, and he can still write because he was named "semi-disabled old man".
1972, in order to celebrate the normalization of diplomatic relations between China and China, the Japanese edition of People planned to compile a special issue of Selected Modern Calligraphy Works of. In the selection, his cursive banner "Poems of Chairman Mao Qing Ping Le Hui Chang" was highly praised by authoritative figures such as Guo Moruo, Zhao Puchu and Qi Gong, and its title was shocking from the beginning. He is 75 years old.
The following year 1 month, People's China 1 was published, and its works were listed separately on the front page of the special edition, which caused great repercussions in Japan.
Since then, Japanese calligraphy and Taoist groups visiting China have come to China, and they are all proud to be able to visit Lin Sanzhi and have great respect for their books. In March of that year, he returned to Nanjing from Jiangpu.
1975, at the invitation of Rong Baozhai, he went to Beijing and asked Zhao Puchu to make suggestions for the rectification movement based on his manuscript of poetry on the river. Zhao Wei praised the poem and prefaced it, which received rave reviews. Four years later, Nanjing Normal University published 3000 copies for it, and it has been circulated at home and abroad ever since!
Because of Lin Sanzhi's outstanding artistic achievements and great social influence, he was elected as a member of China People's Political Consultative Conference on 1978. After the earthquake, he created more frequently, was invited or participated in exhibitions, and a large number of works were circulated everywhere. In the first, second, third and fourth calligraphy exhibitions in China, he produced excellent works. In addition, 65438-0980 held a personal painting and calligraphy exhibition in Nanjing and Hefei, and exhibited 40 works/kloc-0.
1982 held his three-generation painting and calligraphy exhibition in Nanjing.
In the past few years, Lin Sanzhi has created many masterpieces. For example, in 1980, when Zhang Erxuan was 83 years old, he wrote a whole line of cursive script on the opposite side of the poem Lun Shu.
1987, when Zhang Erxuan was 90 years old, he wrote a cursive banner "Writing Poems to See the Yangtze River Bridge Project", which was full of vigor and vitality. In the same year, the word "Jinding" was rebuilt for Mount Emei, with a diameter of about two feet. He also wrote "Island of the Peace Goddess Strait" in official script for Mazu Tempel, Fujian, and each word was written in a four-foot announcement. His masterpiece is gorgeous, elegant, touching and amazing. On May 1984 and 15, a Japanese calligraphy delegation visited Lin Sanzhi. The head of the delegation and the giant of Japanese calligraphy paid tribute to the inscription "The Sage of Grass is Here". In the same year, the forty-seventh issue of Beijing Outlook Weekly published an article commenting on the legacy of Cao Sheng. Lin Sanzhi's title of "contemporary sage of grass" has spread all over the world since then.
In his later years, Lin Sanzhi suffered from cerebral arteriosclerosis and systemic arteriosclerosis and was hospitalized for many times. Whenever he is a little better, he recites poems, writes books and draws pictures.
1988 years old, at the age of 9 1 year old, donated 170 fine calligraphy works, 40 paintings and their collections in Gu Yan to his hometown Jiangpu County (Pukou District). Jiangpu County built a painting and calligraphy exhibition hall on Yuqiu Mountain. "The first cursive script" refers to "the first cursive script in Lin Sanzhi". The full name is Lin Sanzhi's Handwritten Poems on Sino-Japanese Friendship, which is referred to as "Poems on Sino-Japanese Friendship" for short.
The first cursive script in Lin Sanzhi was written by "Cao Sheng" Lin Sanzhi in March 1975 for the Japanese calligraphy delegation to visit China. For special reasons, it was not sent, and it became Lin Sanzhi's own manuscript. There are only three in China, and this one is the best. Experts call it "the masterpiece", "the first cursive script in Lin Sanzhi" and "the king of Lin Sanzhi", which is a national treasure. Lin Sanzhi's first cursive script reflected the highest achievement of China's cursive script art in the past 300 years, witnessed a major event in the exchange of Chinese and Japanese calligraphy, and defended the central position of Japanese calligraphy in the world. Shen Peng, honorary chairman of China Book Association, Xiao Ping, a famous appraiser in China, Su Shizhu, president of China Calligraphy and Painting Collectors Association, Sun Yiqing, director of National Cultural Heritage Administration, Wu Shaohua, president of Shanghai Collectors Association, etc. More than 80 media reports including CCTV, China Collection and Yachang.com. According to the report, Jiangsu Art Network created a special topic "National Treasure Lin Sanzhi Handscroll". 20 10 in April, Lin Sanzhi Research Association, Cultural Relics Publishing House and descendants of Lin Sanzhi jointly published this work as a book "Lin Sanzhi-China Friendship Poetry and Calligraphy", which was distributed nationwide to commemorate the 20th anniversary of Mr. Lin Sanzhi's death.
The extremely high artistic value, historical value and academic value determine the market price of the first cursive script in Lin Sanzhi, which is not based on size, but on quality and pieces. If it must be calculated by feet, it will be at least dozens of times the price of general cursive script in Lin Sanzhi, or even higher. We should stand at the peak of human art, and go beyond nationality, skin color, language and national boundaries to evaluate the top works of art such as Lin Sanzhi's first cursive script. Lin Sanzhi's first cursive script belongs to China in China, and it also belongs to human beings in the world. 1989 was seriously ill in July. From June 5 to 10, the condition deteriorated further. He knew he was dying. One morning, he woke up and suddenly asked for a pen and paper to write down the words "Born to be a Buddha". He died on February 6, 65438 at the age of 92. Why was Mr Lin Sanzhi buried in Historical Records? First, Mr. Lin Sanzhi admired Li Bai's character and talent all his life. "Tomb-Sweeping Day" 1982, Mr. Lin wrote an epitaph for the late Mrs. Sheng: "The mountains of Cuiluo are beautiful, the sun is shining, and the young woman's voice is near; There is a cup of static soil behind me, and Junyong is beside this violet. " (Cuiluo Mountain is the Rocky Mountain, and Li Bai is a violet layman). Choose the cemetery near Taibailou, take poetry as the neighbor, and become a world-class dialect with two unique poems and books; Second, Lin Sanzhi was born in Wujiang, Anhui, and Jiangpu, Nanjing (this Wujiang River is where Xiang Yu committed suicide. Although the two Wujiang rivers are separated by two provinces, they are actually only separated by 13 km). Take the tools of crossing the river in Quarrying. Lin Sanzhi had been to Quarry Collection for more than a dozen times before his death, looking for the remains of his predecessors, facing the rolling Yangtze River, overlooking his hometown, sketching and painting, expressing his feelings without feeling. "Quarrying Collection" is outside Mr. Lin's heart and belongs to his hometown.