The mountain grazes Wei Yun, the sky sticks to the grass, and the horn sounds like a broken door.
Rotting grass: hay. Horn painting: a horn used in the army. Breakthrough: Do it. Qiao Qi City Gate: Drum Tower, built on the city to monitor the enemy. Write three sentences about the isolated city of autumn scenery.
Su Shi once compared Qin to: Shan Mo Qin Xueshi.
Full text:
The mountain is painted with Wei Yun, the sky is sticky with rotten grass, and the horn is painted to break the door. Suspend the collection, and talk about * * * leading away from the statue. How many Penglai past events, looking back, are all fog. Outside the sunset, Western jackdaw in the west counts, and the water flows around the lonely village. Fascinating. At this time, the sachet is dark and the ribbon is light. Win a reputation as a brothel. When can I see you here? There are tears on the front sleeve. At the scene of the injury, the high city was in ruins and the lights were dim.
Qin Guan's famous poem Man Ting Square was written in his early years.
The mountain is painted with Wei Yun, the sky is sticky with rotten grass, and the horn is painted to break the door. Suspend the collection, and talk about * * * leading away from the statue. How many Penglai past events, looking back, are all fog. Outside the sunset, Western jackdaw in the west counts, and the water flows around the lonely village. Fascinating. At this time, the sachet is dark and the ribbon is light. Win a reputation as a brothel. When can I see you here? There are tears on the front sleeve. At the scene of the injury, the high city was in ruins and the lights were dim.
The ci is about the love affair with a geisha, and at the same time, it is integrated into her own life experience. As Zhou Ji said in Selected Poems of Song Sijia: "It is another way to combine the feeling of life experience with lust." At that time, Qin Guan's poetry creation was quite famous in the literary world, but it did not make progress politically. This feeling is contained in the word "a man wins a brothel and has a bad reputation". But the keynote that runs through the whole word is sadness, and the "sense of life experience" is not very prominent.
The scenery in the first three sentences is what you see and hear, and it has always been enjoyed by people. The author pays attention to the overall situation and drops ink in the details. The two sentences of "wiping the mountain" and "heavenly stick" are refined and cast, which is of great skill. The word "wipe" is novel and unique. Looking at the road that is about to leave Dengcheng in the distance, the fragments of Wei Yun seem to be smeared on the mountain peak. This picture seems quiet, but it is full of movement, because "wiping" requires actors and is generally used for painting. The same is true of the word "sticky". The horizon in sight sticks to the rotten grass, and the still picture also implies action. The words "wipe" and "sticky" vividly depict the expressions of "Wei Yun" and "Hay", and describe the characteristics of seasons and dusk. There is silence in the movement, and the poet's departure at this moment has the function of "rubbing" and "sticking", and he can't get rid of it. Therefore, the scenery seen and heard is closely combined with the reluctant parting, which sets off the inseparable feelings of the poet when he looks at it from afar. The phrase "painting corners and breaking sounds" hit the poet's heart with a harsh voice. How can this situation not be heartbreaking! In ancient poetry, horns are often used to set off bleak scenes, such as Li He's wild goose gate, the horn in autumn, Fan Zhongyan's fisherman's lofty sentiments, horns rising in all directions, Shen Yuan in Lu You, a corner of the city's sunset painting, and Yangzhou in Jiang Kui. Therefore, for the poet, this bugle is undoubtedly playing a sad farewell sound. "Bridge Gate", that is, "arcade", is a tall building built on the city gate in ancient times to observe the enemy's situation. This introduces the whole word into different specific positions. These three sentences have shown superb skills and achieved great success in expressing feelings through scenery and embodying feelings in scenery. In just fourteen words, it not only explains the characteristics of season, time and climate, but also writes the distant view and close view, and at the same time sets off the atmosphere from the aspects of picture, color and sound. Therefore, in the first three sentences, we can't simply think that the words "wipe" and "stick" are appropriate and ingenious.
In the middle five sentences, it is written that when the ship is about to leave, the singer who is in love with the author says goodbye in a hurry. However, this process is all empty words, and the author only used two sentences: "suspend the collection and talk about * * * to lead away from respect" and hastily explained the past. Farewell dinner is inevitable. This scene is consistent with Liu Yong's Lin Yuling's "Du Menzhang is ruthless in drinking", but the difference is that Liu Yong directly points out "ruthlessness", while Qin Guan writes more implicitly. Similarly, when "* * * pulls away from respect", it is inevitable to recall the past, but the author just perfunctory the past with the words "looking back in vain, clouds in succession" without any specific explanation. Leaving here, the past is like smoke, and looking back is lost. But it is this way of writing that profoundly shows the author's unforgettable feelings for Penglai Old Story. Those "past events" are as hazy and confusing as "smoke", with no end, and dreams are as soft and illusory as they never actually happened. But the relentless parting is really in sight. At this moment, they hardly dared to look at each other, so they had to look at the sky from a distance: I saw the sunset shining on Western jackdaw in the west at a certain moment, and the flashing river surrounded the lonely village. These three sentences, "Beyond the Sunset", conjure up feelings at the scene and associate them with the pain of people who are heartbroken at the end of the world, but they are all expressed in the language of the scene and will not be revealed. In the vast space, "western Western jackdaw" and "lonely village" are extremely insignificant. Then, in the vast sea of people, aren't tourists and guests equally small and lonely? Although the last three sentences in the last film are quite poetic, the author changes the neat five words into the language of uneven levels of words, which are intertwined with the feelings of parting in autumn and echo the opening three sentences, making them an organic part of the whole word. Late autumn scenery, such as in front of you; Render parting feelings and empathize with them. As Chao quoted these words in Volume 21 of Poet Jade Scrap, "Although you can't read, you know that you were born with good words."
In the next film, use the word "ecstasy" to cover up feelings and state a topic. Jiang Yan said in "Hate Fu": "People who are ecstatic just leave!" So the meaning of the word "ecstasy" is very rich. "At this moment, the sachet has been hidden and the ribbon is light." The author vividly illustrates this point with two details and two actions. Take off the "sachet" worn on your body and give it away, suggesting that they are whispering about their children's affair. The word "light" symbolizes the ease of separation, which leads to the next sentence. Here, Du Mu's poems are used to sum up all this: "Man wins, brothel exists in name only". On the one hand, these two sentences describe the depth of their negative emotions, and at the same time, they also reflect the resentment that the poet was frustrated in fame and had to leave in a hurry. Therefore, this parting is really not because of my "bad luck". Here is a complement: "When did I see you here?" There is no doubt that this is a denial of "giving her fickle love" On the other hand, this is knowing perfectly well past asking, and both sides know clearly that if they leave here, they will never see each other again. Let's answer this naturally with "there are tears on the sleeves". There are several ups and downs in this passage, and every ups and downs are permeated with the feeling of the author's life depravity. The last three sentences use the poem "The high city has gone, and the feelings belong to the people in the city" in Tang Ouyang Zhan's Thoughts on the Way to Taiyuan, with the theme of scenery. "Looking from the high city, the lights are already dusk", which is what the ship sees in the river, and implies the passage of time, echoing the opening two sentences and seeing the speed of parting. Finally, it fully expresses the author's sad situation and reluctant feelings after leaving.
This is a famous poem widely praised by Su Shi. On the one hand, he called Qin Guan "Wei Yun Qin Xueshi", on the other hand, he criticized Qin Guan for his low tone. He said to him, "I didn't mean to say goodbye, I learned Liu Qi's lyrics." Liu Yong was very dissatisfied with Qin. Qin Guan argued: "Although some people have no learning, it is better to have it." Dongpo said, "'Forget me, this is the moment', isn't it Liu Qiyu?" In fact, although Qin Guan's ci was influenced by Liu Yong, Qin Guan was, after all, a pure-hearted poet and an original poet in art. As far as this word is concerned, the author is passionate but calm. Choosing words and making sentences means new language skills, but it is also the beauty of nature, euphemistic and implicit, which is obviously different from Liu Yong's ci style. Four years after the publication of Tieweishan Tan, Qin Guan's son-in-law Fan Wen was unknown at a banquet for distinguished guests. During the dinner, a waiter "sang long and short sentences" and asked, "Who is this lang?" Fan Wen himself replied, "You are the son-in-law of Summer Wei Yun." This can explain the universality of the word at that time.