(2) Indus leaves fall: Indus leaves fall one by one.
(3) Green wine: ancient indigenous wine, yellow-green in color, which poets call green wine. The immortal daughter of Feng Yansi in the Southern Tang Dynasty in the Five Dynasties wrote: "A cup of green wine at the spring banquet."
4 Wei Zi Zhu Jin: Flower name. Lagerstroemia indica: a small deciduous tree with red, purple or white flowers that bloom in summer and wither in autumn, so it is also called "Hundred Days Red". Zhu Jin: Red hibiscus, a small deciduous shrub, blooms at the turn of summer and autumn. Also known as Fusang.
But according to: positive.
⑥ Return: Return means that swallows fly back to the south in autumn.
⑦ Silver screen: The screen is inlaid with mica and other things, as white as silver, so it is called silver screen, also known as cloud screen. This poem is characterized by elegant style and luxurious weather. There are some contradictions between them, but the poet unified them and formed a special style to express his personality. Yan Shu, with respect for each other as guests and small lyric poems, won the charm of flowers. Liu Ban's Poems on Zhongshan said: "Yan Youxi wrote lyrics, and what he did did did not diminish his Yuefu." In other words, his style of writing resembles that of Feng Yansi. However, judging from this poem, although its elegant style is like Feng Ci, its luxurious atmosphere is a bit like Wen's works. The extravagance of literary words is mostly manifested in improper choice of words, so Wang Guowei's style of words is "painting a golden partridge". The boldness of strict words is not in appearance, but in spirit. "Every time I talk about wealth, I don't talk about gold and jade, just talk about its weather, such as' flowers on the balcony, swallows in the curtain',' Pear Flower Garden melts the moon, and the catkin pond is faint'." (See Wu Chuhou's Blue Box Miscellaneous Notes. The writing style of this word is similar to the above two situations. It borrowed Chao's evaluation of his son Yan's ci, and created a refined image of "not a middleman in the three villages".
The first part of the word is about sleeping after drunkenness. The first two sentences indicate the time and render the environment in the scene. The golden wind is the autumn wind. In Selected Works, Zhang Xie's Miscellaneous Poems and Golden Fan Festival, Shan Li pointed out: "Autumn is the golden season in the west, so autumn wind is also golden." At this time, it was autumn leaves in the courtyard, and the poets in the painting hall fell asleep after drinking several glasses of green wine. The pen is light and elegant, and the tone seems to be talking to a friend. Its towel "thin" and "leaf" are two groups of overlapping words, end to end, and the melody is harmonious and graceful With the "thin" golden wind, there is no small feeling that autumn wind is used to, but it seems calm and leisurely. When the two nouns "leaves" are used together, the scene of falling leaves unfolds in front of readers, which is very orderly and rhythmic. It has always been sad to write about the phoenix tree falling in autumn, such as Bai Juyi's Song of Eternal Sorrow: "Laka-the leaves fall to the ground, after the autumn rain." Wen Tingyun's "More Leaks": "It rains three nights under the plane tree, and it is more bitter to leave love. A leaf, a voice, and empty footsteps fall into the light. " After generations of poets' pen dyeing, it is sad to hear the autumn wind blowing on the phoenix tree. It is extremely rare for Yan Shu to write so flatly and implicitly. The following sentence "green wine", because of the use of the words "early" and "easy", feels that he doesn't drink much, and he gets drunk after tasting a little. Although it is a faint stroke, it is a companion pen; It was not until the small window pillow sleeps deeply that the main idea of this pen was written. Why does a small glass of wine "get drunk easily"? How can I "sleep deeply" when I am drunk? It turns out that the poet is a little carefree. But it is more worrying to drown your troubles with wine, so it is easy to get drunk when you are deeply worried, and it is easy to get drunk when you are drunk. This idea is especially obvious in the next chapter.
If the first one begins with a drunken sleep last night, then the second one is about the feeling of waking up at dusk the next day. As soon as the poet got drunk, he slept a whole day and a night, and he slept like a log. He didn't say how he felt after waking from a deep sleep, but what he saw through his eye towel reflected his carefree mood and careless behavior. But there is still a trace of sadness in the conclusion. Wei Zi in the film, the name of the plant, blooms in summer; Zhu Jin, flowers bloom in summer and autumn. Shang Kun said that the golden wind was blowing the plane leaves. It was clearly autumn, so the poet looked out from the small window, and the two flowers had withered at the moment. It is worth noting that the buttonwood leaf pendant in front is heard in the ear; The two kinds of flower residues in Houtan are what you see in your eyes. It is through careful observation of the surrounding things that the poet expresses his feelings at this moment. "The setting sun is dry", following the previous sentence, describes a quiet scene. Yan Shu said in the poem "Walking on the Sand": "A sad dream wakes up, and the setting sun shines deep on the courtyard." The situation is similar. The word "lack" is used in both places. If you are a loser, you are right. What is said here is looking up, a touch of sunset, quite the charm of Tao Yuanming's "leisurely seeing Nanshan". However, what the poet saw was not Nanshan, but the residual flowers and the sunset, which seemed to have a helpless mood.
At dusk, the sun sets, which is also "the season when Shuang Yan wants to return". To put it bluntly, this meaning seems irrelevant and irrelevant. However, words are not like poems. They often use such language to reconcile the atmosphere, buffer the rhythm and set off the mood. Wu's "Lotus Story" said: "Love words must have a scene, which is a deep and beautiful feeling." "Swallows want to return" is a scenic phrase, which just played a role in paving the way and setting off the later "Silverscreen was slightly cold last night". Both of them are about to return to their nests, which makes people feel that the poet lives alone without cold. So he thought he was drunk and alone last night. A sad mood and a feeling of loneliness can't help but arise. But he didn't use the familiar words "cold pillow" and "cold", just saying that the screen was a little cold. Love at the scene, implicit, memorable.
The reason why this word has been well received by critics is that it presents a harmonious, calm, elegant and comfortable style that is in line with the poet's rich and distinguished life experience. This style is the product of Dayan's profound cultural upbringing, keen and delicate poet temperament and stable and lofty cabinet position. In this poem, I can't find the melancholy autumn sentiment that poets have always had since Song Yu, but only a subtle taste and feeling about the change of holiday order in a rich and leisurely life. The lyric hero chews leisurely in the elegant and leisurely Xiangfu Garden, savoring the physical and mental feelings brought by the changes of nature when he arrives in Qiu Lai in summer. There is also a trace of leisure worry caused by the change of holiday order and the passage of time, but this leisure worry is faint, delicate and even erratic. Through the description of foreign objects, the author euphemistically vented his unique psychological feelings in this environment, making the whole artistic conception very light and touching.
This word is also a famous article in Zhu Yu's ci. It uses exquisite brushwork and elegant artistic conception to write a comfortable and slightly dull feeling like the rich and elegant literati who just arrived in autumn. Qing Xian, Cheng Hong's Comments on Ci Xie, Volume 1: (Yan Shu's Qing Ping Le [Jin Feng Xi]) The scene is similar, and he turned to Guan Sheng and was complacent without seeking success. The early Song Dynasty was out of reach. (Zhonghua Book Company's Ci Hua Series 1986)
Yu Biyun's Selected Interpretation of Ci Poems in Tang, Five Dynasties and Two Song Dynasties: It is a pure description of the scenery, but at the end of the sentence there is a little meditation, and the feeling is beyond words, which is also lofty in the early Song Dynasty. (Published by Shanghai Ancient Books Publishing House 1985)
Tang Guizhang's Brief Interpretation of Tang and Song Ci: The beauty of this poem is that it is unintentional, natural and gentle. "Golden Wind" two sentences, write the season and climate scenery. "Green wine" two sentences, write drunk lie. "Wei Zi" two sentences, closely linked to the last one, write the scene of waking up, the courtyard is depressed, the autumn flowers are incomplete, and watching the sunset is also boring. The word "Shuang Yan" not only cherishes Yan's return, but also harms others. There are endless words and the rhyme is still better. (Published by Shanghai Ancient Books Publishing House 198 1)
Ye Jiaying's appreciation of geese's ci: In this poem, we can't find the * * * that China poets have always felt, or even the unique deep thinking of geese mentioned in the first point. In this word, it only shows the feelings of a beautiful and slender poet in his leisurely life.