Feng Zengmu China painting and calligraphy zhuangbiao
Advanced technical articles
Chapter I Painting and Calligraphy Mounting Equipment and Tools
Section 1 Equipment
Section 2 Tools
In the third quarter, cases, money and some gadgets.
Chapter II Painting and Calligraphy Mounting Materials
The first quarter twill silk
Section 2 Papermounting
In the third quarter, the poles of heaven and earth and the shaft head
Section 4 Paste
Section 5 Other auxiliary materials
Section 6 List of Types and Specifications of Paper for Painting and Calligraphy
Chapter III Preparation of Painting and Calligraphy Mounting
The first section making paste
Dyed twill silk in the second quarter
Section 3 Supporting Dye Paper
The fourth quarter brocade silk
Section 5 Other preparatory work
Section 6 Problems needing attention in supporting materials
Chapter IV Style, Specification and Color Matching of Mounted Paintings and Calligraphy
Section 1 Styles and Materials
Section 2 Design of Installation Specification
Section 3 Blanking Specification Sheet
Section 4 Color Matching of Inserts
Chapter V General Painting and Calligraphy Mounting Procedures
The first part of the heart.
The second quarter square heart
Section 3 blanking
Section 4 Mosaic Work
Section 5 chess change
Section 6 Back to the Edge
Section 7 Fold and Paste the Serial Port
Section 8 Back Cover
Section 9 Earning money
Section 10 Calendering and Finishing
Section 1 1 Batch string and measuring rod
The first 12 moderation bar
Section 13 on the pole
Section 14 Tie the sash.
Section 15 inspection and repair
Chapter VI Mounting Procedures for Huge Paintings and Calligraphy
The first part of the heart.
The second quarter square heart
Section 3 blanking and live broadcast.
Section 4 Cover the back
Section 5 Loading plate
Chapter VII Handroll Installation Procedure
The first section the structure of the hand roll
Section 2 Blanking and Color Matching of Hand Rolls
Section 3 Mosaic Method of Handroll
Section 4 edge processing of hand roll
Section 5 The back of the hand roll
Section 6 The upper pole of the hand roll
Chapter VIII Album Mounting Procedures
The first section opens the plate photo album
Section 2 Batch Albums
Section 3 Blank Album
Chapter IX Excavation and Restoration of Ancient Paintings and Calligraphy
The first part is stuffy and humid.
Section 2 Wash the mind
The third section reveals the heart
Section 4 Repair
Section 5 Trust
Section 6 Disposal of Lead Return
Section 7 panchromatic
Section 8 Embedding
Section 9 Problems in Uncovering and Mounting Ancient Paintings and Calligraphy
Chapter 10 Painting and Calligraphy in Rush Mounting and Mounting Activities by Foreign Paper Companies
The first section emergency installation method
Section 2 Mounting of Movable Paintings and Calligraphy of Foreign Paper Companies
The third section of all kinds of board paste system
The fourth section sand pipe manufacturing method
Chapter 1 1 How to install a wall chart
Section 1 splicing
Section 2 Mosaic Project
The third part covers the back.
On the pole in the fourth quarter
Section 5 Folding Installation Method
Chapter XII Causes and Solutions of Deformation of Mounted Parts of Painting and Calligraphy
The first section the basic principle of expansion and contraction
Section 2 Selection of Inserts and Backing Paper
Section 3 Use of Solder Paste and Deformation of Installation Parts
Section 4 Operation method and deformation of installation parts
Section 5 Deformation of Heaven and Earth Pole and Mounting Parts
Section 6 Season, Weather and Deformation of Installation Parts
Section 7 Reasons for Width Folding of Mounting Parts
Section 8 Reasons for Uneven End of Mounted Parts after Roll-up
Chapter 13 Installation and Scattering Theory
Learn how to install door frames in the first section.
Section 2 Basic Standards and Requirements for Painting and Calligraphy Mounting
The third section talks about the accuracy of framed calligraphy and painting.
Section 4 Use and Maintenance of Main Equipment and Tools
Section 5 Environment and Season of Mounted Paintings and Calligraphy
Section 6 Installation of machines and installation of new materials
Low literacy chapter
The first chapter is the compilation and interpretation of professional terms of painting and calligraphy mounting.
Section 1 "Mounting" and Its Synonym Interpretation
Section 2 Name of Installation Method
Section 3 Names of Parts of Painting and Calligraphy Mounting Part
Section 4 Name of Installation Operating Procedure
Section 5 Other Related Names
Chapter II Historical Evolution of Mounting Technology
Section 1 Origin and Development of Installation Technology
Section 2 Inheritance and Innovation of Mounting Technology
Section III Significance and Function of Painting and Calligraphy Mounting
The fourth part discusses the cultural accomplishment of the mounter.
Chapter III Appreciation and Collection of China's Calligraphy and Painting.
The first section discusses the collection value of China's paintings and calligraphy.
The second section rambles on the appreciation of China's calligraphy and painting.
The third section on the appraisal of China's paintings and calligraphy.
The fourth quarter: nine questions about purchasing and collecting famous paintings and calligraphy.
Section 5 How to Collect Paintings and Calligraphy
Section 6 Eight Questions about Painting and Calligraphy Mounting Collection
Section 7 Painting and Calligraphy Packaging
The fourth chapter discusses the application of paper, ink and color in China's painting and calligraphy from the perspective of mounting and collection.
Section 1 Paper for Painting and Calligraphy
Section 2 Ink for Painting and Calligraphy
Section 3 Colors in Painting
The fourth quarter China calligraphy and painting inscription seal.
Chapter V Operation and Management of Mounting Business
appendix
Appendix I Notes and Translation of On the Optical Axis of the Backframe by Tang Yanyuan
Appendix II Notes and Translation of Tang Yanyuan's Reading and Playing Forensic Medicine Collection
Appendix III Annotation and Translation of Painting and Calligraphy Style of Song Shaoxing Imperial Garden
Annotation and translation of decorative records of Ming history around appendix 4
The Annotation and Translation of Appreciating Yan Su's New Records in Appendix V "A Study of Qing Tuesday"
Appendix VI Annotation and Translation of Excerpts from Zou Yigui's Paintings in Qing Dynasty
postscript