How to remove watermarks from PS without traces? The method of removing watermarks from PS without traces is: 1. Open the picture to be processed; 2. Select the lasso tool and circle the watermark part; 3. Right-click the mouse. Edit-Fill; 4. Click Content Identification, and finally click OK. Graphic design is the most widely used field of Photoshop. Whether it is book covers, invitations, or posters, these graphic prints usually require Photoshop software to process images. Adobe Photoshop is an image processing software developed and distributed by Adobe Systems. It mainly processes digital images composed of pixels. Use its numerous editing and drawing tools to effectively edit pictures. PS has many functions, covering images, graphics, text, videos, publishing and other aspects. Supported systems include Windows, Android and MacOS. Linux operating system users can use Wine to run Adobe Photoshop. Tutorial on how to remove watermarks in PS
Usually when we download pictures from some material websites, we will inevitably bring some watermarks, which reduces the overall beauty of the pictures a lot. The editor below will show you how to remove watermarks in PS Tutorial, everyone is welcome to read it for reference, I hope it can help everyone!
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ps go Watermark Tutorial
1. Spot Repair Brush Tool
When using the Spot Repair Brush Tool, you only need to determine the location of the image that needs to be repaired, adjust the brush size, and move the mouse to confirm. The location that needs to be repaired is automatically matched, so it is more practical in actual applications and easy to operate. It is one of the commonly used tools for watermark removal and portrait refinement.
First, we open a tape. Materials with watermarks
Select the stain repair brush tool in the left toolbar, adjust the size of the brush, and smear the text
The watermark will disappear with just one swipe, right? It is very convenient and quick. If it feels unnatural to the surrounding images when applying, we can reduce the hardness of the brush to make it softer
2. Use the imitation stamp tool
The Clone Stamp tool first samples an image and then applies the sample to other images or other parts of the same image. The sampling method is to hold down the Alt key and click the mouse to select a sample. The style does not comply, and you can resample at any time, and you can also use the opacity and flow settings in the options bar to achieve the best results. The disadvantage is that the operation is too slow.
Here we still use the previous one. Take a picture, then select the Clone Stamp tool in the toolbar, hold down the Alt key, and when the mouse pointer changes to a mark similar to a target, we select a part of the image to sample.
After sampling the text. After smearing some parts, we resample and then smudge, and the watermark is removed very simply.
3. Content recognition
The principle of content recognition is that the software automatically analyzes the surrounding images. Characteristics of splicing and combining images, filling in the area and blending them to achieve a fast and seamless splicing effect
First we use the rectangular marquee tool (any tool that can make a selection will do) Make a selection and select the location of the watermark
Then execute-Edit-Fill-Selected Content Fill and OK
Four. Use the patch tool
The patch tool works. The principle is mainly to replace the selected part
We use the repair tool to select the text watermark,
hold down the left mouse button and drag the selected area to a suitable place
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It is also very simple and convenient.
5. Select nearby areas to cover
First, we use the rectangular marquee tool to select an area. The following one is relatively simple. If there are irregular edges, use quick selection, lasso, and pen tools to make selections
Ctrl+J to copy a layer, then drag the copied layer onto the text to cover it,< /p>
You can clearly see the obvious edges. Next, we select the eraser tool, reduce the opacity and flow and apply it.
Photoshop learning methods
1. Attitude and purpose
1. We learn PS so that we can work in an advertising company without involving artistic creation (such as in Painting in PS. Never have this understanding.) And the "painting" in the industrial design model has no practical value.
2. When facing the canvas, don't try to draw anything on it. PS is a Digital graphics technology. For example, if you want to draw a pentagon, you can find this SHAPE in the software. All you have to do is drag, deform, zoom in, fill, change color, etc.
3. Start Filters and imitating tutorials will not do you any good. You must start basic training first.
2. Purposeful training
I have always advocated for everything. "train".
When I was a child, I exercised, doing leg press and running in the morning.
Learning English later was also a kind of training.
Not everyone has talent.
So targeted training must be carried out.
When training a certain skill in the past, I would often draw up a detailed time plan.
For example, from what time to what time, do dozens of push-ups, several groups of several.
When we learn PS, why not carry out systematic training? We must know that the scattered experience gained by attending forums and watching tutorials cannot support a complete technical system.
I think the following three aspects of basic training are more important.
1. Styling ability
A. Many beautiful shapes can be made through various modes of selection.
B. Strengthen pen tool training (understand the principles thoroughly and insist on using the pen to draw 10 pictures every day)
C. Combination of points, lines and surfaces.
Use these basic elements to arrange and combine.
Then replace these points, lines and surfaces with specific graphic elements
D. Be sure to be sensitive to size. Get used to using reference lines and auxiliary lines.
Strive for accuracy.
You will know the importance of this habit when you make samples in the future.
E. Other things to be added
The training and cultivation of modeling ability is very important.
You don’t have to create any effects, you just need to start with a basic understanding and in-depth understanding of modeling.
Because only in this way will you be able to master it later.
2. Color application
A. A very important feature of PS is color.
You can start training in this area.
B. Filling. It is also very important. Basic qualities, gradients, circles, etc. Anyway, you can fill it in another way.
Then fill in the selection, fill in various selections, take the trouble.
We see that many effects are actually obtained by the reasonable use of filling.
So it is important to understand the importance of padding.
C. Remember one sentence: red, yellow, blue, green.
As long as there are these four colors.
It is absolutely brilliant.
D. Buy a small diary.
Record: What color and what color, it looks good.
E. That’s all for now, others will be added.
3. Overall project grasp (relatively obscure, but I don’t know what words to use appropriately)
A. When you open the software, you need to know where the functions I need are available. turn up.
B. What is the current status of the panel on the right.
C. Think carefully about an effect and are there other ways to achieve it?
D. Spend some time trying to understand conceptual things (such as channels, curves, masks, etc. Etc. )
E. That’s all for now, others will be added.
3. Improve in actual combat
Many people agree with this point.
Study and apply, see more, do more, think more. Three more policies.
You must have a correct attitude at the beginning. Looking at the human-like CG made by experts is actually of no use to improving your own skills.
What we need is to master the most basic instructions for using PS, a powerful digital machine.
Instead of using this machine to produce our patented products.
Of course, if you get to the day when you can produce the product, then hurry up and put it into production...
Good luck...< /p>
The process of how a novice can learn PS software well
1. Learning PS well does not happen overnight. Interest---is a good start on the road to becoming a PS master: If you are not interested in PS yourself and just deliberately learn it because of work needs, then no matter which master's tutorial you read or which one you join, Under the tutelage of PS masters, you can only learn a little bit.
2. Aesthetic basis: This is very important. When many students come to study, some of them have been doing PS for many years. Why have they not made any progress? Some people start to complain that they are stupid, or that they don’t have a good teacher to help them make progress? The topic that most people complain about is the photo studio. Mechanical work makes oneself too numb.
In fact, in the final analysis, it is a weak aesthetic foundation.
So how to improve your own aesthetics? Or is there a teacher who specializes in teaching you aesthetics courses? In fact, although everyone’s aesthetics is very different, it remains the same. And art teaches you how to appreciate things. Appropriate tuition in some art basics is very important for your PS.
3. Is color mixing difficult to learn?
This is a sentence that many students often ask: It’s like someone asking you, does the beer taste good? Is the ice cream delicious? So and so Is the movie good? Different people will come up with different answers: Whether color correction is difficult to learn or not, the most important thing depends on your own grasp of color and acceptance ability: because color correction involves light and shadow, color, aesthetics, etc. It's not just as simple as playing around with a few tools.
Many students are proficient in PS tools far beyond my speed. They can even close their eyes and quickly call up the corresponding tools: but this does not mean that your color grading skills are very good. sharp. Color is a huge knowledge, and it can be explained by more than just a few tools and channels of PS?
4. Can I learn PS without a foundation in art?
Of course you can learn this !Take me as an example. I have never studied art professionally, and I have never received formal and systematic training in even the most basic sketching. Art is only part of my hobby. In your spare time, spend some time and simply understand it. Of course, it would be better for system majors who have studied art and then studied PS and then color grading. Because color matching involves the basics of art. So don’t make excuses saying that you don’t have time to study art. You don’t need to study it specifically. As long as you are willing, you can always squeeze out the time.
5. Can older people still learn PS?
There is no age when learning PS. As long as you want to learn, there is nothing you cannot learn. It’s just that older friends don’t have as deep a memory as young people. But you won’t forget it after learning it. Unless you learn it, you have never practiced PS. Many of my students are over fifty, but their enthusiasm for learning is by no means inferior to that of young people. The so-called happiness in old age. Learning some PS can really add some color and happiness to your life.
6. After learning PS, are there some technologies that cannot be applied?
Any PS technology has its corresponding functions. It’s not that it can’t be applied, it’s that it can’t be used.
One reason is: the photographer’s work cannot impress you. This is very important. That’s why you have no inspiration and no PS.
Another reason: I still don’t know how to analyze photos, or I don’t analyze them correctly. Once your analysis is wrong, your next steps and tools will always be wrong.
7. The higher the PS version, the stronger the function?
Students who are just starting out do not know much about the level and functions of the PS version. But many people think that the higher the version, the more beautiful pictures can be produced. In other words, the higher the version, the more powerful the functions inside. In fact, for color correction and image editing, any version of PS can be adjusted. On the contrary, the lower the version, the faster the operation. Because there are relatively few plug-ins included, it runs very quickly. Although every upgrade to a new version will bring some surprises, because every version upgrade will add some new features or optimize some interfaces. It stands to reason that the higher the version, the better, but you may not be able to use some functions. No matter how the software is upgraded, the original functions and usage methods will not change. Personally, the CS3 version that is currently the best and I prefer is version 10.0.
But some original files must be opened with the latest PS version. This varies from person to person.
8. Is it useful to learn PS tutorials on the Internet?
Because many students suffer from the lack of teacher guidance when they first learn, or due to work reasons, they cannot take so much time off temporarily. Go to a training class. They can only learn through the Internet.
The Internet era has brought us great convenience. Many PS websites and photography websites will publish some PS tutorials from time to time. It provides a learning platform for those friends who cannot participate in field study due to special circumstances. However, the PS tutorials on this platform are diverse and mixed, which makes many students who are just getting started go astray. Because online PS tutorials do not have a professional to supervise and evaluate technology to review whether the tutorial is qualified and correct. Everyone is wandering around the Internet. Wrong and right, good and bad, are difficult to distinguish.
The same tutorial on different websites will produce different effects after being forwarded. Many parameters and fonts are full of errors. Sometimes the expression of a word is not accurate, and the edited photos will be completely different.
So my suggestion, if you don’t have any foundation, is to go to a bookstore and buy professional PS technology books and videos to learn.
For those who have a foundation in PS and can distinguish the advantages and disadvantages of some PS technologies, you can refer to their ideas and methods appropriately, and select the essence and discard the dross.
9. When you first start learning PS, can you imitate it?
It is absolutely possible to imitate, and I even highly recommend imitating it. Although you have just started learning PS, at least you can still distinguish what kind of works you like and what you don't like.
Although you can’t tell why you like it, or what’s good or bad about other people’s works. But you can rely on your intuition, use the works you think are good as objects of imitation, and practice them repeatedly.
In this way, we can slowly discover the rules in imitation. After a certain stage, stop imitating blindly. Because if you want to break through yourself, you can't always repeat the footsteps of others. It is best to have a teacher to guide you when imitating, so that you can know how accurate your imitation is? What else do you lack?
Photoshop learning steps
First, master the operating skills carefully. Lay the foundation.
It will take at least a few months to memorize and familiarize with the location, function, usage and effect of various commonly used commands;
The second is to solidly organize knowledge systematically and improve know.
For the learned operating techniques, you must not only be able to repeat them independently, but also understand the knowledge points involved, know what they are, and why they are so.
Every exercise in the book is designed with good intentions. You must understand the relationship between each exercise and the connection between each part, and gradually establish a complete and clear mind. The operating system enables one's own operations to move from necessity to freedom;
The third is to take the initiative to undertake production tasks and accumulate experience.
Now you can find some jobs to try.
Put the knowledge you have learned into practice.
Of course there will be situations where you lose sight of one thing and are in a hurry. As long as you deal with the problem calmly and face it bravely, you will find that you are capable;
The fourth is to extensively dabble in related fields. , enrich yourself.
At this time, you already know which aspects should be deepened, which skills need to be improved urgently, and which knowledge should be expanded.
Be proactive in learning, seeing and doing.
10. To learn PS, do you need to know something about photography?
The answer is yes! Why do you say this? Because photography and post-production are inseparable, especially today’s digital In this era, almost every photographic work will use post-processing to enhance the beauty of the work to a greater or lesser extent. Don’t think that in the film era, there is no post-processing. The darkroom at that time was, to put it bluntly, post-production. Some tools in PS are relatively easy to master, but some methods and principles of color adjustment are more difficult. Light and shadow are the most commonly used and basic things in photography. So some people say that photography is the art of light and shadow.
You also need to master this knowledge for post-production color grading and image retouching. To be precise, color grading is also adjusting light and shadow. We know that in PS, RGB mode is the mode of light. RGB is the three primary colors of PS. It is not the color of paint, but the color of light. Therefore, a proper understanding of some photography knowledge will be of great help to you in learning PS.
11. Can a laptop be used for color grading?
Strictly speaking, current laptops cannot be used for color grading. Even if it is a laptop with an IPS panel, there will be corresponding differences. If you are not too strict about the color, you can buy one for practice. For monitors that are more practical and affordable, I recommend ASUS and Dell. Note that only IPS panels can be used for color adjustment. If you have a lot of money, you can buy those from Eizo and Apple.
12. How to get inspiration in PS?
This must be a topic that many students are often concerned about. In fact, this is not too difficult, as long as you put some thought into it. Do you like watching movies? Especially some blockbusters with eye-catching post-production special effects, they will be your source of inspiration. If you don’t have time to watch it, you can go to the movie forum to download their posters.
No matter the color or design, it is worth learning. Do you like fashion magazines? The pictures in them, whether they are photography or colors, will give you new energy and make your inspiration active again. In the words of a great man, life is not a lack of beauty, but a lack of discovery of beauty.
13. If you have just learned PS, where should you start?
Most students do not have a solid foundation and want to learn more advanced courses. This will cause the progress of the entire course to be very slow, and It will also have a negative impact on the students themselves - they will think that PS becomes more difficult the more they learn. Because the basics are so important to PS scholars, some people don’t even know how to use the most basic tools, so they want to learn creative synthesis and advanced color correction. They always think that advanced courses will explain it in more depth and detail.
In fact, it is not. Advanced courses are all built on the basis of elementary courses. Without a good foundation as a foundation, it is difficult to understand the rationale. Some people have been working in post-production studios for many years and still don’t even understand what a channel is. I don't even know anything about applying images, channel mixers, gradient maps, etc.
These are all within the basic scope. At least you need to understand the functions and functions of these tools in order to better progress towards becoming a PS master. Therefore, for beginners to learn PS, laying a solid foundation is the top priority.
14. Is there any conflict between PS and photography?
Although PS has been developed for some time, compared with photography, it is still in its infancy. Since the camera was invented by the French in 1839, it has gone through a development path of nearly 200 years.
Computers, scientifically known as electronic computers, were born in 1946: Photoshop 1.0 was born in February 1990, less than 30 years ago. For some senior photography seniors, there are still many people who more or less reject PS. From their point of view, photography is photography. It is an independent art of light and shadow and does not tolerate the "mixing" of any external components. PS is PS, it can only be a computer software.
Once PS is incorporated into photography, it cannot be considered photography. Of course, these views are correct from their standpoint. After all, they do not have more time to understand PS and delve into its magical functions. I think that with the continuous development and advancement of science and technology, and the continuous updating and reform of digital technology, the reason why digital cameras are digital is that they must combine digital technology and art with the advantages of the camera itself to create a greater digital art. This digital art is far beyond what simple photography technology can achieve. And human thinking will gradually change with the development of the technological era.
There is not only no conflict between PS and photography. And they will complement each other. The perfect combination between them will produce a more beautiful image.
15. How to make good use of PS tools?
There are not many commonly used PS tools, but each tool has its own unique usage methods and techniques. Levels and curves can both be used to adjust colors and improve brightness/contrast. Why was curves invented and there was an additional level?
Isn’t it possible to use one of these tools? Of course not. Since they can both exist at the same time, there must be a reason for their existence. Because many people don't understand their characteristics, they blindly use them when mixing colors. When learning these tools, you must not only find out their major similarities, but also distinguish their differences, so that you can use their characteristics faster and more accurately when color mixing.
16. How to distinguish between good and bad PS works?
To measure whether a person’s PS works are qualified, it depends on whether the highlights of the image are too exposed and whether the details in the dark parts are still there. It can reflect whether the mid-tone transition is natural, whether the color and content of the image are coordinated, whether the clothing, weather and expressions of different scenes can be adjusted accordingly, etc. If you like a person's work, it may only take one glance. But it takes a long time to analyze one's work.
Some people, due to their own vision and aesthetics, have not yet discovered the shortcomings of other people's works, so the works you like may not be considered qualified works.
17. How can you get better results from your own photos?
Nowadays, digital SLR cameras are very popular and the threshold is low. Many people Can be consumed. Just pick up the camera, press the shutter button, and under the right circumstances, you can take a good image. But as time went by, I always felt that the images I took were too ordinary. No matter what I took, it seemed like I was taking souvenir travel photos. That means it’s time for you to learn PS.
To shoot your own works, you must first have an idea.
For example, if you want to shoot a sweet type and simply express the shyness and innocence of a girl, then in PS post-production, execute LAB mode, adjust the color level, and adjust the A and B channels, Make adjustments and you'll get unexpected results. Different expression techniques will also have corresponding colors in post-processing. For example, to express sadness, you can use cool colors such as blue and cyan, and to express happiness, you can use warm colors such as red. Of course, this is just a simple idea and analysis. The specific operations will be discussed in future tutorials. Detailed breakdown.
18. What kind of person can learn PS well?
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